Chen Sung-Chih 무드 속으로
감성, 아니요
갤러리처럼
무드를 선택하면 공간이 그에 응답합니다. 빛은 차가워지거나 따스해지고, 공기의 흐름은 변화하며, 오직 그 감정을 품은 작품들만이 어둠 속에서 모습을 드러냅니다. 그 외의 모든 것은 그림자 뒤로 물러납니다.
Chen Sung-Chih
The Materiality of Memory Renai Township, Taiwan, provides the origin point for Chen Sung-Chih. The path from these roots leads through the Graduate Institute of Plastic Arts at Tainan National University of the Arts, where a foundation in mixed-media installation begins to take shape. The work does not rely on traditional canvas but on the manipulation of physical matter. Everyday materials are gathered and assembled with a specific i
ntent: to find the fragments of life that often go unnoticed. The process is one of transformation. Cold, mechanical elements meet organic textures. In the Polar Region Series, the artist brings together smooth, mirror-like stainless steel and the rough, tactile surfaces of sculpted clay. This juxtaposition creates a landscape born from imagination rather than direct observation. Light moves across these surfaces, shifting as shadows…