10月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 25点の Léon Frédéricの作品がカタログにあります
概要
Léon Frédéricの最も有名な作品は、パリのオルセー美術館に所蔵されているThe Golden Age: The Night (1900)です。 次のエントリーはThe Boys (1885)とThe Source of Life (1880)です。 Léon Frédéricによる25点の作品がカタログに記録されています。以下の25件は、制作年、所蔵美術館、解説とともに、最も有名な作品を順位順にリスト化したものです。
A Landscape at Twilight The composition presents a group of reclining figures situated within a wide, undulating landscape under a dim sky. In the foreground, human forms rest upon the earth, their pale skin catching the low, diffused light of dusk or moonlight. The terrain consists of rolling hills and deep greens, ochre, and brown tones that merge into the shadows of the night. A winding path or stream leads…
'L'Aurore'1900
12
The Golden Age: The Morning1901 · オルセー美術館
13
The Soup1904
14
Sunday Morning, Before Mass1906 · Museum of Fine Arts Ghent (MSK)
15
Gabrielle Frederic, the Artist's Daughter1907 · アントウェルペン王立美術館
16
The Golden Age: The Evening1901 · オルセー美術館
17
Three Sisters Making Belgian Lace1907 · Grohmann Museum
18
The Keeper of the Heavenly Key1887
19
The Girls (also known as Les fillettes)1887 · ベルギー王立美術館
20
Fragrance1894
21
湖、眠る水のレオ・フレデリック1898 · ベルギー王立美術館
22
La Procession de Lisseweghe1926
23
The chalk sellers-In the evening1882 · ベルギー王立美術館
24
All Things Die, But All Will Be Resurrected through God1918 · 大原美術館
25
Les Boëchelles. Two Walloon Peasant Children1888 · アントウェルペン王立美術館
これらの作品の中で最も頻繁に描かれている4つの主題と、それぞれの代表作。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | Léon Frédéricの作品 | このリストの絵画 |
|---|---|---|---|
 ベルギー王立美術館 |
ブリュッセル | 5 | The Boys, The chalk sellers-At Noon, The chalk sellers-In the morning |
 オルセー美術館 |
パリ | 3 | The Golden Age: The Night, The Golden Age: The Morning, The Golden Age: The Evening |
 Museum of Fine Arts Ghent (MSK) |
ゲント | 3 | Allegory of the Night, The Funeral Meal, Sunday Morning, Before Mass |
 アントウェルペン王立美術館 |
アントウェルペン | 3 | Timidity, Gabrielle Frederic, the Artist's Daughter, Les Boëchelles. Two Walloon Peasant Children |
 ベルギー王立美術館 |
ブリュッセル | 2 | The Girls (also known as Les fillettes), 湖、眠る水のレオ・フレデリック |
 ダラス美術館 |
ダラス | 1 | Nature or Abundance |
 Grohmann Museum |
ミルウォーキー | 1 | Three Sisters Making Belgian Lace |
 大原美術館 |
倉敷 | 1 | All Things Die, But All Will Be Resurrected through God |
年代を選択して、その時代の代表的な絵画を表示します。
A Landscape at Twilight The composition presents a group of reclining figures situated within a wide, undulating landscape under a dim sky. In the foreground, human forms rest upon the earth, their pale skin catching the low, diffused light of dusk or moonlight. The terrain consists of rolling hills and deep greens, ochre, and brown tones that merge into the shadows of the night. A winding path or stream leads…
In the monumental masterpiece "All Things Die, But All Will Be Resurrected through God," the Belgian Symbolist master Léon Frédéric presents a profound visual odyssey that transcends the boundaries of mere painting. Created in 1918, this expansive work serves as a breathtaking collage of human existence, weaving together dozens of individual vignettes into a singular, rhythmic narrative of mortality and divine hope. As one’s eyes wander across the vast horizontal…
The Golden Age: The Night (1900)、オルセー美術館, パリ。次の作品はThe Boys (1885)、The Source of Life (1880)です。
44歳：Léon Frédéricは1856に生まれ、The Golden Age: The Nightの制作年は1900年です。
The Golden Age: The Night, The Boys, The Source of Life, The chalk sellers-At Noon, The chalk sellers-In the morning, Allegory of the Night, The Funeral Meal, The Stream, Timidity と Nature or Abundance。上記のリストには、それぞれの制作日と所蔵美術館が記載されています。
カタログには、1880年から1926年にかけて制作されたLéon Frédéricによる25点の作品が記録されています。
主にベルギー王立美術館 (ブリュッセル), オルセー美術館 (パリ) と Museum of Fine Arts Ghent (MSK) (ゲント)に所蔵されています。詳細な分布については、上記の美術館一覧をご参照ください。
1880sにおいて、このページに掲載されている全25作品のうち9作品がその時代の作品であり、The Boysが含まれます。
ここに掲載されている最も古い作品はThe Source of Life (1880)、最も新しい作品はLa Procession de Lisseweghe (1926)です。
このページに掲載されている全25作品のうち、Hills (3), Figures (2) と Landscape (2)件
このページに掲載されている全25作品のうち、3件のOil On Canvas
このページに掲載されている作品が示すSymbolism
The Boys, The chalk sellers-At Noon と The chalk sellers-In the morningは、ベルギー王立美術館, ブリュッセルのコレクションに含まれる、このページに掲載されている5点の作品のうちの一つです。
Léon-Henri-Marie Frédéric (August 26, 1856 – January 27, 1940) was a Belgian Symbolist painter born in Brussels. His father was a prosperous jeweler, providing the means for a solid education. In 1871, he began an apprenticeship with architect and decorative painter Charle-Albert while simultaneously attending night courses at the Académie Royale des Beaux-Arts in Brussels. He formally joined Jean-François Portaels’ workshop in 1874, further honing his skills.
From 1876 to 1878, Frédéric undertook extensive travels in Italy – Venice, Florence, Naples, and Rome – studying with Belgian sculptor Julien Dillens. This period proved pivotal, exposing him to the works of Renaissance masters like Sandro Botticelli and Domenico Ghirlandaio. These artists profoundly influenced his developing linear technique and aesthetic sensibilities. Upon returning to Brussels in 1879, he debuted at the Brussels Salon and joined the artist group L'Essor.
Frédéric’s work is characterized by a unique blend of styles and themes. His early paintings seamlessly integrated Christian mysticism with pantheistic elements, often depicting scenes imbued with spiritual symbolism. Later in his career, he increasingly addressed social concerns within his art, reflecting a growing awareness of societal issues. He was deeply influenced by 15th and 16th-century Flemish painting as well as Renaissance styles.
Frédéric received a gold medal at the Exposition Universelle (1889) and continued to exhibit internationally, winning further accolades in Germany and the United States. He was appointed a member of the Académie Royale in 1904 and created a Baron by King Albert I in 1929.
While achieving international recognition during his lifetime, Frédéric’s work wasn't fully appreciated in Belgium until later in his life. He represents a significant figure within the Symbolist movement, bridging the gap between religious and social themes. His paintings offer a compelling glimpse into the artistic and intellectual climate of late 19th and early 20th-century Europe. Today, his works are held in prominent museums like the Royal Museums of Fine Arts of Belgium, the Musée d'Orsay, and the Philadelphia Museum of Art, ensuring his lasting legacy.
