Reference list · Mannerist
ელ გრეკო (1541–1614) is the most famous Mannerist painter in this list; notable works include ელ ესპოლიო and ორგაზის საგრავრაკუნი. Ranks 2 to 5: ტინტორეტო, ჯუზეპე არჩიმბოლდო, ანგელო ბრონზინო and სოფონისბა ანგისოლა. The list records 71 painters born between 1475 (ამიკო ასპერტინი) and 1577 (კრისტოფანო ალორი) in 14 countries.
Method. Scope: artists whose works the encyclopedia records under Mannerist. Ranking: the encyclopedia's fame ranking of artists. Artists born after 1955 without a Wikidata identifier are excluded pending verification. Wikipedia: number of the encyclopedia's 32 languages with an article on the artist.
Summary
Entries
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ბერძენი-ესპანელი Born: ჰერაკლიონი მანერიზმი, ბაროკო Wikipedia: 31/32 languages
While he achieved success and received significant commissions from churches and monasteries in Toledo, his influence was not immediately felt by the broader art world after his death in 1614.
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იტალიელი Born: ვენეცია რენესანსი, მანერიზმი Wikipedia: 31/32 languages
The Origin of the Milky Way (Scuola Grande di San Rocco, Venice). His approach to composition and psychological intensity left a mark on several major figures of later movements, including El Greco, Caravaggio, Rembrandt, and Delacroix.
Collections The Scuola Grande di San Rocco remains the most concentrated repository of his output, housing over sixty canvases that transform the building's halls into a cinematic experience of biblical narratives.
Notable works · 100 notable works
The Last Supper
artworks_database
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Jacopo Tintoretto
A Venetian Master of Drama and Light
Jacopo Tintoretto, born Jacopo
სუსანა და ლებორები
sameuli3of 71
იტალიელი Born: მილანი მანერიზმი, სურიალიზმი Wikipedia: 30/32 languages
Arcimboldo’s most distinctive contribution to the visual language of the sixteenth century was the development of "composite heads." This method moved beyond the traditional boundaries of portraiture by constructing human likenesses from a meticulous assemblage of disparate objects. Painters such as Salvador Dalí and Pablo Picasso found a kindred spirit in his ability to manipulate perception, drawing from his habit of assembling disparate objects into a singular, recognizable identity.
Collections The physical remnants of Arcimboldo’s imagination are scattered across Europe, preserved within the halls of institutions that once served the very courts he once entertained.
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იტალიელი Born: კრემონა რენესანსი, მანერიზმი Wikipedia: 29/32 languages
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Italian Born: არეცო Mannerism Wikipedia: 31/32 languages
Teacher of Jacopo Zucchi #54, Federico Zuccari #41
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იტალიური Born: ვენეცია მაღალი რენესანსიო, მანერიზმი Wikipedia: 23/32 languages
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ჰოლანდიელი Born: Bracht ჩრდილოეთური მანერიზმი და ბაროკოს гравюра Wikipedia: 19/32 languages
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იტალიელი Born: Castelnuovo Berardenga მანერიზმი, რენესანსი Wikipedia: 21/32 languages
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ჰოლანდიელი Born: ამსტერდამი ჩრდილოეთ მანერიზმი Wikipedia: 28/32 languages
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Flemish Born: ანტვერპენი Northern Mannerism Wikipedia: 18/32 languages
He skillfully blended Netherlandish realism with Italian mannerist influences, particularly the Roman tradition of depicting classical mythology. It was here that he encountered Karel van Mander, whose Schilder-boeck would later provide a detailed account of Spranger’s life and work – a testament to the artist's significance within the artistic community.
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იტალიელი Born: ბოლონია მანერიზმი, ბაროკო Wikipedia: 26/32 languages
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იტალიელი Born: ურბინო რენესანსი, ბაროკო Wikipedia: 24/32 languages
“კომპოზიციის შესწავლა” (“გაცხედავრებისთვის”, პარიზი, ლუვრის მუზეუმი) – აშუქებს მის უნარს კომპოზიციისა და ემოციების დაბალანსებაში.
Notable works · 100 notable works
The nativity
Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi)
Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche)18of 71
გერმანელი Born: კიოლნი მანიერიზმის მხატვრობა Wikipedia: 26/32 languages
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Italian Born: ფლორენცია Mannerism Wikipedia: 23/32 languages
In the twilight of the Renaissance, as the balanced harmonies of the previous century gave way to the restless energy of Mannerism, Cristofano Allori emerged as a vital voice in the Florentine school. Born in 1577 into a city steeped in artistic prestige, Allori was destined for the brush.
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იტალიელი Born: მოდენა მანერიზმი Wikipedia: 25/32 languages
The “ Rape of Proserpine ” exemplifies this style perfectly, showcasing his mastery of composition, color, and narrative detail. His innovative use of landscape as a compositional element paved the way for Claude Lorrain and Nicolas Poussin, who both drew inspiration from his ability to integrate natural settings into mythological narratives.
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იტალიელი Born: ფლორენცია მანიერიზმი Wikipedia: 17/32 languages
フランチェスコ・サルヴィアティ、セッキーノ・デル・サルヴィアティやフランチェスコ・ロッシとしばしば関連付けられるこの名は、16世紀イタリア美術の鮮やかなタペストリーにおける極めて重要な人物として輝いています。1510年頃フィレンツェで生まれ、悲劇的な最期をローマで迎えた彼の生涯は、芸術的徒弟制度、パトロンからの支援、そして最終的にはマニエリスムのドラマチックな複雑さへの習熟という旅路でした。サルヴィアティは単なる画家以上の存在であり、動き、心理的な強烈さ、そして深い演劇性の感覚に満ちた場面を丹念に作り上げる視覚体験の建築家でした。これらの資質こそが、彼をその時代の最も革新的な芸術家の一人として確固たるレガシーを築き上げたのです。 初期の影響と訓練： サルヴィアティの芸術的基盤は、数名の著名なフィレンツェの巨匠たちの指導のもとで始まりました。彼は当初、ジュリアーノ・ブジャルディーニ、バッキオ・バンディネッリ、アンドレア・デル・ブレスキアニーノの下で徒弟をこなし、それぞれから技術や様式的なニュアンスを吸収しました。しかし、特に形成的な影響を与えたのはアンドレア・デル・サルトとの時期であり、彼に古典的な原則と写実的な表現に関する確固たる基礎を提供しました。決定的に重要なことに、ローマ滞在中にはミケランジェロとラファエロの台頭する影響にも触れることができ、これらの経験が彼の後の芸術的ビジョンを深く形作ることとなりました。. ローマ：革新のるつぼ： 1531年のサルヴィアティのローマ移住は転換点となり、彼を有望なフィレンツェの徒弟から、この都市の活気ある芸術シーンにおけるダイナミックな参加者へと変貌させました。ここでは、彼はマニエリスム様式に没頭し、その特徴的な引き伸ばされた人物像、歪んだ遠近法、そして高められた感情主義を吸収しました。彼の初期の作品、特にサン・ジョヴァンニ・バッティスタ・デコラートのオラトリオにある『訪問』のフレスコ画（1537-38年）は、この影響を鮮やかに示しています。そこには、渦巻くドレーパリー、誇張されたジェスチャー、そしてほとんど息苦しいほどのドラマの感覚に満ちた複雑な構図が広がっています。. サルヴィアティのキャリアは、フィレンツェにおけるコジモ1世・デ・メディチ公爵のもとでの長きにわたる宮廷画家としての在職中に頂点に達しました。この時代には、彼の最も野心的で称賛される作品群が生まれ、クライマックスとしてパッラッツォ・ヴェッキオのウディエンツァの間を飾る壮麗な『カミルス凱旋』フレスコ画（1543-1545年）が完成しました。この記念碑的な事業は、サルヴィアティが複雑な構図を管理し、単一の空間内に無数の人物と物語をオーケストレーションする比類なき技術を披露しました。このフレスコ画は単なる歴史的描写ではありません。それは象徴性に満ち、メディチ家の権力と権威のイメージを投影するために慎重に構築された舞台装置なのです。『カミルス凱旋』の純粋な規模と精巧な細部は、サルヴィアティを同時代の主要な装飾家として確立し、彼のドラマチックな才能と技術的な熟練さという評判を確固たるものにしました。 タペストリーのデザイン： フレスコ画の制作を超えて、サルヴィアティの才能はタペストリーデザインにも及びました。彼はメディチのアラッツェリアのためにカートゥーンを作成し、『エケ・ホモ』、『復活』、そして『ヨセフがファラオの夢を説明する』といった象徴的なイメージを生み出しました。これらのタペストリーは、複雑な物語を視覚的に魅惑的な形態に翻訳する彼の能力をさらに証明し、色彩、構図、装飾的細部における彼の熟練さを示しています。. サルヴィアティの芸術様式は、デル・サルトの写実性、ミケランジェロのダイナミズム、そしてラファエロのエレガンスという影響が独特なブレンドを形成しており、これらすべてがマニエリスムというレンズを通して濾過されています。彼の人物像はしばしば引き伸ばされ、ねじ曲げられており、そのポーズにはほとんど演劇的な強烈さが宿っています。彼はドラマの感覚を高め、心理的な緊張の触れるような雰囲気を生み出すために、劇的な照明効果を用いました。サルヴィアティの色使いも同様に印象的です。豊かで彩度の高い色調が抑えられたトーンと並置され、構図内の主要な要素に注意を引きます。彼の構図はしばしば人物で混雑し、彼が伝えようとした感情的な動揺を映し出す視覚的な密度の感覚を生み出しています。 肖像画： 主にフレスコ画と装飾作品で知られていますが、サルヴィアティは肖像画家としても傑出していました。彼の肖像画はしばしば被写体を強烈な感情や劇的な行動の瞬間に捉えており、彼のより広範な芸術的関心を反映しています。. フランチェスコ・サルヴィアティがイタリアのマニエリスムの発展に与えた影響は否定できません。彼は伝統的な絵画技法の限界を押し広げ、歪みや誇張を受け入れることで、視覚的に魅惑的でありながら心理的にも深遠な作品を生み出しました。彼の影響は、ジュリオ・ロマーノやポントルモを含む後世の芸術家たちの作品に見ることができます。彼のフレスコ画は、そのドラマチックな強さと熟練した実行力によって今なお鑑賞者を魅了し続け、16世紀イタリアの動乱で変革的な時代への窓を提供しています。彼は、感情を呼び起こし、慣習に挑戦し、歴史に対する我々の理解を形作る芸術の力についての証なのです。
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Flemish Born: Meulebeke Northern Mannerism Wikipedia: 20/32 languages
Rome (1574-1577): Van Mander spent three years in Rome, where he encountered classical art and developed his artistic style. Northern Mannerism Pioneer: Karel van Mander is considered a key figure in the development of Northern Mannerism.
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Italian Born: Bologna Late Renaissance & Mannerism Wikipedia: 18/32 languages
His work also includes significant contributions to the decoration of the Santa Maria del Baraccano church in Bologna, including a captivating “Disputa di Santa Caterina.” His daughter, Lavinia Fontana, who herself became a successful painter, undoubtedly benefited from her father’s tutelage and artistic guidance. He bridged the gap between the classical ideals of the High Renaissance and the expressive distortions of Mannerism, creating a style that was both visually arresting and psychologically complex.
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ნიდერლანდელი Born: უტტრეხტი მანერიზმი Wikipedia: 14/32 languages
These sojourns were crucial, exposing him to the rich artistic currents of the Second School of Fontainebleau. A pivotal period arrived when he embarked on travels through Italy and France starting in 1586.
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Italian Born: ბოლონია Mannerism Wikipedia: 22/32 languages
Whether through the delicate line work of a chalk drawing like Ceres or the monumental scale of fresco fragments such as Ulysses Winning the Archery Contest in the Presence of Penelope, Primaticcio’s oeuvre remains a testament to an artist who could navigate the complexities of myth, majesty, and the human psyche with unparalleled grace.
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ფლამენდიელი Born: ლეიდენი მანერიზმი Wikipedia: 15/32 languages
Student of Federico Zuccari #41
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იტალიური Born: მონეგლია ჟენოის სკოლა, მანერიზმი Wikipedia: 15/32 languages
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იტალიელი Born: ბასანო-დელ-გრაპა ვენეციური რენესანსი Wikipedia: 12/32 languages
Conversely, in more mythologically charged pieces like ' The Forge of Vulcan ', he demonstrated a masterful command over light and shadow, using the glow of the forge to create a dramatic, theatrical atmosphere that captivated viewers. This collaborative environment, guided by the meticulous instruction of his father, Jacopo Bassano, allowed him to absorb the nuances of Venetian Mannerism and the burgeoning influences of the Baroque style.
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Flemish Late Mannerism
Early Life & Training: De Clerck’s formative years are shrouded in obscurity, though evidence suggests he received training under Jan Brueghel the Elder, a titan of Flemish landscape painting and a pivotal influence on de Clerck's artistic approach. Among De Clerck’s most celebrated achievements is “The Deposition,” commissioned for St.
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იტალიელი Born: ბასანო-დელ-გრაპა მანიერიზმი Wikipedia: 13/32 languages
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Italian Born: Florence Mannerist Painting Wikipedia: 15/32 languages
Whether depicting the celestial grace of a Madonna with Child or the dramatic tension found in works like The Fall of the Giants, Perino possessed a unique talent for blending the monumental with the delicate.
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Flemish Born: Bruges Renaissance, 16th Century Painting Wikipedia: 15/32 languages
His arrival coincided with a period of immense artistic patronage and experimentation within the court, orchestrated by Grand Duke Cosimo I de’ Medici and his advisor, Giorgio Vasari. The Metropolitan Museum of Art’s collection features a significant drawing by Stradanus – “ Allegory of America” – offering valuable insight into his artistic vision and providing a tangible connection to this remarkable Florentine master.
Teacher of Antonio Tempesta #56
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იტალიური Born: ფრიული-ვიზენცა რენესანსის მხატვრობა Wikipedia: 16/32 languages
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Italian Born: Sant'Angelo in Vado Mannerism Wikipedia: 18/32 languages
This ambition is perhaps most tangibly felt in Casa Zuccari in Florence, a residence built around 1578. Their collaborative spirit yielded masterpieces such as “The Holy Family ” in Palazzo Vecchio, a work that serves as a testament to their unified artistic language.
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Dutch Born: Gouda Mannerism Wikipedia: 13/32 languages
Encouragement also came from Dirck Crabeth, a celebrated stained-glass artist and brother to Wouter Crabeth, whose wife may have been related to Ketel – suggesting a network of familial support within the artistic community.
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Flemish Born: Hulst Mannerism, Renaissance Wikipedia: 8/32 languages
The influence of Hieronymus Bosch is also readily apparent in Mostaert’s oeuvre, particularly in compositions derived from tapestries based on Bosch's fantastical creations. He played a crucial role in the development of both genre and landscape art within Antwerp, pushing boundaries and inspiring subsequent generations of artists.
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Italian Born: ფლორენცია Florentine Mannerism Wikipedia: 11/32 languages
He frequently incorporated elements from contemporary prints – particularly Venetian scenes – into his paintings, reflecting the artistic exchange that characterized Renaissance Florence. His " Madonna and Child " is held by the Metropolitan Museum of Art in New York, a painting that exemplifies his ability to infuse religious subjects with intense emotion and psychological depth.
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Born: გაეტა Wikipedia: 11/32 languages
He skillfully balanced Renaissance ideals with emerging Baroque sensibilities.
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Italian Born: Florence Proto-Baroque & Counter-Maniera Wikipedia: 14/32 languages
His prolific output, including monumental altarpieces such as The Resurrection for Santa Croce, demonstrated that art could be both profoundly beautiful and deeply communicative.
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იტალიელი Born: კარავাজিო მანერიზმი Wikipedia: 10/32 languages
Polidoro quickly distinguished himself not within the confines of panel painting or fresco but in a remarkably innovative arena: the decoration of Roman palace facades. He stands as a fascinating figure – an artist who bridged the High Renaissance and the emerging stylistic complexities of the 16th century.
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იტალიელი Born: კრემონა ფლამენდური სტილი / ლომბარდიული ნატურალიზმი Wikipedia: 13/32 languages
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Italian Born: Zadar Baroque Sculpture; Mannerism Wikipedia: 14/32 languages
His patronage by influential Venetian families, such as the Mocenigo and Grimani, ensured that his influence permeated the very fabric of the city's cultural life.
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იტალიელი Born: ვერონა უ поздნური რენესანსი და მანერიზმი Wikipedia: 11/32 languages
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Italian Born: Bologna Mannerism Wikipedia: 10/32 languages
The historical significance of Bartolomeo Passarotti lies in his role as a foundational figure for the Carracci Academy and the broader Bolognese tradition.
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Italian Born: Vicenza Late Renaissance/Mannerist Wikipedia: 5/32 languages
Through his work, the halls of the palace—including the Sala del Senato and Sala dello Scrutinio—were transformed into theatrical stages where history and myth converged.
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Italian Born: Florence Mannerist Painting Wikipedia: 11/32 languages
His works often serve as windows into the complex allegories of the 16th century: Religious Devotion: In pieces such as Allegory of the Creation, Zucchi captures profound moments of divine connection, utilizing dramatic lighting and celestial figures to evoke a sense of awe and religious fervor.
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იტალიელი Born: ვენეცია მანერიზმი Wikipedia: 9/32 languages
The historical significance of Domenico Robusti lies in his role as a bridge between the high drama of the late Renaissance and the more refined, poised sensibilities of the following era. In the golden, sun-drenched era of the Venetian Renaissance, names often echoed through the marble halls of history with a thunderous intensity.
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Italian Born: Florence Mannerism Wikipedia: 11/32 languages
One of his most poignant achievements can be seen in the Church of Santo Stefano Rotondo in Rome, where his fresco depicting the martyrdom of Saint Primus utilizes a rich color palette and intense emotionality to capture a scene of profound grief and loss. He remains a testament to the interconnectedness of the European art world during the Renaissance and Baroque periods, serving as a bridge between the classical traditions of Italy and the burgeoning artistic spirit of the North.
Student of Stradanus #39
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German Born: Vienna Northern Mannerism
Wenzel’s artistic education commenced under the tutelage of his father and brother. Born in Vienna, Italy, Wenzel was the son of Hans Jamnitzer the Elder, a goldsmith who established a tradition of excellence that would continue through subsequent generations.
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Italian Born: Vicenza
His monumental two-volume treatise, L'idea dell'architettura universale, published in Venice in 1615, stands as one of the final great works of the Renaissance.
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Italian Born: Melide Late Renaissance
Domenico Fontana, a name often overshadowed by the titans of the High Renaissance, stands as a pivotal figure in 16th-century Italian architecture and engineering. The Fontana dell'Acqua Felice (Fountain of Moses), built for Pope Sixtus V, stands as a prime example.
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Born: Antwerp Antwerp Mannerism Wikipedia: 9/32 languages
Though his name fell into obscurity following the end of the sixteenth century, Jan De Beer’s influence endured through the lasting impact of the Antwerp Mannerist style.
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Italian Born: Mazzo di Valtellina Mannerist Wikipedia: 10/32 languages
His most celebrated achievement remains the scaled oil copy of the Last Judgment, commissioned by Cardinal Alessandro Farnese.
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French Born: Paris Second School Fontainebleau; Mannerism; Italian Art Influence Wikipedia: 8/32 languages
He found endless inspiration in the epic tales of Homer, the poetic explorations of Pierre de Rationale, and the dramatic narratives of Torquato Tasso. Born in Paris around 1561, Dubreuil emerged during a transformative era when the French court sought to mirror the sophisticated aesthetics of the Italian masters.
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Italian Born: Florence Mannerist Wikipedia: 10/32 languages
The “Virgin and Child with Saint Elizabeth and John the Baptist ” (1535), now housed in the Uffizi Gallery, exemplifies this evolution, showcasing a masterful command of perspective, drapery, and emotional expression. The “Deposition” (1552), painted for the Oratory of San Giovanni Decollato, exemplifies this shift towards a more emotionally charged style.
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Flemish Born: Antwerp Landscape with mythological and allegorical Wikipedia: 8/32 languages
In 1580, Fiammingo was tasked with creating extensive series of paintings to adorn Castle Kirchheim in Württemberg.
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French Born: Bassigny Northern Mannerism Wikipedia: 9/32 languages
Though his life was cut short in 1616, Bellange’s influence endured far beyond the borders of Lorraine.
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Italian Born: Parma Mannerist Painting Wikipedia: 8/32 languages
The significance of Girolamo Mazzola Bedoli extends beyond the individual canvases he left behind.
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Italian Born: Novellara Mannerist Wikipedia: 7/32 languages
Born in the small town of Novellara around 1508 or 1511, Orsi navigated an era defined by shifting theological certainties and the complex intellectual currents of humanism.
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Italian Born: Florence Renaissance and Mannerism Wikipedia: 5/32 languages
He was an artist who did not merely witness the transition from the High Renaissance to Mannerism but actively participated in its shaping. While some historical accounts suggest a familial bond to the great Ridolfo Ghirlandaio, it is more accurately understood that Tosini flourished within the master's studio, absorbing the foundational technical skills and established stylistic principles of the Florentine workshop.
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Spanish Born: Mascaraque Renaissance, Mannerism Wikipedia: 6/32 languages
Correa's early commissions, such as the altarpiece for the monastery of Santa María de Guadalupe in Mascaraque (circa 1532-1534), demonstrate a clear adherence to Raphael’s principles – elegant figures, balanced compositions, and harmonious color palettes.
Notable works
Chronology
Statistics
| იტალია | 34 |
|---|---|
| Italy | 15 |
| Belgium | 4 |
| ნიდერლანდები | 3 |
| გერმანია | 2 |
| საფრანგეთი | 2 |
| Netherlands | 2 |
| France | 2 |
| 1470s | 2 |
|---|---|
| 1480s | 3 |
| 1490s | 5 |
| 1500s | 11 |
| 1510s | 10 |
| 1520s | 8 |
| 1530s | 7 |
| 1540s | 11 |
| 1550s | 7 |
| 1560s | 4 |
| 1570s | 3 |
| კუნსტისტორიშეს მუზეუმი | 18 |
|---|---|
| ერმიტაჟის მუზეუმი | 9 |
| პრადოს მუზეუმი | 9 |
| ბავარიის სახელმწიფო ფერწერის კოლექციები | 7 |
| უფიციების გალერეა | 6 |
| Rijksmuseum | 6 |
| ლუვრი | 6 |
| ნაციონალური გალერეა | 6 |
Index
ელ გრეკობერძენი-ესპანელი · 1541–1614ტინტორეტოიტალიელი · 1519–1594ჯუზეპე არჩიმბოლდოიტალიელი · 1527–1593
ანგელო ბრონზინოიტალიელი · 1503–1572სოფონისბა ანგისოლაიტალიელი · 1532–1625
იაკოპო კარუჩიიტალიელი · 1494–1556
პარმიჯანინოიტალიელი · 1503–1540ჯორჯო ვაზარიItalian · 1511–1574
ჯულიო რომანოიტალიელი · 1499–1546
როსო ფიორენტინოიტალიელი · 1494–1540სებასტიანო დელ პიომბოსიტალიური · 1485–1547ჰენდრიკ გოლციუსიჰოლანდიელი · 1558–1617დომენიკო ბეკაფუმიიტალიელი · 1484–1551პიტერ აერცენიჰოლანდიელი · 1508–1575ბარტოლომეუს სპრანგერიFlemish · 1546–1611ლავინია ფონტანაიტალიელი · 1552–1614ფედერიკო ბაროჩიიტალიელი · 1535–1612ჰანს ფონ აახენიგერმანელი · 1552–1615კრისტოფანო ალორიItalian · 1577–1621
ალესანდრო ალორიიტალიელი · 1535–1607ნიკოლო დელ აბატეიტალიელი · 1512–1571
ჯოვანი ბატისტა მორონი1525–1578
ბენვენუტო ჩელინიიტალიელი · 1500–1571ფრანჩესკო დე როსისო (ფრანჩესკო Salviati)იტალიელი · 1510–1563
ჯამბოლოღნაფლამანდი · 1529–1608Karel van Mander the ElderFlemish · 1548–1606
დანიელე და ვოლტერაიტალიელი · 1509–1566
ჟან გუჟონიფრანგი · 1510–1567Prospero FontanaItalian · 1512–1597Joachim Wtewaelნიდერლანდელი · 1566–1638ფრანჩესკო პრიმატიჩიItalian · 1504–1570ოტო فان ვინფლამენდიელი · 1556–1629ლუკა კამბიასოიტალიური · 1527–1585
ჯუზეპე ჩეზარიიტალიელი · 1568–1640ფრანჩესკო ბასანო უმცროსიიტალიელი · 1549–1592Hendrick De ClerckFlemish · 1570–1630ლეანდრო ბასანოიტალიელი · 1557–1622Perino del VagaItalian · 1501–1547StradanusFlemish · 1523–1605ილ პორდენონესიტალიური · 1484–1539Federico ZuccariItalian · 1539–1609
ჩეჩინო დელ სალვიატიიტალიელი · 1510–1563Cornelis KetelDutch · 1548–1616Gillis MostaertFlemish · 1528–1598ფრანჩესკო ბაკიაკაItalian · 1494–1557შიპიონე პულწონე1550–1598Santi di TitoItalian · 1536–1603პოლიდორო და Caravaggioიტალიელი · 1499–1543ვინჩენცო კამპიიტალიელი · 1536–1591Andrea SchiavoneItalian · 1522–1563ჯაკაპო ლიგოზიიტალიელი · 1547–1627Bartolomeo PassarottiItalian · 1529–1592Andrea VicentinoItalian · 1542–1617Jacopo ZucchiItalian · 1542–1596დომენიკო ტინტორეტოიტალიელი · 1560–1635Antonio TempestaItalian · 1555–1630
ამიკო ასპერტინიიტალიელი · 1475–1552Wenzel JamnitzerGerman · 1507–1585Vincenzo ScamozziItalian · 1548–1616Domenico FontanaItalian · 1543–1607Jan De Beer1475–1528Marcello VenustiItalian · 1510–1579Toussaint DubreuilFrench · 1561–1602
ტობიას შტიმერი1539–1584Jacopino del ConteItalian · 1510–1598Paolo FiammingoFlemish · 1540–1596Jacques BellangeFrench · 1575–1616Girolamo Mazzola BedoliItalian · 1500–1569Lelio OrsiItalian · 1508–1587Michele TosiniItalian · 1503–1577Juan Correa De VivarSpanish · 1510–1566FAQ
ელ გრეკო (#1) is first in this ranking, followed by ტინტორეტო (#2) and ჯუზეპე არჩიმბოლდო (#3).
ელ გრეკო (#1), ტინტორეტო (#2), ჯუზეპე არჩიმბოლდო (#3), ანგელო ბრონზინო (#4) and სოფონისბა ანგისოლა (#5).
The highest-ranked painters born in იტალია are ტინტორეტო (#2), ჯუზეპე არჩიმბოლდო (#3), ანგელო ბრონზინო (#4), სოფონისბა ანგისოლა (#5) and იაკოპო კარუჩი (#6).
The earliest-born painter in this list is ამიკო ასპერტინი (#57), born in 1475.
ფლორენცია: 8 of the painters in this list were born there.
იტალია: 34 of the 71 painters in this list were born there, then Italy (15) and Belgium (4).
Most painters in this list were born in the 1540s (11 of 71), between 1475 and 1577 overall.
2 women are in this ranking: სოფონისბა ანგისოლა (#5) and ლავინია ფონტანა (#16).
“He learned to move away from the rigid lines of his youth, embracing a more fluid brushwork and a sense of dynamism.” — from our biography of ელ გრეკო (#1).
ჯორჯო ვაზარი (#8) taught Jacopo Zucchi (#54) and Federico Zuccari (#41); Stradanus (#39) taught Antonio Tempesta (#56).
The museums holding the most key works of this list are კუნსტისტორიშეს მუზეუმი (18), ერმიტაჟის მუზეუმი (9) and პრადოს მუზეუმი (9).
The encyclopedia records 5,171 works by these painters.
Articles
See also
Famous Baroque artistsმოხევე მცველი · რემბრანდტი
Famous Contemporary Realist artistsმოსაკრებლები · ჟან-ფრანსუა მილე
Famous Impressionist artistsვარსკვლავების ღამე (ნიუ-იორკი, MoMA) · ვინსენტ ვან გოგი
Famous Romanticist artistsსატურნმა თავისი ვაჟი შეყაზჷნა · ფრანსისკო გოია
Famous Neoclassicist artistsThe Death of Marat · ჟაკ-ლუი დავიდი
Famous Realist artistsმშვიდობის წყარო · გიუსტავ კურბე
Famous Renaissance artistsმონა ლიზა (ლა ჯოკონდა) · ლეონარდო და ვინჩი
Famous Dutch Golden Age artistsმარგარიტა ერთ მარგალითიან ყელსით · იან ვერმეერი
Famous Expressionist artistsკომპოზიცია VII · ვასილი კანდინსკი
Famous Rococo artistsცითერის გასეირნება · ჟან-ანტუან ვატოSee also
Famous Early Medieval artistsSnowy River · Wang Wei
Famous High Medieval artistsმადონა მაესტაში (ოგნსანტოსი მადონა) · ჯოტო დი ბონდონე
Famous Late Medieval artistsგესტუა და ორი წმინდა · სიმონე მარტინი
Famous Renaissance artistsადამის შექმნა · მიქელანჯელო ბუანაროტი
Famous Early Modern artistsწმინდა მატევის მოძახებA · კარავაჯო
Famous 19th Century artistsყვავილების ბუჩქები (ან ნიმფეები) · კლოდ მონე
Famous Modern artistsგერნიკა · პაბლო პიკასო
Famous Contemporary artistsWind Sculpture III (one in a series of nine) · Yinka ShonibareSee also
