10月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 1点の Nikolay Koshelevの作品がカタログにあります
概要
このランキングによると、Self-Portrait (1865)はNikolay Koshelevの最も有名な作品であり、サンクトペテルブルクのエルミタージュ美術館に所蔵されています。 このリストは、カタログに含まれるNikolay Koshelevの1点の作品から、最も有名な1点を厳選したものです。各作品には制作年、所蔵美術館、および解説が記載されています。
The oil painting titled Self-Portrait by Nikolay Koshelev presents a single male figure. This work emerged from Russia in 1865. The artist captures his own likeness, fixing a gaze that meets the viewer through the stillness of the canvas. It is a quiet confrontation between the painter and the painted.
このページに掲載されている絵画を最も多く所蔵している 1 の美術館
| 美術館 | 都市 | Nikolay Koshelevの作品 | このリストの絵画 |
|---|---|---|---|
 エルミタージュ美術館 |
サンクトペテルブルク | 1 | Self-Portrait |
このページに掲載されているNikolay Koshelevの作品は、すべて1865年のものです。
代表的な絵画を表示する年を選択してください。
The oil painting titled Self-Portrait by Nikolay Koshelev presents a single male figure. This work emerged from Russia in 1865. The artist captures his own likeness, fixing a gaze that meets the viewer through the stillness of the canvas. It is a quiet confrontation between the painter and the painted.
Self-Portrait (1865)
25歳：Nikolay Koshelevは1840に生まれ、Self-Portraitの制作年は1865年です。
カタログにはNikolay Koshelevによる1点の作品が記録されています。
主にエルミタージュ美術館 (サンクトペテルブルク)に所蔵されています。詳細な分布については、上記の美術館一覧をご参照ください。
Born to a peasant family of serfs, Nikolay Koshelev began his artistic path in the city of Arzamas. His early years were marked by a self-taught determination; after an unsuccessful apprenticeship to a decorative painter in Nizhni-Novgorod, he taught himself to paint while in the service of a local landowner. His talent eventually led him to the art school in Kazan, where he studied under an expatriate Italian artist named Botelli. This period of development, which included independent work on a monastery wall and an iconostasis, paved the way for his acceptance at the Imperial Academy of Arts in 1860.
As his career progressed, Koshelev became a versatile figure in the Russian art world, specializing in portraits, genre scenes, and icon painting. He was a member of the Artel of Artists and worked alongside Ivan Kramskoi. His technical skill was recognized through various honors, including a gold medal in 1864 and being named an "Academician" in 1873, followed by the title of Professor in 1878. His monumental contributions included painting the main dome at the Cathedral of Christ the Saviour and creating sketches for the mosaics and murals in the Church of the Savior on Blood.
Koshelev's reach extended far beyond Russia. He traveled to Rome in 1880 and later undertook an extended trip to create icons for the new Cathedral of the Most Holy Trinity in Buenos Aires. His professional life was also defined by his involvement in institutional art history; he was one of the founders of the Nizhni-Novgorod Art and Historical Museum and served as an "Inspector" at the Stroganov Moscow State Academy of Arts and Industry. His work can be found in several significant collections, including:
His mural work also left a lasting mark on religious architecture, with frescoes from a cathedral in Warsaw being moved to the Intercession Cathedral in Baranavichy, Belarus.
