学生作品ガイド
著作権 この作品はパブリックドメインです。Kenyon Coxは1919に没し、著作権は没後70年まで保護されるため、1989に終了しました。
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Lengthening Shadows — Kenyon Cox
原寸は 39 × 77 cm (高さ × 幅) で、ここでは平均的な身長の成人と並べて表示しています。
背景色：Kenyon Coxの生涯 (1856–1919) ▲ 本作品、1888
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Lengthening Shadows — Kenyon Cox
The Lengthening Shadows painting, created by Kenyon Cox in 1888, is a stunning example of American art from the late 19th century. This beautiful oil on canvas piece measures 39 x 77 cm and is currently housed at the Smithsonian American Art Museum in the United States.
Kenyon Cox was an American artist, born in 1856, known for his contributions to the American art scene. His work often featured landscapes and portraits, showcasing his skill with oil on canvas. Lengthening Shadows is one of his notable works, demonstrating his ability to capture the essence of a peaceful countryside scene. Key Features of the painting include its use of soft, golden tones to convey a sense of serenity and the gentle slopes of Ohio's rolling hills. The artist's positioning of the viewer at the highest point in the scene emphasizes the depth and perspective within the painting. The Smithsonian American Art Museum describes the piece as a "gentle, grassy slopes of Ohio's rolling hills" which is a perfect example of American landscape art.
For those interested in owning a reproduction of Lengthening Shadows, AllPaintingsStore.com offers hand-made oil painting reproductions. These high-quality reproductions are created by talented artists, ensuring that every detail of the original piece is captured.
Visit AllPaintingsStore.com to explore more about Kenyon Cox and his works.
Learn more about the Smithsonian American Art Museum and its collection on Wikipedia.
The Lengthening Shadows painting is a beautiful representation of American art, showcasing the skill and talent of Kenyon Cox. With its peaceful countryside scene and stunning use of color, it is a piece that continues to captivate audiences today. Whether you are an art enthusiast or simply appreciate the beauty of oil on canvas, Lengthening Shadows is definitely worth exploring further.
アーティストと美術館
Born: October 27, 1856, in Warren, Ohio.
Parents: Jacob Dolson Cox and Helen Finney Cox.
Kenyon Cox initially studied at the Art Academy of Cincinnati (formerly the McMicken School of Art). However, he quickly recognized the limited artistic opportunities available in the city.
Following a visit to the Centennial Exposition in Philadelphia, he decided to pursue further education at the Pennsylvania Academy of Fine Arts, hoping it would lead to studies in Europe.
In 1877, Cox moved to Paris, joining a wave of American artists seeking artistic inspiration. He believed Paris was experiencing a “second renaissance” in art.
Influential Teachers: Carolus-Duran, Jean-Léon Gérôme, and Alexandre Cabanel at the École des Beaux-Arts.
He initially studied under Carolus-Duran but became frustrated with what he perceived as a “vulgarity” in Duran’s style.
Travels throughout France and Italy exposed him to the works of Renaissance masters, profoundly shaping his artistic vision.
In 1882, Cox returned to New York City, where he established himself as a painter and illustrator.
Illustration Work: He became well-known for his magazine illustrations, which reached a wider audience than his paintings.
Art Criticism: Cox also wrote unsigned art criticisms for the New York Evening Post, supplementing his income.
His artistic style leaned towards realism, with a focus on landscapes, portraits, and genre studies. He was known for idealized nudes and traditional treatments of classical themes.
Art Students League of New York: Cox became a highly influential instructor at the Art Students League, shaping generations of artists. He designed the League’s logo featuring the motto “Nulla Dies Sine Linea” (No Day Without a Line).
Elected an Associate Academician of the National Academy of Design in 1900 and a full Academician in 1903.
Founding Member: He was one of the founders and secretary of the National Free Arts League.
Leadership Roles: Served as president of the National Society of Mural Painters from 1915 to 1919, and held memberships in various prestigious art organizations.
Cox’s work represented a commitment to classical ideals at a time when modern art movements were emerging. He advocated for careful drawing, modulated color, and the use of allegory and symbolism.
His writings, such as “Two Ways of Painting,” articulated his views on figurative art versus abstract or representational styles.
Legacy: Though not a radical innovator, Kenyon Cox played a crucial role in maintaining traditional artistic standards and educating aspiring artists. His influence extended through his teaching and his contributions to the American art establishment.
Death: March 17, 1919.
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Lengthening Shadows — Kenyon Cox
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