概要
Nicolas Dahlmann, brigadier general (1769-1807) (1814)はAlbert Gregoriusの最も有名な作品として知られており、VersaillesのOpera Houseに所蔵されています。 カタログに記録されているAlbert Gregoriusの2点の作品のうち、特に有名な2点を以下に掲載しています。各作品には制作年、所蔵美術館、および作品解説が添えられています。
1774 – 1853, Bruges
最多収蔵館: Opera House
1〜10件目:Albert Gregoriusの最も有名な絵画
Albert Gregorius:美術館の所蔵品
このページに掲載されている絵画を最も多く所蔵している 2 の美術館
| 美術館 | 都市 | Albert Gregoriusの作品 | このリストの絵画 |
|---|---|---|---|
| Versailles | 1 | Nicolas Dahlmann, brigadier general (1769-1807) | |
| ブルージュ | 1 | Portrait of Count Charles A. Chasset |
年別インデックス:Albert Gregoriusの代表的な絵画
Albert Gregoriusの年代別エントリー:2年間(1813年〜1814年)。各年ごとに主要な作品が掲載されています。
Albert Gregoriusの絵画に関するよくある質問
Albert Gregoriusの代表作は何ですか?回答を表示
Nicolas Dahlmann, brigadier general (1769-1807) (1814)
Nicolas Dahlmann, brigadier general (1769-1807)の年、Albert Gregoriusは何歳でしたか?回答を表示
40歳:Albert Gregoriusは1774に生まれ、Nicolas Dahlmann, brigadier general (1769-1807)の制作年は1814年です。
カタログにはAlbert Gregoriusの作品が何点記録されていますか?回答を表示
カタログには、1813年から1814年にかけて制作されたAlbert Gregoriusによる2点の作品が記録されています。
Albert Gregoriusの代表作はどこに収蔵されていますか?回答を表示
主にOpera House (Versailles) と グルーニング美術館 (ブルージュ)に所蔵されています。詳細な分布については、上記の美術館一覧をご参照ください。
Albert Gregoriusの代表作の中で、最も初期の作品と最も後年の作品は何ですか?回答を表示
ここに掲載されている最も古い作品はPortrait of Count Charles A. Chasset (1813)、最も新しい作品はNicolas Dahlmann, brigadier general (1769-1807) (1814)です。
Albert Gregoriusの略歴
Albert Jacob Frans Gregorius: A Life in Portraiture
Early Life and Education
- Born in Bruges, Belgium in 1774 into a laboring family, Albert Jacob Frans Gregorius demonstrated artistic talent from a young age.
- His abilities were recognized by François van der Donckt, a local amateur painter who provided initial lessons and facilitated his enrollment at the Bruges art academy in 1791.
- Gregorius excelled at the academy, receiving several awards before continuing his artistic journey.
Parisian Studies and Influences
- In 1801, Gregorius moved to Paris, initially apprenticing with Joseph-Benoît Suvée, a fellow Bruges native.
- Following Suvée’s appointment as director of the French Academy in Rome, Gregorius secured a position in the studio of the renowned neoclassical painter, Jacques-Louis David.
- David's influence is evident in Gregorius’ later work, particularly his emphasis on precise draftsmanship and classical composition.
Artistic Development and Career
- Gregorius returned to Bruges in 1805 but soon resumed his Parisian career, establishing himself as a respected portrait painter.
- He became associated with “De Club van de Belgen,” a group of expatriate Flemish artists working in Paris.
- Gregorius regularly exhibited at the Ghent and Paris Salons from 1812 until his departure, gaining recognition for his refined portraits.
- His clientele included members of the French nobility and prominent figures like August Wilhelm Schlegel, whose portrait is now housed in Coppet Castle.
Directorship and Later Years
- In 1835, at the age of 61, Gregorius was appointed director of “De Vrije Academie” (now “De Stedelijke Academie”) in Bruges.
- He served until 1852, but his conservative artistic views led to conflicts with colleagues, students, and city officials, ultimately resulting in his resignation.
- Ford Madox Brown, a notable Pre-Raphaelite painter, was among his students.
Legacy and Historical Significance
- Gregorius’ work represents a blend of classical principles and Flemish artistic traditions.
- His portraits are characterized by their meticulous detail, elegant composition, and psychological insight.
- Though not widely known today, Gregorius played an important role in the development of portraiture during the 19th century and contributed to the artistic landscape of both Belgium and France.
- His life story, including the mystery surrounding his marital status (described as a widower on his death certificate with no known wife), adds to his intriguing historical profile.
