학생 작품 안내서
Study for Christ
상세 정보
- 작가
- Kenyon Cox wikioo.org/ko/artists/kenyon-cox/
- 작가 활동 시기
- 1856 – 1919
- 채색됨
- 1905
- 원본 크기
- 35 x 25 cm
저작권 이 저작물은 퍼블릭 도메인 상태입니다. Kenyon Cox는 1919에 사망하였으며, 저작권은 작가 사후 70년 동안 유지되므로 1989에 만료되었습니다.
학생 작품 안내서
저작권 이 저작물은 퍼블릭 도메인 상태입니다. Kenyon Cox는 1919에 사망하였으며, 저작권은 작가 사후 70년 동안 유지되므로 1989에 만료되었습니다.
문맥상
Study for Christ — Kenyon Cox
원작의 크기는 35 × 25 cm (높이 × 너비)이며, 여기에는 평균 신장의 성인과 나란히 배치하여 크기를 비교할 수 있습니다.
Row above: the year. Row below: the artist's age in that year.
Painted when the artist was 49. The artist lived to 63. 36 of the 66 dated works by this artist in our catalogue came earlier.
음영 처리됨: Kenyon Cox의 생애 (1856–1919) ▲ 이 작품, 1905
First works: up to 1888 Main working years: 1888–1910 Late works: from 1910
Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell.
위의 작품 중 하나를 선택해 보세요: 이 작품과 공통된 점 두 가지와 차이점 한 가지를 찾아보세요.
이 작품과 함께 배치하기 좋은 다른 작품들: wikioo.org/ko/art/similar/kenyon-cox-study-for-christ-AS7RMV-en/
이미지 기반 측정값
주요 색상
Espresso #572712
컬렉션된 팔레트
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 74.6% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 67 works by this artist, of which 30 were looked at at least once. This painting ranks 3 of them, with 5.1% of that attention.
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
아티스트와 미술관
Born: October 27, 1856, in Warren, Ohio.
Parents: Jacob Dolson Cox and Helen Finney Cox.
Kenyon Cox initially studied at the Art Academy of Cincinnati (formerly the McMicken School of Art). However, he quickly recognized the limited artistic opportunities available in the city.
Following a visit to the Centennial Exposition in Philadelphia, he decided to pursue further education at the Pennsylvania Academy of Fine Arts, hoping it would lead to studies in Europe.
In 1877, Cox moved to Paris, joining a wave of American artists seeking artistic inspiration. He believed Paris was experiencing a “second renaissance” in art.
Influential Teachers: Carolus-Duran, Jean-Léon Gérôme, and Alexandre Cabanel at the École des Beaux-Arts.
He initially studied under Carolus-Duran but became frustrated with what he perceived as a “vulgarity” in Duran’s style.
Travels throughout France and Italy exposed him to the works of Renaissance masters, profoundly shaping his artistic vision.
In 1882, Cox returned to New York City, where he established himself as a painter and illustrator.
Illustration Work: He became well-known for his magazine illustrations, which reached a wider audience than his paintings.
Art Criticism: Cox also wrote unsigned art criticisms for the New York Evening Post, supplementing his income.
His artistic style leaned towards realism, with a focus on landscapes, portraits, and genre studies. He was known for idealized nudes and traditional treatments of classical themes.
Art Students League of New York: Cox became a highly influential instructor at the Art Students League, shaping generations of artists. He designed the League’s logo featuring the motto “Nulla Dies Sine Linea” (No Day Without a Line).
Elected an Associate Academician of the National Academy of Design in 1900 and a full Academician in 1903.
Founding Member: He was one of the founders and secretary of the National Free Arts League.
Leadership Roles: Served as president of the National Society of Mural Painters from 1915 to 1919, and held memberships in various prestigious art organizations.
Cox’s work represented a commitment to classical ideals at a time when modern art movements were emerging. He advocated for careful drawing, modulated color, and the use of allegory and symbolism.
His writings, such as “Two Ways of Painting,” articulated his views on figurative art versus abstract or representational styles.
Legacy: Though not a radical innovator, Kenyon Cox played a crucial role in maintaining traditional artistic standards and educating aspiring artists. His influence extended through his teaching and his contributions to the American art establishment.
Death: March 17, 1919.
wikioo.org/ko/art/download/kenyon-cox-study-for-christ-AS7RMV-en/
상세히 보기
Study for Christ — Kenyon Cox
자신의 언어로 답변해 주세요. 정답은 없습니다. 오직 스스로 설명할 수 있는 답변이 있을 뿐입니다.
이 작품에 대해 짧은 글을 작성해 보세요. 가이드 앞부분의 정보와 위에서 답변한 내용을 활용하시기 바랍니다.
Kenyon Cox의 "Study for Christ"의 제작 연도는 1905년입니다.
Kenyon Cox의 "Study for Christ"의 느껴지는 밝기는 bright입니다. 이는 의도한 공간의 조명과 조화를 이룰 수 있습니다.
"Study for Christ"은(는) Kenyon Cox의 작품입니다. 이 페이지의 정보는 Kenyon Cox의 원작에 대해 설명합니다.
Kenyon Cox은(는) 1905년에 "Study for Christ"을(를) 제작했을 당시 49세였습니다. 이 나이는 작가의 출생 연도인 1856을(를) 기준으로 계산되었습니다.
"Study for Christ"의 색채 조화는 Softly Mixed Palette로 기록되어 있습니다.
Kenyon Cox의 "Study for Christ"의 색채 구성은 Neutrals로 설명됩니다. 이는 작품에 사용된 색상들을 간결하게 묘사한 것입니다.
Kenyon Cox의 "Study for Christ"은(는) 디지털 이미지로 고해상도 디지털 이미지 다운로드할 수 있으며, 작품의 다운로드 페이지에서 다운로드 가능합니다.