Ritratto di Pérez Celis

Pérez Celis: Catalogo dei 95 dipinti più famosi

Aggiornato Ottobre 2026 · classificato in base al nostro punteggio di popolarità (ricerche, visite e ordini per ogni opera) · 95 opere di Pérez Celis nel nostro catalogo

Riepilogo

Todo es posible, todo existe (1973) è considerata l'opera più famosa di Pérez Celis. Montevideo (1958) e De Natura Rerum (2001) occupano la seconda e la terza posizione. Dei 95 opere di Pérez Celis registrate nel catalogo, le 95 più conosciute sono elencate di seguito, ciascuna con la relativa data, il museo che le conserva e una nota sull'opera.

1939 – 2008, San Telmo Astrazione geometrica Più opere: Statens Museum for Kunst

Dalla 1 alla 10: i dipinti più famosi di Pérez Celis

2
Montevideo (1958) di Pérez Celis

Montevideo

1958 · Painting

Created in 1958, this abstract composition operates through a rigorous interplay of color and form. The work utilizes a primary palette of red and blue, punctuated by a dense field of black dots that disrupt the visual plane. These circular elements are scattered across the surface, creating a sense of depth and rhythmic complexity. The arrangement of shapes suggests a structured, yet non-representational, spatial logic.

3
De Natura Rerum (2001) di Pérez Celis

De Natura Rerum

2001 · Mixed Media

A heavy red field anchors the composition, a deep and steady heat that holds the eye. At the center, a large yellow circle burns with a quiet, singular light. It is a sun caught in a moment of stillness. Smaller circles drift through the red space like distant planets or cells under a lens, creating a sense of depth within the flat plane. Two birds break the geometric silence, one…

5
El pez mágico (1960) di Pérez Celis

El pez mágico

1960

A red field dominates the canvas, a heavy and saturated backdrop that holds the eye. Within this crimson space, black and white designs emerge like shadows or bone. Circles drift across the surface, some expanding to claim territory, others remaining small and tight. The composition is a puzzle of shapes that refuse to settle. Two smaller paintings reside within the larger frame, creating a nested reality that pulls the viewer…

8
Paesaggio Ideale (1968) di Pérez Celis

Paesaggio Ideale

1968 · Pittura

Nel vibrante arazzo dell'astrazione latinoamericana di metà secolo, pochi lavori catturano il battito ritmico dell'esplorazione geometrica con la stessa vivacità di Paesaggio Ideale. Creata nel 1968 dal maestro argentino Celis Pérez, quest'opera funge da finestra su un mondo in cui il colore e la forma trascendono la mera rappresentazione per raggiungere uno stato di puro paesaggio ideale. A un primo sguardo, lo spettatore è accolto da un'estesa e radiosa distesa…

9
Mistico (1997) di Pérez Celis

Mistico

1997 · Pittura

Il dipinto presenta una figura centrale stagliata contro un profondo sfondo blu. Una luce radiosa discende dalla parte superiore della cornice, illuminando il soggetto dall'alto. La figura è caratterizzata da un'aureola circolare che circonda il capo. Lungo tutta la composizione, vari cerchi colorati sono sparsi nel campo visivo, creando un senso di movimento all'interno dello spazio. La tavolozza è composta da toni primari e secondari, nello specifico rossi, blu e…

10
Músico (1956) di Pérez Celis

Músico

1956 · Oil On Canvas

In this 1956 oil on canvas, a solitary figure occupies a shallow, interior space. The composition is defined by bold, angular lines and a flattened perspective that pushes the subject toward the viewer. Dark blues and greens dominate the environment, creating a somber atmosphere that contrasts sharply with the warm reds and browns of the figure's attire. The lighting, appearing to originate from the upper left, casts heavy shadows that…

Pérez Celis, altri risultati: da 11 a 95

11Homenaje a Rafael Squirru (1970) di Pérez CelisHomenaje a Rafael Squirru1970 12Pampa Roja (1968) di Pérez CelisPampa Roja1968 13Mecedora (1956) di Pérez CelisMecedora1956 14Violenta como el ciclón, suave como una rosa (1956) di Pérez CelisViolenta como el ciclón, suave como una rosa1956 15La declaración (1957) di Pérez CelisLa declaración1957 16Rey América (1961) di Pérez CelisRey América1961 17Indoamerica (1960) di Pérez CelisIndoamerica1960 18Indoamerica II (1961) di Pérez CelisIndoamerica II1961 19El sol negro (1966) di Pérez CelisEl sol negro1966 20Caja signo II (1962) di Pérez CelisCaja signo II1962 21Work without title (1962) di Pérez CelisWork without title1962 22Nuestro fantasma (1965) di Pérez CelisNuestro fantasma1965 23Caja signo I (1962) di Pérez CelisCaja signo I1962 24Early work without title (1962) di Pérez CelisEarly work without title1962 25Submundos anteriores (1966) di Pérez CelisSubmundos anteriores1966 26Variación de lo posible y eterno (1966) di Pérez CelisVariación de lo posible y eterno1966 27Mundo a Dios (1966) di Pérez CelisMundo a Dios1966 28Pájaro Sol (1966) di Pérez CelisPájaro Sol1966 29Abstracción (1963) di Pérez CelisAbstracción1963 30Paesaggio extemporaneo (1968) di Pérez CelisPaesaggio extemporaneo1968 31Fecundación solar (1966) di Pérez CelisFecundación solar1966 32Misa Criolla serie (1967) di Pérez CelisMisa Criolla serie1967 33Manos al Sol (1967) di Pérez CelisManos al Sol1967 34Pincen (1968) di Pérez CelisPincen1968 35La insignia defendida por su serpiente (1969) di Pérez CelisLa insignia defendida por su serpiente1969 36Cruz América (1967) di Pérez CelisCruz América1967 37La serpiente llega a la luz (1969) di Pérez CelisLa serpiente llega a la luz1969 38Guatanbú Wood Stencil for engravings book Red Pampa (1968) di Pérez CelisGuatanbú Wood Stencil for engravings book Red Pampa1968 39Misión propria Contruccion -Transformación (1970) di Pérez CelisMisión propria Contruccion -Transformación1970 40Camino a la libertad (1970) di Pérez CelisCamino a la libertad1970 41Destino Pájaro (1973) di Pérez CelisDestino Pájaro1973 42Paisaje y resurrección (1971) di Pérez CelisPaisaje y resurrección1971 43Horizonte extemporal (1972) di Pérez CelisHorizonte extemporal1972 44Al encuentro del camino (1970) di Pérez CelisAl encuentro del camino1970 45Nuestra tarde (1972) di Pérez CelisNuestra tarde1972 46El ojo de América (1972) di Pérez CelisEl ojo de América1972 47Recuerdo pampeano (1973) di Pérez CelisRecuerdo pampeano1973 48Without title (1978) di Pérez CelisWithout title1978 49Without title (1978) di Pérez CelisWithout title1978 50Without title (1978) di Pérez CelisWithout title1978 51Without title (1978) di Pérez CelisWithout title1978 52Crónicas de apertura (1979) di Pérez CelisCrónicas de apertura1979 53Resurección (1979) di Pérez CelisResurección1979 54Without title (1978) di Pérez CelisWithout title1978 55Fuerzas De Origen (1979) di Pérez CelisFuerzas De Origen1979 56Controlar nuestra energía (1981) di Pérez CelisControlar nuestra energía1981 57Horadar Las Fuerzas (1981) di Pérez CelisHoradar Las Fuerzas1981 58El tiempo se estira (1983) di Pérez CelisEl tiempo se estira1983 59Abriendo caminos (1981) di Pérez CelisAbriendo caminos1981 60Espacio roto (1981) di Pérez CelisEspacio roto1981 61Zonas Azules (1981) di Pérez CelisZonas Azules1981 62La presencia (1985) di Pérez CelisLa presencia1985 63Zen (1988) di Pérez CelisZen1988 64Nuestra sangre II (1989) di Pérez CelisNuestra sangre II1989 65(Trazos) Sellados (1988) di Pérez Celis(Trazos) Sellados1988 66Sol Negro emergente (1990) di Pérez CelisSol Negro emergente1990 67Umbilical (1991) di Pérez CelisUmbilical1991 68El último viaje de Ulise (1991) di Pérez CelisEl último viaje de Ulise1991 69Ángel guerrero (1991) di Pérez CelisÁngel guerrero1991 70Guerra Santa (1991) di Pérez CelisGuerra Santa1991 71La fuga del tiempo (1994) di Pérez CelisLa fuga del tiempo1994 72El Libro (1995) di Pérez CelisEl Libro1995 73Espíritu ritual II (1993) di Pérez CelisEspíritu ritual II1993 74Movimiento percutor (1993) di Pérez CelisMovimiento percutor1993 75Libro testigo (1993) di Pérez CelisLibro testigo1993 76La esfera del tiempo (1998) di Pérez CelisLa esfera del tiempo1998 77Mural, El libro de la sabiduría (1998) di Pérez CelisMural, El libro de la sabiduría1998 78Los Ídolos (1997) di Pérez CelisLos Ídolos1997 79Yo me celebro (1998) di Pérez CelisYo me celebro1998 80Camino del conocimiento (1997) di Pérez CelisCamino del conocimiento1997 81Mito y Destino (1997) di Pérez CelisMito y Destino1997 82El Iniciado II (1997) di Pérez CelisEl Iniciado II1997 83Donde el toro avanza (1998) di Pérez CelisDonde el toro avanza1998 84Arm chair intervention (1999) di Pérez CelisArm chair intervention1999 85Chair Intervention (1999) di Pérez CelisChair Intervention1999 86Guerras y Espacio (1999) di Pérez CelisGuerras y Espacio1999 87Viaje al Sur (2005) di Pérez CelisViaje al Sur2005 88Bird in the space (2006) di Pérez CelisBird in the space2006 · Statens Museum for Kunst 89Little bird (2006) di Pérez CelisLittle bird2006 90Red Bird (2006) di Pérez CelisRed Bird2006 91The Rooster 1935 (2006) di Pérez CelisThe Rooster 19352006 92The Kiss (2006) di Pérez CelisThe Kiss2006 93The Rooster (2006) di Pérez CelisThe Rooster2006 94The endless column (2006) di Pérez CelisThe endless column2006 95Bird in the space Gold (2006) di Pérez CelisBird in the space Gold2006

Soggetti principali nelle opere di Pérez Celis

I quattro soggetti più frequentemente rappresentati in queste opere, ognuno con il suo esempio più celebre.

Pérez Celis: presente nei musei

Il museo che custodisce la maggior parte dei dipinti presenti in questa pagina.

Musei Città Opere di Pérez Celis Dipinti di questo elenco
Statens Museum for Kunst, CopenaghenStatens Museum for Kunst Copenaghen 1 Bird in the space

Indice per decennio: il principale dipinto di Pérez Celis di ogni

Opere per decennio

Seleziona un decennio per visualizzarne il dipinto principale.

Domande frequenti sulle opere di Pérez Celis

Qual è l'opera più conosciuta di Pérez Celis?Mostra la risposta

Todo es posible, todo existe (1973). Le seguenti voci sono Montevideo (1958) e De Natura Rerum (2001).

Che età aveva Pérez Celis nell'anno di Todo es posible, todo existe?Mostra la risposta

34 anni: Pérez Celis è nato nel 1939 e Todo es posible, todo existe risale al 1973.

Quali sono le dieci opere più conosciute di Pérez Celis?Mostra la risposta

Todo es posible, todo existe, Montevideo, De Natura Rerum, Self portrait to observe the Jury, El pez mágico, The head First step, Endless, Paesaggio Ideale, Mistico e Músico. L'elenco sopra riporta la data e il museo che conserva ciascuna di esse.

Quante opere di Pérez Celis sono censite nel catalogo?Mostra la risposta

Il catalogo riporta 95 opere di Pérez Celis, datate tra 1956 e 2006.

Dove sono conservate le opere principali di Pérez Celis?Mostra la risposta

Principalmente in Statens Museum for Kunst (Copenaghen). La tabella dei musei sopra riportata indica la distribuzione completa.

In quale periodo Pérez Celis ha prodotto le sue opere più note?Mostra la risposta

In 1960s: 26 delle 95 opere elencate in questa pagina risalgono a quel periodo, inclusa El pez mágico.

Quali sono le prime e le ultime opere più note di Pérez Celis?Mostra la risposta

L'opera più datata elencata qui è del Músico (1956); la più recente è del The head First step (2006).

Quali sono i soggetti trattati più spesso da Pérez Celis?Mostra la risposta

Geometric shapes (5), Color field (5) e Astratto (4), su un totale di 95 opere elencate in questa pagina.

Quale tecnica ha utilizzato più spesso Pérez Celis?Mostra la risposta

Pittura, in 4 delle 95 opere elencate in questa pagina.

A quale movimento artistico è attribuito Pérez Celis?Mostra la risposta

Astrazione geometrica, come documentati dalle opere in questa pagina.

Biografia di Pérez Celis

A Life Immersed in Geometry and Light: The World of Celis Pérez

Celis Pérez, born in the vibrant heart of San Telmo, Argentina, in 1939, emerged as a significant voice in Latin American abstract art. His journey wasn’t one of immediate acclaim but rather a gradual unfolding, beginning with correspondence classes that ignited an early passion and blossoming through formal studies at the Belgrano School of Fine Arts in 1954. Even as a young boy, working as a newsboy, he was absorbing the visual world around him, unknowingly laying the foundation for his future explorations of form and color. Pérez wasn’t simply creating art; he was constructing a visual language rooted in both personal experience and a deep engagement with the artistic currents of his time. His early exposure to drawing and painting through these formative lessons would prove pivotal, setting him on a path toward becoming one of Argentina's most celebrated abstract artists.

The Vasarely Spark and the Rise of Geometric Abstraction

A watershed moment in Pérez’s artistic development arrived with a 1957 retrospective dedicated to Victor Vasarely at the National Fine Arts Museum. This encounter proved transformative, igniting within him a fascination with geometric abstraction that would define much of his subsequent work. Vasarely's precise and systematic approach resonated deeply, prompting Pérez to embark on his own exploration of this visual vocabulary. It wasn’t mere imitation; rather, he absorbed the principles of geometric construction and began to infuse them with his unique sensibility. This influence culminated in 1962 with *Fuerza América*, his first mural—a bold statement that signaled his arrival as a force within the Argentine art scene. This early work wasn’t just an aesthetic exercise; it was a declaration of intent, showcasing his commitment to pushing boundaries and forging a new visual language. The impact of this initial foray into large-scale geometric compositions would reverberate throughout his career.

Exploring Form and Color: Recurring Themes in His Oeuvre

Throughout his prolific artistic output, Pérez consistently prioritized the interplay between form and color—elements he considered inseparable components of conveying emotion and capturing the essence of visual experience. He meticulously crafted compositions that utilized intersecting planes and dynamic brushwork to generate movement and imbue his paintings with a palpable sense of energy. His distinctive style distinguished itself from prevailing trends, establishing him as an innovator who championed a radical departure from representational art. Recurring motifs—such as birds and geometric patterns—became hallmarks of his oeuvre, reflecting both his fascination with natural forms and his unwavering dedication to geometric abstraction. These visual elements weren’t merely decorative; they served as conduits for conveying profound ideas about life's creative forces and the universe's underlying order.

International Recognition and Artistic Collaborations

Pérez’s artistic vision transcended national borders, finding resonance in galleries and museums across Europe and North America. He participated in over 120 solo exhibitions—a remarkable achievement for an artist deeply rooted in Argentine identity—demonstrating the enduring appeal of his work to discerning audiences worldwide. Notably, he showcased his art at prestigious institutions like the Museo Nacional de Bellas Artes in Buenos Aires and the Musée d’Orsay in Paris—a testament to his artistic ambition and a symbol of Argentina's engagement with international culture. He collaborated extensively with fellow artists and intellectuals, fostering dialogues that enriched the broader artistic landscape. His involvement in projects like *La Bombonera*, Boca Juniors stadium mural, cemented his place within Argentine popular culture and underscored his commitment to engaging with communities beyond the confines of the art world.

Legacy: An Enduring Influence on Latin American Art

Celis Pérez’s contribution to Latin American abstract art remains undeniable—a legacy characterized by innovation, stylistic rigor, and a profound engagement with fundamental artistic principles. His pioneering use of geometric abstraction established him as a pivotal figure in the development of modern Argentine painting, influencing subsequent generations of artists who embraced his vision of form and color as instruments for conveying emotion and exploring universal themes. Beyond his formal achievements, Pérez’s unwavering dedication to artistic exploration—embodied in his prolific output and collaborative endeavors—continues to inspire admiration and serves as a reminder of the transformative power of art to transcend boundaries and enrich human experience. His paintings—particularly *Guerra Santa* and *Bird in the Space Gold*, exemplify his mastery of color and form, continuing to captivate audiences today.