John Deeの肖像画

John Dee:最も有名な絵画4選のカタログ

11月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 4点の John Deeの作品がカタログにあります

概要

Obsidian Mirror (1400)は、John Deeの最も有名な作品として記録されています。 Four Castles Gold Disk (1560)とSigillum Dei, Wax Disks (1582)が、第2位と第3位を占めています。 カタログに記録されているJohn Deeの4点の作品のうち、特に有名な4点を以下に掲載しています。各作品には制作年、所蔵美術館、および作品解説が添えられています。

1527 – 1608

1〜10件目:John Deeの最も有名な絵画

年別インデックス:John Deeの代表的な絵画

John Dee:1560年から1582年までの作品。全23年分を、各年の主要な絵画とともに年ごとに索引化しています。

年別作品数

代表的な絵画を表示する年を選択してください。

John Deeの絵画に関するよくある質問

John Deeの代表作は何ですか?回答を表示

Obsidian Mirror (1400)。以下のエントリーはFour Castles Gold Disk (1560)およびSigillum Dei, Wax Disks (1582)です。

カタログにはJohn Deeの作品が何点記録されていますか?回答を表示

カタログには、1560年から1582年にかけて制作されたJohn Deeによる4点の作品が記録されています。

John Deeが最も有名な作品を制作したのは、どの時期ですか?回答を表示

1582において、このページに掲載されている全4作品のうち2作品がその時代の作品であり、Sigillum Dei, Wax Disksが含まれます。

John Deeの代表作の中で、最も初期の作品と最も後年の作品は何ですか?回答を表示

ここに掲載されている最も古い作品はFour Castles Gold Disk (1560)、最も新しい作品はSigillum Dei, Wax Disks (1582)です。

John Deeの略歴

The Life and Family of John Dee

John Dee was an English polymath and occultist, a man whose intellectual reach extended far beyond the boundaries of traditional scholarship. Born on 13 July 1527, he occupied a space between rigorous science and the esoteric. His lineage began with his father, Rowland Dee, providing the foundation for a life defined by the pursuit of hidden knowledge. He was not a painter or a visual creator, but a thinker whose influence was felt through his vast intellectual inquiries and his involvement in the occult sciences of the sixteenth century.

Family life for Dee was marked by specific, documented connections that anchored his complex existence. His son, Arthur Dee, was born on 13 July 1579. This lineage continued through a life spent largely in Mortlake, London, where he maintained his residence and his extensive collections. The weight of his intellectual pursuits often intersected with his personal associations, creating a life that was as much about human relationships as it was about the study of the unknown.

The end of his life remains a matter of slight historical debate, with records suggesting he died in 1608 or 1609. Regardless of the exact year, the impact of his work remains a concrete part of the history of English intellectualism. He left behind a legacy of manuscripts and tracts, including the Cotton Vitellius C. VII, which serves as a primary record of his own life and thoughts. His existence was defined by this tension between the documented word and the unseen forces he sought to understand.

Travels and Connections in Europe

John Dee was an English polymath and occultist whose influence relied heavily on his ability to navigate the complex social and intellectual circles of the European continent. His movements were not mere sightseeing; they were strategic engagements with the power structures of the era. He was a visitor to the court of Rudolf II, a connection that placed him at the center of significant intellectual exchange. This relationship was solidified during his time in Prague, where he visited the court of Rudolf II between 1584 and 1585. These interactions demonstrate a man deeply embedded in the high-stakes political and esoteric currents of the late sixteenth century.

His social network was as diverse as it was specialized. He maintained a close friendship with Edward Kelley, a relationship that likely defined much of his later intellectual pursuits. Beyond these personal ties, Dee moved through a web of associates and acquaintances that spanned various social strata. He was connected to William of Rosenberg and Nicholas Starkie, figures who represent the breadth of his professional and social reach. These were not casual acquaintances but part of a structured existence defined by proximity to power and the exchange of specialized knowledge. His presence in Prague and his ties to the court of Rudolf II confirm that his work was never isolated to a single locale, but was instead part of a broader, continental dialogue.