用紙サイズ

学生作品ガイド

Textile Tangle

氏名 学年 日付

lamar baker, Textile Tangle (1938). 参考用として複製。著作権は権利者に帰属します。

詳細情報

作家
lamar baker wikioo.org/ja/artists/lamar-baker/
制作年
1908 – 1994
彩色済み
1938
原寸大
29 x 41 cm

文脈に合わせて

Textile Tangle — lamar baker

サイズ感について

原寸は 29 × 41 cm (高さ × 幅) で、ここでは平均的な身長の成人と並べて表示しています。

制作時期

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980
  10. 1990

背景色:lamar bakerの生涯 (1908–1994) ▲ 本作品、1938

類似の作品と比較

上記の作品を一つ選んでください。この作品と共通する点を2つ、そして異なる点を1つ挙げてください。

こちらの作品とあわせてご覧いただける他の作品:wikioo.org/ja/art/similar/lamar-baker-textile-tangle-AQU22F-en/

カラー

画像から抽出したパレット

    主要色

    Gray #6f6b67

    カタログ済みパレット

    • #6F6B67
    • #E9E4DF
    • #322D29
    • #A9A6A1
    カラーパレット
    Neutrals 作品の中で主要な色調。
    主要色
    Gray
    彩度
    Monochromatic 単一の落ち着いた色調から、多彩で鮮やかな色彩まで、色の彩度やバリエーションの豊かさ。
    コントラスト
    Statement 作品全体における、色の明度と彩度の差異の度合い。
    調和
    Strong Color Unity 対照的な色合いから完全に調和したものまで、色彩がいかに美しく響き合っているか。
    輝度
    Bright 深い影から明るいハイライトまで、作品全体の明暗の度合い。
    彩度
    Muted 限りなくグレーに近い色合いから、鮮やかな色彩まで、その純度と強さが際立ちます。

    アーティストと美術館

    作家

    lamar baker

    LaMar Baker: A Voice of the South

    LaMar Baker (1908-1994) wasn’t a name widely recognized during his lifetime, yet his art—a potent blend of social realism and surrealist imagery—continues to resonate with profound significance. Born in Chattanooga, Tennessee, into a family grappling with the realities of poverty and racial injustice, Baker's early life instilled within him a deep empathy for the marginalized and a fierce desire to document their experiences. His journey as an artist wasn’t a straightforward ascent; it was forged through rigorous self-discipline, exposure to diverse artistic influences, and a commitment to using his craft as a tool for social commentary. Baker's work offers a stark yet beautiful portrayal of Southern life in the mid-20th century, capturing both its hardships and its enduring spirit.

    Early training shaped Baker’s approach. He began his artistic education at the High Museum School in Atlanta under the guidance of Ben Shute, a prominent figure in American art education. This foundation provided him with essential skills but it was his relocation to New York City in 1935 that truly catalyzed his development. There, he enrolled at the prestigious Art Students League and found himself profoundly influenced by Harry Sternberg, a teacher known for championing social realism and encouraging artists to engage with pressing social issues. Crucially, Baker’s exposure to the work of masters like Thomas Hart Benton, Louis Lozowick, and particularly John McCrady—a New Orleans artist who depicted the lives of Black people in vivid detail—provided him with a crucial model for addressing racial inequality through his art. These influences combined to shape a distinctive artistic voice that would become synonymous with Baker’s oeuvre.

    Thematic Concerns: Race, Mortality, and Southern Landscapes

    Baker's work is fundamentally rooted in the social realities of the American South during a period of immense upheaval. He didn’t shy away from depicting the harsh realities faced by Black communities—the struggles with poverty, systemic racism, violence, and exploitation. His most famous series, “Cotton Field Saint,” powerfully illustrates this through a haunting image of a young boy kneeling in a cotton field, his face etched with sorrow and resignation. This piece, along with many others, serves as a poignant reminder of the human cost of economic hardship and racial discrimination. Beyond depictions of social injustice, Baker also explored themes of mortality and the passage of time. Works like “Necrophile,” a striking charcoal drawing depicting death and mourning, demonstrate his willingness to confront difficult subjects with unflinching honesty. Furthermore, he frequently captured the beauty and melancholy of Southern landscapes—rolling hills, dense forests, and winding rivers—often imbuing them with symbolic weight.

    Technique and Style: Printmaking and Narrative Imagery

    Baker’s artistic style was characterized by a distinctive blend of realism and surrealism. He primarily worked in printmaking – woodcuts, etchings, and lithographs – techniques that allowed him to create both detailed depictions of everyday life and evocative symbolic imagery. His prints are often densely layered with narrative elements, inviting viewers to contemplate the stories behind each scene. Baker’s use of line and shadow was particularly masterful, creating a sense of depth and atmosphere. He employed bold lines and dramatic contrasts to draw attention to key figures and details within his compositions. His work wasn't simply representational; it aimed to convey emotion and meaning through carefully considered visual choices. The influence of John McCrady is evident in Baker’s ability to imbue seemingly mundane scenes with a sense of profound human drama.

    Legacy and Recognition

    Despite facing challenges and often working outside the mainstream art world, LaMar Baker left an indelible mark on American art. His work gained recognition through exhibitions and awards, including a fellowship from the Julius Rosenwald Fund in 1942, which enabled him to travel throughout Mississippi and Louisiana documenting the lives of Black people in the rural South. Alain Locke, a prominent writer and civil rights advocate, praised Baker’s ability to “provide the American public with a new artistic frankness and social honesty.” Today, his work is increasingly recognized for its powerful social commentary and its unique blend of realism and surrealism. The Columbus Museum holds a significant collection of his prints, ensuring that his art continues to be studied and appreciated by future generations. LaMar Baker’s legacy lies not only in the beauty of his artwork but also in his courageous commitment to using his talent to shed light on the injustices faced by marginalized communities.

    さらに詳しく読む

    オンラインで詳細を見る

    Textile TangleのダウンロードページへつながるQRコード

    wikioo.org/ja/art/download/lamar-baker-textile-tangle-AQU22F-en/

    この作品の引用元

    MLA
    baker, lamar. Textile Tangle. 1938, https://wikioo.org/ja/art/lamar-baker-textile-tangle-AQU22F-en/
    APA
    baker, lamar (1938). Textile Tangle [Painting]. https://wikioo.org/ja/art/lamar-baker-textile-tangle-AQU22F-en/
    Chicago
    lamar baker. Textile Tangle. 1938. https://wikioo.org/ja/art/lamar-baker-textile-tangle-AQU22F-en/
    Harvard
    baker, lamar (1938) Textile Tangle. Available at: https://wikioo.org/ja/art/lamar-baker-textile-tangle-AQU22F-en/

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    Textile Tangle — lamar baker

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    ご自身の言葉で回答してください。正解はありません。大切なのは、その答えを説明できるかどうかです。

    1. まず最初に目に飛び込んでくるのはどこですか?また、それはなぜでしょうか?
    2. どのような色や形がその情緒を作り出しているでしょうか。そして、それはどのような情緒なのでしょうか。
    3. いくつの顔を見つけることができますか? ____ (当カタログでは 4 と数えています —— あなたもそう思いますか?)
    4. このガイドの前述にある The Two Thieves (1948) を改めて振り返ってみましょう。この作品と共通する点を2つ、そして異なる点を1つ挙げてください。
    5. lamar baker は、この作品の制作当時 30 歳でした。作品のどのような点に、その時期のアーティストらしい特徴が見て取れるでしょうか。

    回答内容

    この作品について短い文章を書いてください。本ガイドの前半部分に記載されている事実と、上記での回答内容を活用してください。