Robert Broughの肖像画

Robert Brough:最も有名な絵画33選、記録集

11月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 44点の Robert Broughの作品がカタログにあります

概要

このランキングによると、The Artist at Seventeen Years of Age (1889)はRobert Broughの最も有名な作品です。 その次にMonsignor Charles Tochetti (1897)、そしてSir James Murray (1850–1933) (1903)が続きます。 このリストは、カタログに含まれるRobert Broughの44点の作品から、最も有名な33点を厳選したものです。各作品には制作年、所蔵美術館、および解説が記載されています。

1872 – 1905, Invergordon 最多収蔵館: Edinburgh College of Art

Robert Brough:リストの上位10件

1
The Artist at Seventeen Years of Age (1889) による Robert Brough

The Artist at Seventeen Years of Age

1889 · Oil On Canvas

In this 1889 oil on canvas, we find a young Robert Brough looking back at himself. It is a close-up, bust-length portrait that captures the artist at seventeen, a period of profound transition. The grayscale tones and muted palette lend the work a certain melancholy, as if we are witnessing a private thought caught in mid-air. There is a stillness here, a sense of a soul contemplating its own direction…

2
Monsignor Charles Tochetti (1897) による Robert Brough

Monsignor Charles Tochetti

1897 · Oil On Canvas

In this 1897 portrait, we find ourselves in a quiet, intimate encounter with Monsignor Charles Tochetti. The subject is presented in a close-up, three-quarter view, his presence filling the frame with a sense of settled dignity. There is a profound stillness here, a moment captured where the light catches the deep lines of a life lived with purpose. The background remains dark and indistinct, a deliberate choice that pushes the…

3
Sir James Murray (1850–1933) (1903) による Robert Brough

Sir James Murray (1850–1933)

1903 · Oil On Canvas

The portrait of Sir James Murray, executed in 1903, presents a formal study of the subject in a monochromatic palette. He is positioned slightly to the left of the center, facing forward with a direct gaze directed toward the viewer. The figure is dressed in a dark suit, which provides a solid, structured silhouette against the background. A doorway is visible behind him on the right, creating a receding plane…

4
Mrs Nicol of Roscobie (1905) による Robert Brough

Mrs Nicol of Roscobie

1905 · Oil On Canvas

A seated woman occupies the center of this 1897 oil on canvas, her gaze directed toward the viewer from a position of relaxed formality. She sits within an indistinct interior, the background rendered in soft, blended brushstrokes that lack sharp definition. The composition is anchored by the subject's upper body, while elements of her immediate surroundings provide subtle narrative cues:

Robert Brough:リストの続き、11から33

Robert Broughの作品における主な主題

これらの作品の中で最も頻繁に描かれている4つの主題と、それぞれの代表作。

Robert Brough:美術館の所蔵品

このページに掲載されている絵画を最も多く所蔵している 7 の美術館

美術館 都市 Robert Broughの作品 このリストの絵画
Edinburgh College of Art, エディンバラEdinburgh College of Art エディンバラ 2 Female Nude with Brass Urn, Nude Study Female
University of Aberdeen, アムステルダムUniversity of Aberdeen アムステルダム 1 John Thomson
スコットランド国立美術館, エディンバラスコットランド国立美術館 エディンバラ 1 William Dallas Ross (d.1931)
West Lothian Council, LivingstonWest Lothian Council Livingston 1 John Adrian Louis (1860–1908), 7th Earl of Hopetoun and 1st Marquis of Linlithgow
Mintlaw Discovery Centre, PeterheadMintlaw Discovery Centre Peterhead 1 Reverend Dr James Stewart (1830–1917), Minister of Peterhead (1864–1917) (unfinished)
Dundee Art Gallery And Museum, DundeeDundee Art Gallery And Museum Dundee 1 Mary Dallas Ross
The Fleming Collection, ロンドンThe Fleming Collection ロンドン 1 Fieldworkers

Robert Broughの年代別名画:各年代の代表作

年代別作品数

年代を選択して、その時代の代表的な絵画を表示します。

Robert Brough:質問と回答の記録

最も有名な作品として、Robert Broughのどの絵画がリストの筆頭に挙げられていますか?回答を表示

The Artist at Seventeen Years of Age (1889)。以下のエントリーはMonsignor Charles Tochetti (1897)およびSir James Murray (1850–1933) (1903)です。

The Artist at Seventeen Years of Ageが描かれたとき、Robert Broughは何歳でしたか?回答を表示

17歳:Robert Broughは1872に生まれ、The Artist at Seventeen Years of Ageの制作年は1889年です。

Robert Broughのトップ10を飾る作品は何ですか?回答を表示

The Artist at Seventeen Years of Age, Monsignor Charles Tochetti, Sir James Murray (1850–1933), Mrs Nicol of Roscobie, John Hay, Untitled, Dolce pomum, Mary Dallas Ross (c.1881–1936), Female Nude with Brass Urn と View of Elgin, Moray。上記のリストには、それぞれの制作日と所蔵美術館が記載されています。

Robert Broughによる作品は何点登録されていますか?回答を表示

カタログには、1889年から1905年にかけて制作されたRobert Broughによる44点の作品が記録されています。

Robert Broughの最も有名な作品は、どのコレクションに収蔵されていますか?回答を表示

主にEdinburgh College of Art (エディンバラ), University of Aberdeen (アムステルダム) と スコットランド国立美術館 (エディンバラ)に所蔵されています。詳細な分布については、上記の美術館一覧をご参照ください。

Robert Broughの最も有名な作品はいつ描かれましたか?回答を表示

1890sにおいて、このページに掲載されている全33作品のうち17作品がその時代の作品であり、Monsignor Charles Tochettiが含まれます。

Robert Broughによる作品の中で、最も古いものと最も新しいものはどれですか?回答を表示

ここに掲載されている最も古い作品はThe Artist at Seventeen Years of Age (1889)、最も新しい作品はMrs Nicol of Roscobie (1905)です。

Robert Broughの作品に最も多く登場する主題は何ですか?回答を表示

このページに掲載されている全33作品のうち、Man (2) と Portrait (2)件

Robert Broughが最も頻繁に使用した画材は何ですか?回答を表示

このページに掲載されている全33作品のうち、4件のOil On Canvas

Edinburgh College of ArtにはRobert Broughのどの作品が収蔵されていますか?回答を表示

Female Nude with Brass Urn と Nude Study Femaleは、Edinburgh College of Art, エディンバラのコレクションに含まれる、このページに掲載されている2点の作品のうちの一つです。

Robert Brough:生涯と作品

The Luminous Legacy of Robert Brough

In the annals of Scottish art history, few names evoke such a poignant sense of fleeting brilliance as Robert Brough. A painter whose life was tragically brief, spanning only from 1872 to 1905, Brough managed to capture the very essence of Victorian Aberdeen with a sensitivity that transcended the rigid academicism of his era. Born near Invergordon in the rugged beauty of Ross and Cromarty, he carried within him a vision that sought to bridge the gap between the venerable traditions of his homeland and the burgeoning modernism sweeping through Europe. His work remains a testament to a soul caught between the structured dignity of the past and the vibrant, emotive possibilities of the future.

Brough’s artistic journey was deeply rooted in the soil of Scottish tradition, yet it was never confined by it. His formal training at the Glasgow School of Art provided him with a formidable technical foundation, most notably through his studies under the influence of the legendary portraitist Henry Raeburn. From this encounter, Brough inherited a profound respect for the psychological depth of his subjects and a mastery of capturing authentic human emotion. However, where his predecessors might have sought a static perfection, Brough pursued something far more elusive: the atmospheric mood. He looked toward the Parisian avant-garde, absorbing the light-drenched lessons of Impressionism and the dreamlike enigmas of Symbolism, weaving these international influences into the fabric of his Scottish sensibilities.

A Symphony of Color and Emotion

As Brough established himself within the artistic circles of Aberdeen, his style underwent a remarkable evolution, moving away from mere representation toward a more expressive, visceral language. He became a master of color, utilizing a palette that could shift from somber, muted tones to sudden, breathtaking bursts of luminosity. His canvases were not merely depictions of people or scenes; they were vessels for feeling. In his portraits, one finds an intimate connection with the sitter, achieved through delicate brushstrokes and a sophisticated use of light that seems to pulse with life.

This mastery is perhaps most evident in his celebrated works, where the boundaries between reality and imagination begin to blur:

  • Dolly Crombie (1896): A stunning oil on canvas that exemplifies his ability to create intimacy. Through a careful arrangement of flowers and soft light, Brough captures a moment of quiet reflection, drawing the viewer into a private, serene world.
  • Fantaisie en Folie (1897): A piece that showcases his imaginative depth, where symbolism and composition invite the observer to ponder the deeper, perhaps more whimsical, meanings hidden within the domestic scene.
  • John Hay (1871): A poignant study of age and character, demonstrating his skill in using expressive realism to convey the dignity of the human experience.

Historical Significance and Enduring Spirit

Though his career was cut short by his untimely death at the age of thirty-two, Robert Brough left behind an oeuvre that continues to resonate with a singular, haunting beauty. He was an artist who refused to be stagnant, constantly experimenting with the interplay of light and shadow to express the inner complexities of his subjects. His ability to blend the formal requirements of portraiture with the emotive freedom of modern movement allowed him to document Victorian society not just as it appeared, but as it felt.

Today, Brough is remembered not merely as a regional painter, but as a visionary Scot who dared to infuse traditional subjects with a modern, luminous spirit. His works, held in prestigious collections such as Tate Britain, serve as vital links to a transformative period in art history. To look upon a Brough painting is to witness the struggle and the triumph of an artist striving to capture the ephemeral—the fleeting light, the passing emotion, and the enduring soul of a changing world.