アンリ・ルバスクの肖像画

アンリ・ルバスク: The 100 Most Famous Paintings, Documented

10月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 539点の アンリ・ルバスクの作品がカタログにあります

概要

According to this ranking, Street by the Port at Collioure (1921) is the most famous painting by アンリ・ルバスク. It is followed by Young woman on a hammock (1923) and On the Beach (1921). This list draws on the 539 works by アンリ・ルバスク in the catalogue and records the 100 most famous, with date, holding museum and description for each entry.

1865 – 1937, シャンピニェ Post-impressionism 最多収蔵館: ウォールラフ・リヒャルトス美術館

アンリ・ルバスク: top 10 entries of the list

1
Street by the Port at Collioure (1921) による アンリ・ルバスク

Street by the Port at Collioure

1921 · Oil

In this 1921 work, we find ourselves standing at the edge of a quiet harbor, looking out toward the water. The scene captures a narrow street leading down to the port, where the architecture of the town meets the movement of the sea. Several boats are scattered throughout the harbor, their forms resting upon the water, while small figures move along the waterfront. There is a sense of a lived-in…

2
Young woman on a hammock (1923) による アンリ・ルバスク

Young woman on a hammock

1923 · Oil On Canvas

Sunlight filters through a dense canopy of leaves, casting dappled patterns across a secluded garden. In the center of this lush sanctuary, a young woman reclines within the gentle embrace of a hammock. The fabric, marked by distinct stripes of red, yellow, and blue, sways almost imperceptibly between two sturdy trees. She rests in a state of profound contentment, her body softly contoured by the weight of her repose. Around…

3
On the Beach (1921) による アンリ・ルバスク

On the Beach

1921 · Oil On Canvas

On the Beach is an oil on canvas by the French artist Henri Lebasque. Created about 1921, the work reflects the artist's established interest in the interplay of light and leisure. Lebasque, born in Champigné, France, developed a style characterized by a natural brush-stroke and a focus on the serene atmosphere of the outdoors.

アンリ・ルバスク: list continued, 11 to 100

11The Terrace at Prefailles (1922) による アンリ・ルバスクThe Terrace at Prefailles1922 12Le Pradet Jeune Femme au Hamac (1923) による アンリ・ルバスクLe Pradet Jeune Femme au Hamac1923 13Blue Mountains in Cannes (1926) による アンリ・ルバスクBlue Mountains in Cannes1926 14Women and Children in the Parc de Dammartin (1896) による アンリ・ルバスクWomen and Children in the Parc de Dammartin1896 15Young Woman Seated with Hydrangeas (1920) による アンリ・ルバスクYoung Woman Seated with Hydrangeas1920 16Girls in a Mediterranean landscape による アンリ・ルバスクGirls in a Mediterranean landscape 17Young Girls in a Wood (1897) による アンリ・ルバスクYoung Girls in a Wood1897 · Museo de Arte de Ponce 18Girls in the Forest at Sunset (1898) による アンリ・ルバスクGirls in the Forest at Sunset1898 19Girls in the Garden (1905) による アンリ・ルバスクGirls in the Garden1905 20Fillette à la Fenêtre (1904) による アンリ・ルバスクFillette à la Fenêtre1904 21The Marne at Lagny (1905) による アンリ・ルバスクThe Marne at Lagny1905 22Madame Lebasque and Her Daughters (1903) による アンリ・ルバスクMadame Lebasque and Her Daughters1903 23bathers (1910) による アンリ・ルバスクbathers1910 24Marthe and Madame Lebasque at the Fountain (1907) による アンリ・ルバスクMarthe and Madame Lebasque at the Fountain1907 25ms zambelli (1912) による アンリ・ルバスクms zambelli1912 26Cannes in Spring (1921) による アンリ・ルバスクCannes in Spring1921 27Naked on the Red Carpet (1925) による アンリ・ルバスクNaked on the Red Carpet1925 28Nude with Necklace (1923) による アンリ・ルバスクNude with Necklace1923 29The Terrace in Pradet による アンリ・ルバスクThe Terrace in Pradet 30Two Bathers by the Beach による アンリ・ルバスクTwo Bathers by the Beach 31Rest on the Banks of the Yaudet (1897) による アンリ・ルバスクRest on the Banks of the Yaudet1897 32The Siesta (1923) による アンリ・ルバスクThe Siesta1923 33Nude in Provence による アンリ・ルバスクNude in Provence 34Terrace in the Garden による アンリ・ルバスクTerrace in the Garden 35Nude in Repose による アンリ・ルバスクNude in Repose 36a woman reading による アンリ・ルバスクa woman reading 37woman tying up her sandle による アンリ・ルバスクwoman tying up her sandle 38Young girls in a boat on the Marne による アンリ・ルバスクYoung girls in a boat on the Marne 39Garden with Urn (1913) による アンリ・ルバスクGarden with Urn1913 40Women Sewing (1922) による アンリ・ルバスクWomen Sewing1922 41Street in Lagny, in Chessy (1906) による アンリ・ルバスクStreet in Lagny, in Chessy1906 42Young woman with Umbrella at St Maxime (1918) による アンリ・ルバスクYoung woman with Umbrella at St Maxime1918 43Madame Lebasque and Her Daughters (1903) による アンリ・ルバスクMadame Lebasque and Her Daughters1903 44Nono and a guitar (1910) による アンリ・ルバスクNono and a guitar1910 45Bathers in the Sea による アンリ・ルバスクBathers in the Sea 46Woman in a White Dress (1923) による アンリ・ルバスクWoman in a White Dress1923 47Garden in Spring (1904) による アンリ・ルバスクGarden in Spring1904 48Portrait of Basler (1912) による アンリ・ルバスクPortrait of Basler1912 49Le Cannet Madame Lebasque Reading in the Garden (1923) による アンリ・ルバスクLe Cannet Madame Lebasque Reading in the Garden1923 50Reading in the Garden (1886) による アンリ・ルバスクReading in the Garden1886 51Reading in the Garden (1886) による アンリ・ルバスクReading in the Garden1886 52Sheep in the Village Street (1895) による アンリ・ルバスクSheep in the Village Street1895 53Conversation in the Park (1898) による アンリ・ルバスクConversation in the Park1898 54Landscape at Champetre (1894) による アンリ・ルバスクLandscape at Champetre1894 55Country Road Bridge and Carriage (1895) による アンリ・ルバスクCountry Road Bridge and Carriage1895 56Conversation in the Park (1898) による アンリ・ルバスクConversation in the Park1898 57Portrait of Marcelle Mezieres Nine Years Old (1896) による アンリ・ルバスクPortrait of Marcelle Mezieres Nine Years Old1896 58Country Road Bridge and Carriage (1895) による アンリ・ルバスクCountry Road Bridge and Carriage1895 59Market Place (1893) による アンリ・ルバスクMarket Place1893 60Le Château (1897) による アンリ・ルバスクLe Château1897 61Madame Lebasque and her daughter Marthe (1898) による アンリ・ルバスクMadame Lebasque and her daughter Marthe1898 62Young Bather by the River (1897) による アンリ・ルバスクYoung Bather by the River1897 63Village of Champigne (1893) による アンリ・ルバスクVillage of Champigne1893 · ウォールラフ・リヒャルトス美術館 64By the Marne (1898) による アンリ・ルバスクBy the Marne1898 65Garden at Champigny (1894) による アンリ・ルバスクGarden at Champigny1894 66Sheep in the Village street (1895) による アンリ・ルバスクSheep in the Village street1895 67Young Girl in a Clearing (1897) による アンリ・ルバスクYoung Girl in a Clearing1897 68Landscape at Champetre (1894) による アンリ・ルバスクLandscape at Champetre1894 69A Square in Monterain (1895) による アンリ・ルバスクA Square in Monterain1895 70Madame Lebasque in a Breton landscape (1898) による アンリ・ルバスクMadame Lebasque in a Breton landscape1898 71The Farm at Lagny in Winter (1905) による アンリ・ルバスクThe Farm at Lagny in Winter1905 72The Marne at Lagny (1905) による アンリ・ルバスクThe Marne at Lagny1905 73Pont Pierre at the Lagny River (1902) による アンリ・ルバスクPont Pierre at the Lagny River1902 74The Marne at Lagny (1905) による アンリ・ルバスクThe Marne at Lagny1905 75Child's Head in Profile (1905) による アンリ・ルバスクChild's Head in Profile1905 76The Marne at Ponponne (1905) による アンリ・ルバスクThe Marne at Ponponne1905 77By the River (1900) による アンリ・ルバスクBy the River1900 78Child Playing in the Garden (1903) による アンリ・ルバスクChild Playing in the Garden1903 79Le Parc Monceau (1900) による アンリ・ルバスクLe Parc Monceau1900 80Youn Girl in a Garden at St Tropez (1903) による アンリ・ルバスクYoun Girl in a Garden at St Tropez1903 81Mother and Child in a Landscape (1900) による アンリ・ルバスクMother and Child in a Landscape1900 82Lunchtime at Lagny (1905) による アンリ・ルバスクLunchtime at Lagny1905 83Girls by the River (1905) による アンリ・ルバスクGirls by the River1905 84Girls by the River (1905) による アンリ・ルバスクGirls by the River1905 85Madame Lebasque with Daughter (1900) による アンリ・ルバスクMadame Lebasque with Daughter1900 86Madame Lebasque and daughter by the Marne (1899) による アンリ・ルバスクMadame Lebasque and daughter by the Marne1899 87Landscape with Haystack (1900) による アンリ・ルバスクLandscape with Haystack1900 88Partie de Campagne (1903) による アンリ・ルバスクPartie de Campagne1903 89Le Parc de Saint-Cloud (1900) による アンリ・ルバスクLe Parc de Saint-Cloud1900 90fishing party (1905) による アンリ・ルバスクfishing party1905 91Madame Lebasque with daughter (1900) による アンリ・ルバスクMadame Lebasque with daughter1900 92LIttle White Dog (1905) による アンリ・ルバスクLIttle White Dog1905 93In the Forest the Harvest (1904) による アンリ・ルバスクIn the Forest the Harvest1904 94The Banks of the Marne at Lagny (1905) による アンリ・ルバスクThe Banks of the Marne at Lagny1905 95The Seine at Paris (1904) による アンリ・ルバスクThe Seine at Paris1904 96Two girls by the Eau river (1900) による アンリ・ルバスクTwo girls by the Eau river1900 97young painter (1905) による アンリ・ルバスクyoung painter1905 98autumn (1900) による アンリ・ルバスクautumn1900 99A Small Girl with Her Doll (1900) による アンリ・ルバスクA Small Girl with Her Doll1900 100Lagny, View of the Quai de Pamponne (1904) による アンリ・ルバスクLagny, View of the Quai de Pamponne1904

アンリ・ルバスク: works by period

Early 20th Century

1904 – 1923 · 4作品がこのリストに含まれています

Principal subjects in the work of アンリ・ルバスク

The four subjects most frequently represented among these works, each with its best-known example.

アンリ・ルバスク: holding museums

このページに掲載されている絵画を最も多く所蔵している 2 の美術館

美術館 都市 アンリ・ルバスクの作品 このリストの絵画
ウォールラフ・リヒャルトス美術館, ケルンウォールラフ・リヒャルトス美術館 ケルン 3 Village of Champigne
Museo de Arte de Ponce, ポンセMuseo de Arte de Ponce ポンセ 1 Young Girls in a Wood

アンリ・ルバスク by decade: the most famous painting of each

年代別作品数

Select a decade to display its principal painting.

アンリ・ルバスク: questions and documented answers

Which アンリ・ルバスク painting heads the list of most famous works?Display the answer

Street by the Port at Collioure (1921). The following entries are Young woman on a hammock (1923) and On the Beach (1921).

What age had アンリ・ルバスク reached when Street by the Port at Collioure was painted?Display the answer

56 years: アンリ・ルバスク was born in 1865 and Street by the Port at Collioure is dated 1921.

Which works make up the top 10 of アンリ・ルバスク?Display the answer

Street by the Port at Collioure, Young woman on a hammock, On the Beach, Girls in the Garden, In the Flowers, bather, Summer Afternoon at Frejus, Bathers at a fountain in Saint Tropez, Woman in a Boat with an Umbrella と Blue Reflection in the Fountain at Pradet. The list above records the date and holding museum of each.

How many works by アンリ・ルバスク are recorded?Display the answer

The catalogue records 539 works by アンリ・ルバスク, dated between 1886 and 1926.

In which collections are アンリ・ルバスク's most famous works held?Display the answer

Principally in ウォールラフ・リヒャルトス美術館 (ケルン) と Museo de Arte de Ponce (ポンセ). The museum table above gives the full distribution.

When were the most famous works of アンリ・ルバスク painted?Display the answer

In 1900s: 41 of the 100 works listed on this page are dated to that period, including Girls in the Garden.

Which dated works by アンリ・ルバスク are the earliest and the latest here?Display the answer

The earliest dated work listed here is Reading in the Garden (1886); the latest is Blue Mountains in Cannes (1926).

What subjects appear most in the work of アンリ・ルバスク?Display the answer

Rivers (13), Women (12) と Girls (9), out of the 100 works listed on this page.

What materials did アンリ・ルバスク use most frequently?Display the answer

Oil On Canvas, in 13 of the 100 works listed on this page.

Which art movement does アンリ・ルバスク represent?Display the answer

Post-impressionism と Impressionism, as documented by the works on this page.

Where can reproductions of アンリ・ルバスク's paintings be obtained?Display the answer

Yes. Each work listed on this page can be ordered from its own entry as a hand-painted oil reproduction or a fine art print, in a size of your choice.

アンリ・ルバスク: life and work

A Painter of Joy and Light: The Life and Art of Henri Lebasque

Henri Lebasque, a name perhaps less immediately recognized than some of his Post-Impressionist contemporaries, nevertheless occupies a significant place in the artistic landscape of early 20th-century France. Born in Champigné, Maine-et-Loire, in 1865, Lebasque’s journey toward becoming a celebrated painter was one marked by diligent study, evolving influences, and an unwavering commitment to capturing beauty in everyday life. His early education at the École régionale des beaux-arts d'Angers provided a foundational grounding, but it was his move to Paris in 1886 that truly ignited his artistic development. There, under the tutelage of Léon Bonnat and through assisting Ferdinand Humbert with decorative murals at the Panthéon, he honed his technical skills while immersing himself in the vibrant Parisian art scene. This period proved crucial, bringing him into contact with pivotal figures like Camille Pissarro and Auguste Renoir, whose emphasis on light and color would profoundly shape his aesthetic sensibilities.

Early Influences and Artistic Formation

Lebasque’s formative years were steeped in artistic tradition. He initially pursued classical studies at the École supérieure des beaux-arts de Paris, absorbing the lessons of academic painting—a discipline that prioritized meticulous detail and idealized representations. However, it was his encounter with Impressionism – particularly the work of Claude Monet and Pierre-Auguste Renoir – that irrevocably altered his artistic trajectory. The Impressionists’ revolutionary technique of capturing fleeting moments of light and color challenged the conventions of realism, prompting Lebasque to experiment with looser brushstrokes and brighter hues. This exposure instilled in him a fascination for atmospheric perspective and an appreciation for the expressive potential of color—elements that would become integral to his distinctive style.

The Embrace of Les Nabis: A Dialogue with Intimacy

Around 1890, Lebasque joined Les Nabis – a group of artists who championed a radically different aesthetic vision. Led by Édouard Vuillard and Pierre Bonnard, the Nabis rejected grand narratives and monumental scale, instead focusing on domestic interiors and intimate portraits—scenes that conveyed profound emotional resonance. This affiliation profoundly impacted Lebasque’s artistic sensibilities, fostering in him a desire to depict human experience with sensitivity and nuance. The Nabis' meticulous attention to detail—particularly their use of muted colors and flattened forms—served as a catalyst for Lebasque’s own stylistic innovations. He meticulously observed the subtleties of light and shadow, striving to capture the essence of his subjects with remarkable accuracy.

Chromatic Harmony: Technique and Artistic Vision

Lebasque's artistic technique was characterized by a masterful command of color—a cornerstone of both Impressionism and Chromoluminarism. He employed a layered approach, applying thin washes of pigment over multiple coats to achieve luminous effects that defied conventional representation. Lebasque skillfully utilized complementary color pairings – blues and oranges, reds and greens – to create visual excitement while maintaining an overall sense of balance and harmony. This meticulous attention to color theory—influenced by the theories of Georges Seurat and Paul Signac—allowed him to imbue his canvases with an extraordinary vibrancy and depth. His brushstrokes were deliberate and expressive, conveying emotion through subtle variations in texture and tone.

A Legacy of Serenity: Recognition and Artistic Significance

Throughout his prolific career, Lebasque garnered considerable acclaim for his artistic achievements. He participated in numerous Salon exhibitions—including the Salon d’Automne, which he helped establish alongside Henri Matisse—and secured commissions for decorative murals at prestigious venues such as the Champs-Élysées theatre and on transatlantic liners. His paintings are now housed in prominent museums across France and internationally—demonstrating his enduring artistic influence and securing his place among the most celebrated figures of Post-Impressionism. Lebasque’s unwavering commitment to capturing beauty in everyday life—his ability to convey profound emotion through simple compositions—continues to inspire artists and viewers alike, cementing his legacy as a painter of joy and light.

アンリ・ルバスクによる全 539点の作品 →