11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 5点の Gustaf Söderbergの作品がカタログにあります
概要
The Grotto of Posillipo, Naples (1820)はGustaf Söderbergの最も有名な作品として知られており、ニューヨークのメトロポリタン美術館に所蔵されています。 View over the Tiber to the Aventine, Rome (1820)とA Temple in Agrigento, Sicilyが、第2位と第3位を占めています。 カタログに記録されているGustaf Söderbergの5点の作品のうち、特に有名な5点を以下に掲載しています。各作品には制作年、所蔵美術館、および作品解説が添えられています。
The Grotto of Posillipo, Naples is an oil study by the Swedish artist Gustaf Söderberg, executed in 1820. This work captures a specific geological and historical site located in southern Italy. The subject is a nearly half-mile-long tunnel carved through the rocky promontory that separates the city of Naples from the town of Posillipo. This passage dates back to the first century.
このページに掲載されている絵画を最も多く所蔵している 2 の美術館
| 美術館 | 都市 | Gustaf Söderbergの作品 | このリストの絵画 |
|---|---|---|---|
 国立美術館 |
ストックホルム | 4 | View over the Tiber to the Aventine, Rome, A Temple in Agrigento, Sicily, Vesuvius Seen from St January Bridge, Naples |
 メトロポリタン美術館 |
ニューヨーク | 1 | The Grotto of Posillipo, Naples |
このページに掲載されているGustaf Söderbergの作品はすべて1820年のもので、ランク順にリストされています。
代表的な絵画を表示する年を選択してください。
The Grotto of Posillipo, Naples is an oil study by the Swedish artist Gustaf Söderberg, executed in 1820. This work captures a specific geological and historical site located in southern Italy. The subject is a nearly half-mile-long tunnel carved through the rocky promontory that separates the city of Naples from the town of Posillipo. This passage dates back to the first century.
1820のその他の作品
The Grotto of Posillipo, Naples (1820)、メトロポリタン美術館, ニューヨーク。次の作品はView over the Tiber to the Aventine, Rome (1820)、A Temple in Agrigento, Sicilyです。
21歳：Gustaf Söderbergは1799に生まれ、The Grotto of Posillipo, Naplesの制作年は1820年です。
カタログにはGustaf Söderbergによる5点の作品が記録されています。
主に国立美術館 (ストックホルム) と メトロポリタン美術館 (ニューヨーク)に所蔵されています。詳細な分布については、上記の美術館一覧をご参照ください。
1820において、このページに掲載されている全5作品のうち2作品がその時代の作品であり、The Grotto of Posillipo, Naplesが含まれます。
View over the Tiber to the Aventine, Rome, A Temple in Agrigento, Sicily と Vesuvius Seen from St January Bridge, Naplesは、国立美術館, ストックホルムのコレクションに含まれる、このページに掲載されている4点の作品のうちの一つです。
Gustaf Söderberg lived a life defined by the dualities of Swedish military discipline and the quiet observation of the natural world. Born in Norrköping, Östergötland, he was the son of a clothing manufacturer, Johan Söderberg, and Agnes Arosenius. While his career path led him through the ranks of the military, his eyes remained fixed on the landscapes of Europe. He trained as a military draftsman, a skill that provided a precise foundation for his later explorations in light and atmosphere.
His professional trajectory was marked by steady advancement. He served as an Adjutant at the Expeditionary General for the Army in Stockholm and eventually attained the rank of Colonel. In 1827, he held the position of ordination officer to the Crown Prince, and by 1833, he had become Adjutant to the Crown Prince himself. Even amidst these official duties, his artistic inclinations found expression through lithographic work, specifically in creating posters for Swedish and Norwegian military uniforms completed in 1828.
Söderberg holds a specific place in Swedish art history as the first painter from his nation to embrace plein-air painting. This shift toward painting outdoors was not an isolated impulse but a learned technique. He studied under the French landscapist Achille-Etna Michallon, whose influence helped him move beyond the rigid confines of studio work. His travels provided the necessary canvas for this new approach.
In 1819, he traveled to Italy, and by 1820, his sketches began to capture the specific geometries of foreign locales. During a journey through southern Italy and Sicily, he produced studies such as The Grotto of Posillipo, Naples. His time in Rome also yielded works like Houses, Rome, where he utilized an extraordinary disparity of scale to depict architectural fragments against the sky. These early excursions were followed by time spent in Paris in 1821 and a painting tour through Norway in 1824.
The later decades of Söderberg's life saw him moving through the various stages of European travel while maintaining his military obligations. He participated regularly in the Academy of Fine Arts exhibitions from 1822 onwards, bringing his observations to a wider audience. After retiring from military service in 1864, he spent his remaining years traveling across the continent.
He passed away in Stockholm in 1875. His legacy is found not in grand historical narratives, but in the meticulous oil studies on paper that remain in collections such as The Metropolitan Museum of Art. These works preserve a specific moment of transition in Swedish art, capturing the light of Naples and the structures of Rome through the lens of a man who understood both the precision of a soldier and the sensitivity of a draftsman.
