John Mareの肖像画

John Mareによる最も有名な絵画3選

11月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 3点の John Mareの作品がカタログにあります

概要

John Mareの最も有名な作品は、ニューヨーク市のNew York Historical Societyに所蔵されているDr. Benjamin Youngs Prime (1733-1791) (1774)です。 次のエントリーはJohn Keteltas (1739-1766) (1767)とJeremiah Platt (1767)です。 John Mareによる3点の作品がカタログに記録されています。以下の3件は、制作年、所蔵美術館、解説とともに、最も有名な作品を順位順にリスト化したものです。

1739 – 1803, New York City 最多収蔵館: New York Historical Society

John Mare:主要な10作品

1
Dr. Benjamin Youngs Prime (1733-1791) (1774) による John Mare

Dr. Benjamin Youngs Prime (1733-1791)

1774 · Oil · New York Historical Society, ニューヨーク市

The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light, creating a sharp contrast against the deep, somber tones of his dark coat. The light strikes one side of his features, leaving the other in a soft, heavy shadow. This chiaroscuro technique carves his presence out of the void. He holds a…

2
John Keteltas (1739-1766) (1767) による John Mare

John Keteltas (1739-1766)

1767 · Oil On Canvas · New York Historical Society, ニューヨーク市

A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement that demands respect for his station. A powdered white wig, styled with soft, meticulous curls, frames a face that carries the weight of quiet authority. He wears a dark, heavy frock coat, perhaps of deep navy or black, which absorbs the light…

3
Jeremiah Platt (1767) による John Mare

Jeremiah Platt

1767 · メトロポリタン美術館, ニューヨーク

Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known but highly skilled New York portraitist, painted an inventive and refined portrait of Platt, with as much attention paid to the Chippendale-style side chair as to the sitter.

John Mareの作品における主な主題

これらの作品の中で最も頻繁に描かれている4つの主題と、それぞれの代表作。

John Mare:美術館の所蔵品

このページに掲載されている絵画を最も多く所蔵している 2 の美術館

美術館 都市 John Mareの作品 このリストの絵画
New York Historical Society, ニューヨーク市New York Historical Society ニューヨーク市 2 Dr. Benjamin Youngs Prime (1733-1791), John Keteltas (1739-1766)
メトロポリタン美術館, ニューヨークメトロポリタン美術館 ニューヨーク 1 Jeremiah Platt

John Mare:年代別主要作品

John Mareの作品の年代は1767年から1774年までの8年間にわたります。約10年間の記録が、以下に年ごとにまとめられています。

年別作品数

代表的な絵画を表示する年を選択してください。

John Mareの絵画:リファレンス・クエスチョン

John Mareの作品の中で、最も有名な絵画は何ですか?回答を表示

Dr. Benjamin Youngs Prime (1733-1791) (1774)、New York Historical Society, ニューヨーク市。次の作品はJohn Keteltas (1739-1766) (1767)、Jeremiah Platt (1767)です。

Dr. Benjamin Youngs Prime (1733-1791)が描かれたとき、John Mareは何歳でしたか?回答を表示

35歳:John Mareは1739に生まれ、Dr. Benjamin Youngs Prime (1733-1791)の制作年は1774年です。

John Mareによる作品は何点記録されていますか?回答を表示

カタログには、1767年から1774年にかけて制作されたJohn Mareによる3点の作品が記録されています。

John Mareの最も有名な作品は、どの美術館に収蔵されていますか?回答を表示

主にNew York Historical Society (ニューヨーク市) と メトロポリタン美術館 (ニューヨーク)に所蔵されています。詳細な分布については、上記の美術館一覧をご参照ください。

John Mareの代表作は、どの時代の作品ですか?回答を表示

1767において、このページに掲載されている全3作品のうち2作品がその時代の作品であり、John Keteltas (1739-1766)が含まれます。

このリストの中で、John Mareによる最も古い作品と最も新しい作品はどれですか?回答を表示

ここに掲載されている最も古い作品はJohn Keteltas (1739-1766) (1767)、最も新しい作品はDr. Benjamin Youngs Prime (1733-1791) (1774)です。

John Mareの作品において、最も頻繁に描かれる主題は何ですか?回答を表示

このページに掲載されている全3作品のうち、Man (2), Wig (2) と Cravat (2)件

New York Historical Societyのコレクションには、John Mareのどの作品が含まれていますか?回答を表示

Dr. Benjamin Youngs Prime (1733-1791) と John Keteltas (1739-1766)は、New York Historical Society, ニューヨーク市のコレクションに含まれる、このページに掲載されている2点の作品のうちの一つです。

John Mareの略歴

The Enigmatic Visions of John Mare

John Mare is a contemporary artist whose work occupies a fascinating space between abstraction and figuration, dreamscape and reality. Born in an undisclosed location – a deliberate choice by the artist to keep the focus firmly on the art itself rather than biographical detail – Mare has cultivated an aura of mystery around his persona, allowing his paintings to speak for themselves. This reticence only adds to the compelling nature of his creations, inviting viewers to engage with them on a purely intuitive level. While details about his early life remain scarce, it is known that he received formal training in painting before embarking on a path of self-directed exploration and experimentation. He continues to live and work today, constantly refining his unique visual language.

A Journey Through Form and Color

Mare’s artistic development has been characterized by a relentless pursuit of emotional resonance through the manipulation of form and color. His early works displayed a clear influence from Abstract Expressionism, particularly the gestural energy of artists like Willem de Kooning and Franz Kline. However, Mare quickly moved beyond simple imitation, developing his own distinctive style that incorporated elements of Surrealism and Symbolism. Recurring motifs – fragmented figures, distorted landscapes, and ambiguous objects – began to emerge, hinting at a complex inner world. Over time, his palette evolved from dark, brooding tones to a more vibrant and nuanced range of colors, reflecting a growing sense of optimism and spiritual inquiry. The artist’s technique is equally noteworthy; he employs layers of paint, often scraping back and reworking surfaces to create a rich textural depth that draws the viewer into the canvas.

Themes of Memory and Transformation

At the heart of Mare's work lies an exploration of memory, transformation, and the elusive nature of identity. His paintings are not literal representations of reality but rather evocative distillations of personal experiences and subconscious imagery. The fragmented figures that populate his canvases often appear to be in a state of flux, dissolving into their surroundings or emerging from them as if born from dreams. This sense of impermanence is further emphasized by the artist’s use of blurred lines and ambiguous spaces. Mare's paintings are not about what is seen but about what is felt, inviting viewers to project their own emotions and interpretations onto the work. He often speaks of his desire to capture “the residue of experience,” those fleeting moments that linger in the mind long after they have passed.

Influences and Artistic Dialogue

While Mare deliberately avoids explicit references to other artists, it is possible to discern a number of influences at play in his work. The Symbolist painters – such as Odilon Redon and Pierre Puvis de Chavannes – clearly inform his use of evocative imagery and dreamlike atmosphere. He also demonstrates an affinity for the Surrealist techniques of automatism and collage, employing chance operations and unexpected juxtapositions to create a sense of disorientation and wonder.

Historical Significance and Legacy

Although relatively young in his career, John Mare has already established himself as a significant voice in contemporary art. His paintings have been exhibited in galleries and museums around the world, garnering critical acclaim and attracting a devoted following of collectors. Mare’s work represents a compelling synthesis of diverse artistic traditions, blending Abstract Expressionism, Surrealism, and Symbolism into a unique and highly personal visual language. He challenges viewers to confront their own inner worlds, prompting them to question the nature of reality and the limits of perception. As he continues to evolve as an artist, it is clear that John Mare’s legacy will be one of profound emotional depth, technical innovation, and enduring mystery. His refusal to conform to conventional expectations has paved the way for a new generation of artists who prioritize intuition, experimentation, and the power of subjective experience.