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학생 작품 가이드

Lip Placemats

성명 학급 날짜

katie stout, Lip Placemats (2015), Swiss Institute / Contemporary Art New York. 참고용으로 복제됨; 모든 권리는 저작권자에게 있음.

주요 정보

작가
katie stout wikioo.org/ko/artists/katie-stout/
작가 정보
1989 – ?
채색됨
2015
매체
Painting
운동성
Pop Art Art made from advertising, comics and packaging, treating supermarket images as worth a gallery wall.
시대
Contemporary
개최 장소
Swiss Institute / Contemporary Art New York wikioo.org/ko/museums/swiss-institute-contemporary-art-new-york-new-york-city/
Artistic style
Naive pop, soft absurdity
Notable elements or techniques
Fabric toothbrush design with mouth handle
Subject or theme
Everyday life with a creative twist

In context

Lip Placemats — katie stout

이 작품은 언제 제작되었나요?

  1. 1980
  2. 1990
  3. 2000
  4. 2010

Shaded: katie stout의 생애 (1989–?) ▲ 이 작품, 2015

색상

이미지에서 측정됨

    주요 색상

    Mahogany #c20302

    등록된 팔레트

    • #C20302
    • #01C835
    • #D0B7AF
    • #880904
    팔레트
    Nature 작품에서 주를 이루는 색상군.
    주요 색상명
    Mahogany
    채도
    Vivid 단일한 차분한 색조부터 다채롭고 밝은 색조에 이르기까지, 색상의 채도와 다양성이 어떠한지 나타냅니다.
    대비
    Gentle 작품 전체에 걸쳐 색상의 명도와 채도가 얼마나 차이 나는지 보여줍니다.
    조화
    Strong Color Unity 색상들이 서로 충돌하는지 혹은 완벽하게 조화를 이루는지 등, 색채의 어우러짐 정도.
    밝기
    Brilliant 깊은 그림자부터 밝은 하이라이트까지, 작품 전체의 전반적인 명암 정도.
    채도
    Vivid Color 회색에 가까운 색조부터 매우 선명한 색조까지, 얼마나 순수하고 강렬한 색채를 지녔는지 확인해 보세요.

    작품 정보

    Lip Placemats — katie stout

    A Playful Subversion of Domesticity

    In the vibrant and often surreal landscape of contemporary design, few artists capture the whimsical tension between the mundane and the extraordinary quite like Katie Stout. Her work, Lip Placemats, serves as a captivating testament to her ability to breathe a rebellious energy into the most familiar of household objects. At first glance, the viewer is greeted by a striking composition of red and white cloth, yet upon closer inspection, the piece reveals a delightful, almost mischievous transformation. The design features a toothbrush motif that defies its utilitarian origins; rather than a rigid tool of hygiene, it appears as a soft, fabric-based entity with a handle that mimics the organic curves of a mouth. This clever manipulation of form invites the observer to reconsider the boundaries between functional craft and conceptual art.

    The aesthetic language of this piece is deeply rooted in what has been termed "naive pop." Stout utilizes a bold, high-contrast palette that commands attention, set against a lush green background that provides a verdant, stage-like setting for the central subject. The technique suggests a seamless blend of textile artistry and sculptural thinking, where the tactile quality of the fabric is almost palpable through the visual medium. By imbuing an everyday object like a toothbrush with such a fleshy, anthropomorphic character, Stout engages in a sophisticated dialogue with pop art traditions, echoing the way masters of the genre once elevated consumer culture into the realm of high art.

    Symbolism and the Softness of Form

    Beyond its immediate visual charm, Lip Placemats carries a deeper layer of symbolic resonance. The work explores the concept of "soft absurdity," a hallmark of Stout’s practice where she challenges the rigidity of traditional design. The mouth-like handle of the toothbrush serves as a potent symbol of consumption and care, bridging the gap between the biological necessity of eating and the ritualistic nature of domestic maintenance. There is an inherent intimacy in this imagery; it touches upon the private, often overlooked moments of daily life, elevating them to something worthy of artistic contemplation. The use of soft, curving silhouettes and plush textures suggests a sanctuary of comfort, yet the surrealist twist ensures that this comfort is never stagnant or predictable.

    For the discerning collector or interior designer, this piece offers more than mere decoration; it provides a conversational focal point that disrupts the conventionality of a space. It is an ideal acquisition for those looking to infuse a modern interior with character, wit, and a sense of avant-garde charm. Whether placed in a contemporary dining setting or showcased as a standalone piece of wall art, Lip Placemats acts as a bridge between the decorative and the conceptual. It invites guests to linger, to smile, and to question the very nature of the objects that surround us, making it a timeless addition to any curated collection of contemporary craft.

    아티스트와 미술관

    작가

    katie stout

    Born in Portland, United States of America

    Early Life and Artistic Foundations

    Katie Stout, born in Portland, Maine on January 18, 1989, emerged as a distinctive voice in the contemporary art landscape by seamlessly blending traditional craft methodologies with the boldness of pop aesthetics. Her upbringing in Berkeley Heights, New Jersey provided an early exposure to diverse influences that would later coalesce into her signature style—a playful yet conceptually rich exploration of form and function. Stout’s artistic journey took shape during her formative years at the Rhode Island School of Design (RISD), where she pursued a degree in furniture design, graduating in 2012. This foundational training instilled within her not only technical skill but also a critical perspective on the conventions of design itself.

    A Breakthrough Moment and Expanding Horizons

    Stout’s career trajectory experienced a pivotal moment following her graduation when she was commissioned by Bjarne Melgaard to create furniture for his ambitious installation at the 2014 Whitney Biennial. This collaboration served as a powerful launchpad, introducing her unique sensibility to a wider audience and establishing her presence within the New York art world. The subsequent year brought further recognition with Stout’s triumph as the inaugural winner of Ellen's Design Challenge in 2015—a testament to her innovative approach and captivating design vision. This victory propelled her into the public consciousness, solidifying her reputation as a rising star.

    The Naive Pop Aesthetic: A Synthesis of Tradition and Innovation

    Central to Stout’s artistic identity is what has been aptly described as “naive pop.” Her work isn't merely decorative; it’s a deliberate engagement with the historical legacy of female-dominated decorative arts, recontextualized through a contemporary lens. She draws inspiration from Victorian lace patterns, suburban kitsch, and everyday objects, transforming them into sculptural forms that challenge conventional notions of beauty and utility. Stout masterfully employs diverse materials—from ceramics to bronze—often utilizing unexpected techniques to create pieces that are both whimsical and intellectually stimulating. Her sculptures often possess a subtly subversive quality, questioning the boundaries between art, design, and craft.

    Exhibitions and Institutional Recognition

    Stout’s work has garnered significant attention from prominent galleries and institutions alike. She has exhibited at Jeffrey Deitch, Tina Kim, Friedman Benda, Venus Over Manhattan, Nina Johnson, and R & Company—each venue providing a platform for her evolving artistic explorations. Her pieces have also found homes in the permanent collections of esteemed museums such as the Dallas Museum of Art, the Museum of Contemporary Art Santa Barbara, and the Swiss Institute. These accolades underscore the growing recognition of Stout’s contribution to contemporary art discourse.

    Historical Significance and Ongoing Evolution

    Katie Stout's impact lies in her ability to bridge seemingly disparate worlds—the refined traditions of craft with the vibrant energy of pop culture. She challenges the hierarchical distinctions between “high” and “low” art, elevating everyday objects and domestic motifs to a level of artistic significance. Her work speaks to broader conversations surrounding gender roles, consumerism, and the evolving definition of design in the 21st century. Stout’s ongoing exploration of form, material, and symbolism promises continued innovation and a lasting influence on the contemporary art landscape. She is not simply creating objects; she is building worlds—worlds that are both playful and profound, inviting viewers to question their own perceptions of beauty, function, and the stories embedded within the objects that surround them.

    박물관

    Swiss Institute / Contemporary Art New York

    On show in New York City, United States of America

    A Beacon of Contemporary Dialogue: Exploring the Swiss Institute

    Location:

    New York City, United States

    Website:

    https://www.swissinstitute.net/

    The Swiss Institute / Contemporary Art New York stands as a singular testament to artistic ambition and intellectual curiosity—a space where tradition confronts innovation, and global perspectives converge in stimulating conversation. Founded in 1986 by a collective of Swiss expatriates driven by a desire to champion their homeland’s creative spirit, SI has undergone an extraordinary transformation from its humble beginnings into a preeminent non-profit institution dedicated to pushing the boundaries of contemporary art.

    Its evolution mirrors not merely the shifting trends within the artistic landscape but also its unwavering commitment to fostering experimentation and critical engagement. Unlike many museums that curate permanent collections, SI thrives on a dynamic succession of exhibitions—a deliberate rejection of static displays—that embrace an astonishing array of mediums: painting, sculpture, video installations, performance art, and digital explorations. Each presentation serves as a portal into pressing social and political concerns, prompting visitors to confront complex ideas with fresh eyes and fostering a deeper understanding of our world.

    Themes Explored:

    Identity, globalization, technology, environmental consciousness

    Mediums Presented:

    Painting, Sculpture, Video Installations, Performance Art, Digital Media

    Architecture as Invitation: A Space for Vision

    The Institute’s current home—a striking architectural marvel conceived by Selldorf Architects and inaugurated in 2018—is itself an invitation to contemplation. Situated in Manhattan's vibrant East Village, the building eschews the grandeur of conventional museum structures, opting instead for a more welcoming and accessible atmosphere. Natural light floods the expansive gallery spaces, illuminating artworks that demand careful observation and thoughtful reflection. The open layouts encourage movement and interaction, allowing visitors to navigate the exhibitions at their own pace—a conscious decision reflecting SI’s belief that artistic visions flourish best when unbound by restrictive conventions.

    Architectural Design Philosophy:

    Prioritization of natural light and flexible gallery spaces

    Building Location:

    East Village, Manhattan

    From Swiss Roots to Global Reach

    Despite its steadfast dedication to showcasing Swiss artistry—a mission that remains at the core of SI’s identity—the Institute has expanded its horizons far beyond national borders. Artists from across the globe find a platform here, contributing to an enriching dialogue that transcends geographical distinctions. This inclusivity is further underscored by SI’s active engagement with the local community through thoughtfully crafted public programs, immersive workshops, and educational initiatives—establishing it as more than just an institution housed within New York City; it aspires to be an integral component of its cultural heritage.

    Artist Representation:

    Artists from diverse nationalities

    Community Engagement Initiatives:

    Public Programs, Workshops, Educational Activities

    A Legacy of Innovation: Notable Exhibitions & Unique Identity

    Throughout its history, SI has hosted exhibitions that have cemented its reputation as a trailblazer—a champion of artistic daring and intellectual rigor. From spotlighting established masters to nurturing emerging talents, SI consistently presents work that challenges preconceived notions and sparks spirited debate. Recent highlights include solo or duo presentations featuring artists like Allyson Vieira, Pamela Rosenkranz, and Nicolas Party, alongside rediscoveries of overlooked masterpieces such as Karlheinz Weinberger and Heidi Bucher—demonstrating SI’s unwavering commitment to fostering artistic exploration.

    Notable Exhibitions:

    Solo/Duo Shows Featuring Artists Like Allyson Vieira, Pamela Rosenkranz, Nicolas Party

    Unique Identity Attributes:

    Intellectual Rigor Combined With Artistic Freedom; Emphasis on Community Engagement

    Concluding Thoughts

    Ultimately, the Swiss Institute distinguishes itself not merely as a repository of art but as an incubator for ideas—a space where experimentation isn’t simply tolerated but actively celebrated. It invites visitors to embark on a journey of discovery, fostering a deeper appreciation for contemporary expression and its capacity to illuminate the complexities inherent in our shared human experience.

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    Lip Placemats 다운로드 페이지로 연결되는 QR 코드

    wikioo.org/ko/art/download/katie-stout-lip-placemats-D7SUQP-en/

    이 작품 인용하기

    MLA
    stout, katie. Lip Placemats. 2015, Swiss Institute / Contemporary Art New York. https://wikioo.org/ko/art/katie-stout-lip-placemats-D7SUQP-en/
    APA
    stout, katie (2015). Lip Placemats [Painting]. Swiss Institute / Contemporary Art New York. https://wikioo.org/ko/art/katie-stout-lip-placemats-D7SUQP-en/
    Chicago
    katie stout. Lip Placemats. 2015. Swiss Institute / Contemporary Art New York. https://wikioo.org/ko/art/katie-stout-lip-placemats-D7SUQP-en/
    Harvard
    stout, katie (2015) Lip Placemats. Swiss Institute / Contemporary Art New York. Available at: https://wikioo.org/ko/art/katie-stout-lip-placemats-D7SUQP-en/

    Look closely

    Lip Placemats — katie stout

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: pop art, textile design, surrealism. Do you agree? What would you add, or take away?
    4. Pop Art: Art made from advertising, comics and packaging, treating supermarket images as worth a gallery wall. Where can you see that in this work?
    5. katie stout was about 26 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.