11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 3点の Theodore E. Pineの作品がカタログにあります
概要
このランキングによると、The Daughters of Daniel T. MacFarlan (1857)はTheodore E. Pineの最も有名な作品であり、ニューヨークのメトロポリタン美術館に所蔵されています。 その次にMr. and Mrs. Daniel T. MacFarlan (1858)、そしてKate Lyon Cornell (1856)が続きます。 このリストは、カタログに含まれるTheodore E. Pineの3点の作品から、最も有名な3点を厳選したものです。各作品には制作年、所蔵美術館、および解説が記載されています。
In this 1857 oil on canvas, we find ourselves drawn into a private, sentimental moment from the mid-19th century. Two young girls, the daughters of Daniel T. MacFarlan, occupy a lush, atmospheric landscape that feels both expansive and deeply intimate. The composition is balanced with a gentle precision; the older girl stands to the left, while the younger child is seated upon a wooden bench to the right. A large,…
The oil on canvas titled Mr. and Mrs. Daniel T. MacFarlan captures a quiet moment of social standing. Theodore E. Pine rendered this portrait in 1858, fixing the likenesses of the couple within a formal composition. The subjects, Mr. and Mrs. Daniel T. MacFarlan, originated from Yonkers, New York, as noted in the records from 1857. They sit held within the frame, their presence defined by the steady hand of…
The portrait titled Kate Lyon Cornell brings a quiet presence into the room, capturing a specific moment of American history through the eyes of Theodore E. Pine. Created in 1856, this work presents a study of character and poise. The subject remains fixed in her elegant stance, her gaze meeting the viewer from a mid-19th-century perspective. There is a sense of stillness here, as if the air around her has…
これらの作品の中で最も頻繁に描かれている4つの主題と、それぞれの代表作。
このページに掲載されている絵画を最も多く所蔵している 1 の美術館
| 美術館 | 都市 | Theodore E. Pineの作品 | このリストの絵画 |
|---|---|---|---|
 メトロポリタン美術館 |
ニューヨーク | 3 | The Daughters of Daniel T. MacFarlan, Mr. and Mrs. Daniel T. MacFarlan, Kate Lyon Cornell |
1856年から1858年までの3年間の、このページに掲載されているTheodore E. Pineの全年代の作品が、年別に表示されています。
代表的な絵画を表示する年を選択してください。
The portrait titled Kate Lyon Cornell brings a quiet presence into the room, capturing a specific moment of American history through the eyes of Theodore E. Pine. Created in 1856, this work presents a study of character and poise. The subject remains fixed in her elegant stance, her gaze meeting the viewer from a mid-19th-century perspective. There is a sense of stillness here, as if the air around her has…
In this 1857 oil on canvas, we find ourselves drawn into a private, sentimental moment from the mid-19th century. Two young girls, the daughters of Daniel T. MacFarlan, occupy a lush, atmospheric landscape that feels both expansive and deeply intimate. The composition is balanced with a gentle precision; the older girl stands to the left, while the younger child is seated upon a wooden bench to the right. A large,…
The oil on canvas titled Mr. and Mrs. Daniel T. MacFarlan captures a quiet moment of social standing. Theodore E. Pine rendered this portrait in 1858, fixing the likenesses of the couple within a formal composition. The subjects, Mr. and Mrs. Daniel T. MacFarlan, originated from Yonkers, New York, as noted in the records from 1857. They sit held within the frame, their presence defined by the steady hand of…
The Daughters of Daniel T. MacFarlan (1857)、メトロポリタン美術館, ニューヨーク。次の作品はMr. and Mrs. Daniel T. MacFarlan (1858)、Kate Lyon Cornell (1856)です。
29歳：Theodore E. Pineは1828に生まれ、The Daughters of Daniel T. MacFarlanの制作年は1857年です。
カタログには、1856年から1858年にかけて制作されたTheodore E. Pineによる3点の作品が記録されています。
主にメトロポリタン美術館 (ニューヨーク)に所蔵されています。詳細な分布については、上記の美術館一覧をご参照ください。
ここに掲載されている最も古い作品はKate Lyon Cornell (1856)、最も新しい作品はMr. and Mrs. Daniel T. MacFarlan (1858)です。
このページに掲載されている全3作品のうち、Tree (2), Landscape (2) と Clouds (2)件
このページに掲載されている全3作品のうち、3件のOil On Canvas
The Daughters of Daniel T. MacFarlan, Mr. and Mrs. Daniel T. MacFarlan と Kate Lyon Cornellは、メトロポリタン美術館, ニューヨークのコレクションに含まれる、このページに掲載されている3点の作品のうちの一つです。
Theodore E. Pine lived through many different landscapes, moving his brushes from the established streets of New York City to the quieter corners of the American West and South. Born in 1828, he was a native of New Jersey, but his early training began under the eye of his father, James, in New York. This shared practice in the city laid the foundation for a career defined by steady, observant work. He later sought out further study in Europe, bringing those learned techniques back to the various places he called home.
His movements were frequent and varied. He kept studios in Chicago, Illinois; St. Louis, Missouri; Manito, Colorado; and Asheville, North Carolina. Each location offered a different light and a different set of faces to capture. By the time he reached his final years in Ogdensburg, New York, his life had been a long sequence of settling into new spaces, setting up his easel, and recording what he saw.
His work focused on the tangible presence of people and objects. He worked primarily with oil on canvas, applying paint to capture the weight of a figure or the stillness of a still life. There is a documentary quality to his approach, particularly when he looked toward the likenesses of others. In 1904, he produced a posthumous portrait of Robert E. Lee, using a full-length photograph taken by Julian Vannerson in 1864 as his guide. This piece was not about a moment captured from life, but rather a careful reconstruction of a recorded appearance.
The subjects of his paintings were often individuals caught in specific moments of their own histories:
He also turned his attention to the smaller details of a room, such as the depiction of furniture and home furnishings. His hands were used to render the textures of cloth and wood with a quiet, focused accuracy.
Theodore E. Pine died in 1905, leaving behind a body of work that remains held in various collections, such as the New-York Historical Society. His paintings do not rely on grand gestures but on the steady recording of figures and still lifes. Through his portraits, he provided a visual record of the people and eras he encountered during his travels across the United States.
