10月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 22点の ダーフィット・バイリーの作品がカタログにあります
概要
このランキングによると、Johanna Visscher (1628)はダーフィット・バイリーの最も有名な作品であり、BratislavaのSlovak National Galleryに所蔵されています。 その次にPortrait of Ripperd Van Groenendijk (1650)、そしてPortrait of Claudina Van Groenendijk (1633)が続きます。 このリストは、カタログに含まれるダーフィット・バイリーの22点の作品から、最も有名な22点を厳選したものです。各作品には制作年、所蔵美術館、および解説が記載されています。
David Bailly painted Johanna Visscher about 1628. The portrait presents a woman of high social standing, captured in a formal bust-length composition. She faces the viewer with a calm, direct gaze that establishes an immediate connection. Her status is signaled through the elaborate details of her attire, including a large, crisp white ruff collar and a jeweled bodice.
In this bust-length portrait, David Bailly presents the subject, Ripperd Van Groenendijk, with a quiet and dignified presence. The man is positioned slightly off-center, turned toward the viewer's right, yet his gaze meets the observer directly. This direct eye contact creates an immediate sense of connection between the sitter and the viewer. The composition is set against a dark, indistinct, and flat background, which ensures that the focus remains entirely…
Created in 1633, this work is a product of the Dutch Golden Age. The style reflects the period's preoccupation with technical precision and the realistic depiction of social status through costume. The portrait adheres to the conventions of 17th-century Dutch Baroque portraiture, where the focus remains entirely on the individual and the material markers of their identity. The meticulous attention to the textures of lace, linen, and silk demonstrates the…
Young man with a fur hat is a bust-length portrait by the Dutch Golden Age painter David Bailly. Known in Dutch as Jonge man met bontmuts, the work functions as a tronie, focusing on the character and expression of the subject rather than a specific individual's likeness. The sitter is presented in a close-up view, centered against a dark, indistinct background.
This oil on canvas work, titled Portrait of Antonius Walaeus, Professor of Jurisprudence at Leiden, was executed by the Dutch artist David Bailly. Dated about 1601, the painting presents a formal study of a man of high academic status. The subject is captured in a moment of quiet dignity, his presence defined by the scholarly weight of his position.
A young man emerges from a deep, indeterminate darkness, his presence defined by a sudden, sharp light that sweeps across his features. This is Gerrit Schaep, captured in a moment of quiet dignity. He sits in a three-quarter view, his body angled slightly away while his gaze meets the viewer with a steady, calm composure. The light, descending from the upper left, carves the contours of his face, casting soft…
The Portrait of Willem Ruychaver is an oil painting executed by David Bailly in 1632. This work belongs to the Dutch Golden Age, a period marked by significant developments in portraiture and still-life painting within the Netherlands.
A single figure emerges from a void of deep browns and blacks. This young man, captured in a three-quarter view, gazes out with a quiet, heavy stillness. His face is a landscape of soft light and subtle shadow, carved by a light source from the upper left. The skin possesses a smooth, painterly quality, transitioning gently into the dark collar at his neck. He wears a large, textured cap that…
In this 1640 oil portrait, we encounter Dirck van Egmond van de Nijenburg, a man whose steady gaze meets ours with a quiet, unyielding dignity. David Bailly has composed this bust-length study with a profound sense of gravity, placing the subject slightly off-center to create a natural, breathing presence. The lighting is deliberate, employing a chiaroscuro effect that pulls the man’s features out of a deep, dark background. One side…
The oil on canvas work titled Vanitas is a large and splendid example of the vanitas still life genre. Created by the Dutch painter David Bailly, the composition captures a dense arrangement of objects that speak to the fleeting nature of existence. The artist, born in 1584, rendered this scene with a focus on the material world's inevitable decay.
Portrait of an unknown woman wearing pearls1650
12
Self-Portrait1625 · 国立美術館
13
Portrait of a Man1641 · メトロポリタン美術館
14
Self-Portrait1625 · 国立美術館
15
Portrait of a Man, Possibly a Botanist1641 · メトロポリタン美術館
16
Portrait of Claudius Salmasius (Saumaise), philologist
17
Portrait of David Bailly in Cornelis de Bie's Gulden Cabinet.
18
Portrait of the Painter François Gysels
19
Portrait of Anthony de Wale1636 · 国立美術館
20
Portrait of Prince Janusz RadziwiłłNational Museum in Wrocław
21
Self-Portrait with Vanitas Symbols1651 · Stedelijk Museum De Lakenhal
22
Portrait of Aertje Witsen国立美術館
これらの作品の中で最も頻繁に描かれている4つの主題と、それぞれの代表作。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | ダーフィット・バイリーの作品 | このリストの絵画 |
|---|---|---|---|
 国立美術館 |
アムステルダム | 5 | Young man with a fur hat, Self-Portrait, Self-Portrait |
 Slovak National Gallery |
Bratislava | 2 | Johanna Visscher, The Portrait of Gerrit Schaep |
 サンフランシスコ美術館 |
サンフランシスコ | 2 | Portrait of Ripperd Van Groenendijk, Portrait of Claudina Van Groenendijk |
 メトロポリタン美術館 |
ニューヨーク | 2 | Portrait of a Man, Portrait of a Man, Possibly a Botanist |
 Museum van Loon |
Amsterdam | 1 | Portrait of Willem Ruychaver |
 Stedelijk Museum |
Alkmaar | 1 | Portrait of Dirck van Egmond van de Nijenburg (1614-1663) |
 Herbert F. Johnson Museum of Art |
イサカ | 1 | Vanitas |
 National Museum in Wrocław |
Wrocław | 1 | Portrait of Prince Janusz Radziwiłł |
年代を選択して、その時代の代表的な絵画を表示します。
This oil on canvas work, titled Portrait of Antonius Walaeus, Professor of Jurisprudence at Leiden, was executed by the Dutch artist David Bailly. Dated about 1601, the painting presents a formal study of a man of high academic status. The subject is captured in a moment of quiet dignity, his presence defined by the scholarly weight of his position.
David Bailly painted Johanna Visscher about 1628. The portrait presents a woman of high social standing, captured in a formal bust-length composition. She faces the viewer with a calm, direct gaze that establishes an immediate connection. Her status is signaled through the elaborate details of her attire, including a large, crisp white ruff collar and a jeweled bodice.
Created in 1633, this work is a product of the Dutch Golden Age. The style reflects the period's preoccupation with technical precision and the realistic depiction of social status through costume. The portrait adheres to the conventions of 17th-century Dutch Baroque portraiture, where the focus remains entirely on the individual and the material markers of their identity. The meticulous attention to the textures of lace, linen, and silk demonstrates the…
In this 1640 oil portrait, we encounter Dirck van Egmond van de Nijenburg, a man whose steady gaze meets ours with a quiet, unyielding dignity. David Bailly has composed this bust-length study with a profound sense of gravity, placing the subject slightly off-center to create a natural, breathing presence. The lighting is deliberate, employing a chiaroscuro effect that pulls the man’s features out of a deep, dark background. One side…
In this bust-length portrait, David Bailly presents the subject, Ripperd Van Groenendijk, with a quiet and dignified presence. The man is positioned slightly off-center, turned toward the viewer's right, yet his gaze meets the observer directly. This direct eye contact creates an immediate sense of connection between the sitter and the viewer. The composition is set against a dark, indistinct, and flat background, which ensures that the focus remains entirely…
Johanna Visscher (1628)、Slovak National Gallery, Bratislava。次の作品はPortrait of Ripperd Van Groenendijk (1650)、Portrait of Claudina Van Groenendijk (1633)です。
44歳：ダーフィット・バイリーは1584に生まれ、Johanna Visscherの制作年は1628年です。
Johanna Visscher, Portrait of Ripperd Van Groenendijk, Portrait of Claudina Van Groenendijk, Young man with a fur hat, Portrait of Antonius Walaeus, Professor of Jurisprudence at Leiden, The Portrait of Gerrit Schaep, Portrait of Willem Ruychaver, Young Man in a Black Cap, Portrait of Dirck van Egmond van de Nijenburg (1614-1663) と Vanitas。上記のリストには、それぞれの制作日と所蔵美術館が記載されています。
カタログには、1601年から1651年にかけて制作されたダーフィット・バイリーによる22点の作品が記録されています。
主に国立美術館 (アムステルダム), Slovak National Gallery (Bratislava) と サンフランシスコ美術館 (サンフランシスコ)に所蔵されています。詳細な分布については、上記の美術館一覧をご参照ください。
1630sにおいて、このページに掲載されている全22作品のうち5作品がその時代の作品であり、Portrait of Claudina Van Groenendijkが含まれます。
ここに掲載されている最も古い作品はPortrait of Antonius Walaeus, Professor of Jurisprudence at Leiden (1601)、最も新しい作品はSelf-Portrait with Vanitas Symbols (1651)です。
このページに掲載されている全22作品のうち、Man (8), Portrait (4) と White collar (3)件
このページに掲載されている全22作品のうち、5件のOil On Canvas
このページに掲載されている作品が示すBaroque と Dutch baroque
Young man with a fur hat, Self-Portrait と Self-Portraitは、国立美術館, アムステルダムのコレクションに含まれる、このページに掲載されている5点の作品のうちの一つです。
