Basawanの肖像画

Basawan：最も有名な絵画13選のカタログ

11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 13点の Basawanの作品がカタログにあります

概要

Mihrdukht aims her arrow at the ring (1570)はBasawanの最も有名な作品として知られており、ニューヨークのメトロポリタン美術館に所蔵されています。 The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560)とThe hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560)が、第2位と第3位を占めています。 カタログに記録されているBasawanの13点の作品のうち、特に有名な13点を以下に掲載しています。各作品には制作年、所蔵美術館、および作品解説が添えられています。

1560 – 1600, Uttar Pradesh 最多収蔵館: クリーブランド美術館
Mihrdukht aims her arrow at the ring (1570) による Basawan1. Mihrdukht aims her arrow at the ring 1570 The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) による Basawan2. The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night 1560 The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) による Basawan3. The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night 1560

1〜10件目：Basawanの最も有名な絵画

1
Mihrdukht aims her arrow at the ring (1570) による Basawan

Mihrdukht aims her arrow at the ring

1570 · Tempera · メトロポリタン美術館, ニューヨーク

The air holds its breath as Mihrdukht leans over the balcony, her focus narrowing to a single, slender point. She aims her arrow at the ring, a gesture that freezes the very pulse of the court. Below her, the world unfolds in layers of architectural precision and organic life. Attendants and observers gather in the shadows of the structure, their eyes drawn upward to the woman and her task. The…

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Basawan、その他のエントリー：11から13

11Page from Tales of a Parrot (Tuti-nama): text page (1560) による BasawanPage from Tales of a Parrot (Tuti-nama): text page1560 · クリーブランド美術館 12A Mughal and a Rajput Converse at Dusk による BasawanA Mughal and a Rajput Converse at Duskハーバード美術館 13The Origin of Music: Page from a Tutinama Manuscript (1565) による BasawanThe Origin of Music: Page from a Tutinama Manuscript1565 · クリーブランド美術館

Basawan：美術館の所蔵品

このページに掲載されている絵画を最も多く所蔵している 6 の美術館

美術館 都市 Basawanの作品 このリストの絵画
クリーブランド美術館, クリーブランドクリーブランド美術館 クリーブランド 8 The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night
メトロポリタン美術館, ニューヨークメトロポリタン美術館 ニューヨーク 1 Mihrdukht aims her arrow at the ring
ヴィクトリア＆アルバート博物館, ロンドンヴィクトリア＆アルバート博物館 ロンドン 1 Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer
シカゴ美術館, シカゴシカゴ美術館 シカゴ 1 The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama
サンディエゴ美術館, サンディエゴサンディエゴ美術館 サンディエゴ 1 The Virgin and Child
ハーバード美術館, ケンブリッジハーバード美術館 ケンブリッジ 1 A Mughal and a Rajput Converse at Dusk

年代別インデックス：各年代におけるBasawanの代表的な絵画

年代別作品数

年代を選択して、その時代の代表的な絵画を表示します。

Basawanの絵画に関するよくある質問

Basawanの代表作は何ですか？回答を表示

Mihrdukht aims her arrow at the ring (1570)、メトロポリタン美術館, ニューヨーク。次の作品はThe hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560)、The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560)です。

Mihrdukht aims her arrow at the ringの年、Basawanは何歳でしたか？回答を表示

10歳：Basawanは1560に生まれ、Mihrdukht aims her arrow at the ringの制作年は1570年です。

Basawanの最も有名な作品10選は？回答を表示

Mihrdukht aims her arrow at the ring, The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night, A feast for Babur hosted by his half-brother Jahangir Mirza in Ghazni in May 1505, from a Babur-nama (Memoirs of Babur), Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer, The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama, The Virgin and Child, The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) と Page from Tales of a Parrot (Tuti-nama): text page。上記のリストには、それぞれの制作日と所蔵美術館が記載されています。

カタログにはBasawanの作品が何点記録されていますか？回答を表示

カタログには、1570年から1596年にかけて制作されたBasawanによる13点の作品が記録されています。

Basawanの代表作はどこに収蔵されていますか？回答を表示

主にクリーブランド美術館 (クリーブランド), メトロポリタン美術館 (ニューヨーク) と ヴィクトリア＆アルバート博物館 (ロンドン)に所蔵されています。詳細な分布については、上記の美術館一覧をご参照ください。

Basawanが最も有名な作品を制作したのは、どの時期ですか？回答を表示

1590sにおいて、このページに掲載されている全13作品のうち4作品がその時代の作品であり、Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmerが含まれます。

Basawanの代表作の中で、最も初期の作品と最も後年の作品は何ですか？回答を表示

ここに掲載されている最も古い作品はMihrdukht aims her arrow at the ring (1570)、最も新しい作品はThe siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) (1596)です。

クリーブランド美術館が所蔵するBasawanの作品は何ですか？回答を表示

The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night と The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Nightは、クリーブランド美術館, クリーブランドのコレクションに含まれる、このページに掲載されている8点の作品のうちの一つです。

Basawanの略歴

Basawan: The Pioneer of Mughal Portraiture

Basawan (flourished 1580–1600), a name whispered with reverence in Indian art history, stands as one of the foremost figures of the Mughal miniature tradition. Though shrouded in obscurity—details about his life remain scant—his legacy endures through his breathtaking depictions of human subjects within the monumental Akbarnama, cementing his place as an innovator who elevated portraiture to unprecedented heights. Born in New Delhi during a period of significant cultural exchange between Persia and India, Basawan’s artistic journey began amidst the opulent courts of Akbar the Great. His formative years were spent under the tutelage of Abd al-Samad, a renowned artist whose influence profoundly shaped Basawan's stylistic sensibilities. This mentorship instilled within him a meticulous observation of human anatomy and expression—a hallmark that distinguishes his work from contemporaries.
  • Akbarnama Influence: Basawan’s contribution to the Akbarnama is arguably his most celebrated achievement. Unlike previous chronicles, Akbar commissioned a series of portraits capturing not merely royal figures but also individuals representing diverse social strata – scholars, musicians, and artisans. This bold decision signaled a departure from conventional artistic practices and established Basawan as a trailblazer in portraying human character with remarkable realism.
  • Color Palette & Technique: Basawan’s mastery lay primarily in his exceptional color palette and technique. Utilizing opaque watercolor pigments combined with gold leaf—a practice considered revolutionary at the time—he achieved luminous hues and textural depth that captivated viewers. His meticulous layering of colors created an illusionistic effect, mirroring the subtleties of light and shadow and conveying a profound sense of atmosphere.
  • Family Legacy: Basawan’s artistic lineage continued through his son Manohar Das, who carried on the family tradition as a court painter. Today, the Das family maintains a thriving manufacturing business specializing in handcrafted carpets—a tangible connection to their ancestral heritage and a testament to the enduring influence of Basawan's artistic vision.

Exploring His Artistic Output: Beyond Akbarnama Illustrations

While the Akbarnama undoubtedly represents Basawan’s magnum opus, evidence suggests he engaged in diverse artistic endeavors extending beyond royal commissions. Fragments of manuscripts depicting scenes from Hindu mythology—particularly those featuring Tara Kalan—offer glimpses into his versatility and willingness to explore different thematic concerns. These works demonstrate a keen understanding of symbolism and narrative complexity, reflecting the broader intellectual currents of the Mughal era.
  • Notable Works: Among Basawan’s surviving paintings are depictions of angels (Peri) riding composite camels—a striking visual representation of Islamic cosmology—and portraits capturing the dignity and solemnity of royal figures.

Connections to Western Artistic Traditions

Basawan's artistic development coincided with the arrival of Jesuit missionaries in India, bringing with them European paintings that profoundly impacted Mughal artists. This exposure fostered a dialogue between Eastern and Western aesthetics—a pivotal moment in Indian art history—and Basawan’s oeuvre bears subtle traces of this influence. His meticulous attention to detail and his masterful use of perspective foreshadowed developments occurring across the ocean, marking him as an artist attuned to global artistic trends.

Historical Significance: A Reflection of Mughal Patronage

Basawan's success is inextricably linked to Akbar’s enlightened patronage—a royal commitment to fostering artistic excellence and promoting cultural enrichment. Akbar recognized Basawan’s talent and entrusted him with monumental commissions, securing his place as one of the most influential artists of his time. His work serves as a poignant reminder of the transformative power of royal support in shaping artistic innovation and preserving cultural heritage for posterity.
Basawanによる全 13点の作品 →