10月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 56点の サセッタの作品がカタログにあります
概要
According to this ranking, Madonna of Humility (1432) is the most famous painting by サセッタ; the ベルリン国立博物館群, ベルリン, holds it. It is followed by Virgin with Child and Four Saints (detail) (1435) and Saint Francis and the Poor Knight, and Francis's Vision (1437). This list draws on the 56 works by サセッタ in the catalogue and records the 56 most famous, with date, holding museum and description for each entry.
In the quiet sanctity of the early fifteenth century, few images capture the profound intimacy of the divine as gracefully as Sassetta’s Madonna of Humility. Painted around 1432, this masterpiece serves as a breathtaking window into a period where the ethereal meets the earthly. The composition centers on the Virgin Mary, not seated upon a distant, golden throne, but nestled in a posture of profound humility that defines her very…
The panel titled Saint Francis and the Poor Knight, and Francis's Vision emerges from the hand of the artist Sassetta. Created about 1437, this work exists as the first of eight distinct paintings that once formed the back of a large, richly coloured and elaborate altarpiece. It belongs to the larger San Sepolcro Altarpiece, a significant assembly of devotional imagery.
The work is titled The Funeral of Saint Francis and Verification of the Stigmata. It was executed by the artist Sassetta (Stefano Di Giovanni) between 1437 and 1444. This panel functions as the final movement in a larger narrative cycle, serving as the eighth and concluding scene in a series of eight depictions of the life of Saint Francis.
The Agony in the Garden is a poignant and spiritually charged tempera painting from the Early Renaissance period. The composition depicts the biblical scene of Christ's agony in the Garden of Gethsemane, set against a dark, star-studded nocturnal sky and a landscape of rolling hills and a winding path. In the foreground, several apostles are shown in various states of deep sleep, their bodies slumped and heads bowed in a…
The work titled Saint Francis before the Sultan is a creation of the artist Sassetta. It emerged from the studio between 1437 and 1444. This panel was originally conceived as part of the San Sepolcro Altarpiece, a large and complex structure commissioned for the Franciscans of Borgo Sansepolcro, Italy. The piece functioned as part of a double-sided polyptych, a structural arrangement that allowed the sacred narrative to unfold on both…
This tempera on poplar panel, dating to c. 1435, presents a solitary figure of Saint Margaret against a shimmering gold ground. The composition is vertical and centered, emphasizing a sense of stillness and spiritual focus. She is draped in a heavy, dark mantle over a deep crimson tunic, her head tilted with a gentle, serene expression. At her feet, a dark, dragon-like creature is visible, a symbolic representation of her…
In this vertical composition, Sassetta presents Saint Apollonia as a single, centered figure. The saint is positioned against a flat, decorative gold background that emphasizes her presence through a sense of divine stillness. Her expression remains calm and contemplative, a quietude that contrasts with the heavy symbolism of her attributes. She holds the pincers used in her martyrdom, a specific detail that identifies her within the religious tradition. This object,…
St. Nicholas of Bari1430
12
Madonna of the Snow Altarpiece1432
13
St Anthony the Hermit Tortured by the Devils1423
14
The Ecstasy of St Francis (detail)1437 · Villa i Tatti
15
The Procession to Calvary1441 · デトロイト美術館
16
The Betrayal of Christ1437 · デトロイト美術館
17
Madonna of Humility1437 · ナショナル・ギャラリー・オブ・アート
18
St. Anthony of Padua1450
19
Madonna and Child with Angels1437
20
St Matthew1437 · Collezione Vittorio Cini
21
Assumption of Mary with Angel Choirs1450 · ベルリン絵画館
22
The Wolf of Gubbio1450 · ナショナル・ギャラリー
23
Virgin of Humility1440 · Collezione Vittorio Cini
24
St Thomas Inspired by the Dove of the Holy Ghost1423 · ブダペスト美術館
25
Damnation of the Soul of the Miser of Citerna1437 · ルーブル美術館
26
The Ecstasy of St Francis1437 · Villa i Tatti
27
St Thomas Inspired by the Dove of the Holy Ghost1423 · ブダペスト美術館
28
St Thomas Inspired by the Dove of the Holy Ghost (detail)1423 · ブダペスト美術館
29
St Thomas Inspired by the Dove of the Holy Ghost (detail)1423 · ブダペスト美術館
30
Miracle of the Eucharist1423 · Bowes Museum
31
Death of the Heretic on the Bonfire1423 · 国立ギャラリー・オブ・ビクトリア
32
St Jerome (detail)1423 · Pinacoteca Nazionale
33
Founding of Santa Maria Maggiore1430
34
The mystical marriage of Saint Francis of Assisi1444
35
The Annunciation "1435 · メトロポリタン美術館
36
Virgin with Child and Four Saints (detail)1435 · Museo Diocesano
37
The Stigmatisation of St Francis1437 · ナショナル・ギャラリー
38
The Blessed Ranieri Frees the Poor from a Prison in Florence1437 · ルーブル美術館
39
Virgin with Child and Four Saints (detail)1435 · Museo Diocesano
40
Virgin and Child with Saints1437 · ルーブル美術館
41
The Blessed Ranieri Frees the Poor from a Jail in Florence1444 · ルーブル美術館
42
St Thomas Before the Cross1423 · バチカン・ピナコテカ
43
The Blessed Raniero of Borgo San Sepolcro Appearing to a Cardinal in a Dream1444 · ベルリン国立博物館群
44
St. Francis Kneeling before Christ on the Crossクリーブランド美術館
45
The Last Supper1423 · Pinacoteca Nazionale
46
St Anthony the Hermit Tortured by the Devils1423 · Pinacoteca Nazionale
47
St Thomas Inspired by the Dove of the Holy Ghost (detail)1423 · ブダペスト美術館
48
Madonna and Child with Angelsメトロポリタン美術館
49
The Annunciation
50
The Meeting of St. Anthony and St. Paulナショナル・ギャラリー・オブ・アート
51
The Journey of the Magi1435 · メトロポリタン美術館
52
フランシスと貧困の結婚1437 · コンデ美術館
53
Saint Francis renounces his Earthly Father1437 · ナショナル・ギャラリー
54
St. Anthony Beaten by Devils1423 · Pinacoteca Nazionale
55
Madonna of Humility with Four Saints1435 · Museo Diocesano
56
The Virgin and Child with Saints1430 · ウフィツィ美術館
The four subjects most frequently represented among these works, each with its best-known example.
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | サセッタの作品 | このリストの絵画 |
|---|---|---|---|
 ナショナル・ギャラリー |
ロンドン | 6 | Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis, Saint Francis before the Sultan |
 ブダペスト美術館 |
ブダペスト | 5 | St Thomas Inspired by the Dove of the Holy Ghost, St Thomas Inspired by the Dove of the Holy Ghost, St Thomas Inspired by the Dove of the Holy Ghost (detail) |
 Museo Diocesano |
コルトナ | 4 | Virgin with Child and Four Saints (detail), Virgin with Child and Four Saints (detail), Virgin with Child and Four Saints (detail) |
 ナショナル・ギャラリー・オブ・アート |
ワシントン | 4 | Saint Margaret, Saint Apollonia, Madonna of Humility |
 ルーブル美術館 |
パリ | 4 | Damnation of the Soul of the Miser of Citerna, The Blessed Ranieri Frees the Poor from a Prison in Florence, Virgin and Child with Saints |
 Pinacoteca Nazionale |
シエナ | 4 | St Jerome (detail), The Last Supper, St Anthony the Hermit Tortured by the Devils |
 デトロイト美術館 |
デトロイト | 3 | The Agony in the Garden, The Procession to Calvary, The Betrayal of Christ |
 メトロポリタン美術館 |
ニューヨーク | 3 | The Annunciation ", Madonna and Child with Angels, The Journey of the Magi |
Select a decade to display its principal painting.
In the quiet sanctity of the early fifteenth century, few images capture the profound intimacy of the divine as gracefully as Sassetta’s Madonna of Humility. Painted around 1432, this masterpiece serves as a breathtaking window into a period where the ethereal meets the earthly. The composition centers on the Virgin Mary, not seated upon a distant, golden throne, but nestled in a posture of profound humility that defines her very…
The work is titled The Funeral of Saint Francis and Verification of the Stigmata. It was executed by the artist Sassetta (Stefano Di Giovanni) between 1437 and 1444. This panel functions as the final movement in a larger narrative cycle, serving as the eighth and concluding scene in a series of eight depictions of the life of Saint Francis.
The work titled Saint Francis before the Sultan is a creation of the artist Sassetta. It emerged from the studio between 1437 and 1444. This panel was originally conceived as part of the San Sepolcro Altarpiece, a large and complex structure commissioned for the Franciscans of Borgo Sansepolcro, Italy. The piece functioned as part of a double-sided polyptych, a structural arrangement that allowed the sacred narrative to unfold on both…
Madonna of Humility (1432), ベルリン国立博物館群, ベルリン. The following entries are Virgin with Child and Four Saints (detail) (1435) and Saint Francis and the Poor Knight, and Francis's Vision (1437).
40 years: サセッタ was born in 1392 and Madonna of Humility is dated 1432.
Madonna of Humility, Virgin with Child and Four Saints (detail), Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis, The Agony in the Garden, Saint Francis before the Sultan, Saint John the Evangelist, The burning of a heretic, Saint Margaret と Saint Apollonia. The list above records the date and holding museum of each.
The catalogue records 56 works by サセッタ, dated between 1412 and 1450.
Principally in ナショナル・ギャラリー (ロンドン), ブダペスト美術館 (ブダペスト) と Museo Diocesano (コルトナ). The museum table above gives the full distribution.
In 1430s: 27 of the 56 works listed on this page are dated to that period, including Madonna of Humility.
The earliest dated work listed here is Saint John the Evangelist (1412); the latest is Saint Francis before the Sultan (1450).
People (7), Saints (6) と Religious scene (6), out of the 56 works listed on this page.
Tempera On Panel, in 16 of the 56 works listed on this page.
Early renaissance, as documented by the works on this page.
Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis と Saint Francis before the Sultan are among the 6 works on this page in the collection of the ナショナル・ギャラリー, ロンドン.
Yes. Each work listed on this page can be ordered from its own entry as a hand-painted oil reproduction or a fine art print, in a size of your choice.
イタリア・クアトロチェント（15世紀）という光り輝く時代において、中世から近代への繊細な変遷を、これほどまでに切なく呼び起こす名は他に類を見ません。歴史に「サッセッタ」の名でより親しみ深く刻まれているステファノ・ディ・ジョヴァンニです。シエナ派の極めて重要な人物である彼の芸術性は、後期ゴシック様式の装飾的な優雅さと、勃興しつつあったルネサンスの写実主義とを繋ぐ、深遠な架け橋となっています。彼の生涯の正確な始まりは、時の霧の中に包まれたままです。学者の間ではシエナ生まれか、あるいはコルトーナ生まれかという議論が続いていますが、トスカーナの風景における彼の存在感は否定しようもありません。その作品にはシエナ特有のリズミカルで叙情的な魂が宿りながらも、時代の変わりゆく風を鋭く捉えた、新たな観察眼に基づく生命力が息づいています。
サッセッタの創造的な旅路は、洗練された「統合」のプロセスでした。彼は、緻密なディテールと精神的な深みを特徴とする伝統的なシエナ様式を尊重しながら、同時にフィレンツェから押し寄せてきた革命的な革新を取り入れるという、稀有な能力を備えていました。マサッチオ、マゾリーノ、そしてジェンティーレ・ダ・ファブリアーノといった巨匠たちの影響は、空間的関係の制御や光の扱いの進化の中に見て取ることができます。彼は単にこれらの新しい技法を模倣したのではなく、それらを自らのものとして融合させました。人物たちに自然な輝きを吹き込み、光によってその形態を説得力を持って形作り、画面の中に一体感のある、呼吸するような空間を生み出したのです。
サッセッタの全作品は、一筆一筆が崇高な精神的目的を果たす「物語画」の極致といえます。彼の作品はしばしば神聖なる世界へと通じる窓として機能し、洗練された色彩設計とリズム感のある構図を用いて、観る者を聖なる歴史の中へと導きます。最後の晩餐のような傑作において、彼は複雑な感情の状態を捉える並外れた技術を発揮しています。アースカラーと緻密な遠近法を用いることで、深遠な宗教的物語を、手で触れられそうなほど生々しく、厳かな現実へと着地させているのです。ゴシック伝統の装飾美と、芽生え始めた人間ドラマの感覚を調和させるその手腕こそが、彼のパネル画を唯一無二の魅力的なものにしています。
小規模なパネル画に見られる親密なスケールを超えて、サッセッタは当時の宗教的景観を決定づけた重要な祭壇画やポリプティコ（多翼祭壇画）を通じて、大きな名声を得ました。彼の最も顕著な芸術的成果には以下のようなものがあります：
サッセッタの歴史的な意義は、守護者であり、かつ革新者であったという点にあります。彼は、フィレンツェの勢力に押されてシエナ派独自のアイデンティティが消失してしまうのを防ぎ、むしろ写実主義と奥行きという新しい言語を取り込むことで、その進化を確かなものにしました。彼の絵画は単なる過ぎ去った時代の遺物ではありません。それは旧世界と新世界の間に交わされる、生きた対話なのです。光の繊細な扱い、象徴的な図像学（イコノグラフィー）の習熟、そして主題に対する深い共感を通じて、サッセッタはイタリア美術史に消えることのない足跡を残し、シエナ・ルネサンスの最も重要な代表者の一人としての地位を確立したのです。
