에드워드 리어의 초상화

List of the 100 Most Famous Paintings by 에드워드 리어

10월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 419점의 에드워드 리어 작품 (당사 카탈로그 기준)

개요

The most widely known painting by 에드워드 리어 is Cogoleto, Italy. The next entries are Crescenza and Blue And Yellow Macaw. The catalogue documents 419 works by 에드워드 리어; the 100 entries below are the best known, listed in rank order with date, holding museum and description.

1812 – 1888, 런던 Romanticism 최다 소장처: 예일 영국 미술관

에드워드 리어: the 10 principal paintings

1
Cogoleto, Italy 의 에드워드 리어

Cogoleto, Italy

Watercolor

The sun rests upon a sandy shore in Cogoleto, Italy. A mountain rises in the background, its silhouette watching over the water. Along the edge of the sea, small figures move through the light. Some people gather near the tide, while others linger further away, lost in the vastness of the landscape. A single dog wanders toward the right, a small presence against the expanse of the beach. The scene…

7
The Temple of Apollo at Bassae (1855) 의 에드워드 리어

The Temple of Apollo at Bassae

1855 · Oil On Canvas · 피츠윌리엄 칼리지, Cambridge

The ruins of the Temple of Apollo at Bassae emerge from a rugged landscape, defined by heavy stone columns that support a weathered roof structure. In the foreground, the primary temple dominates the view, its pillars standing as silent witnesses to a lost era. Beyond this central structure, two smaller temples are visible in the distance, partially obscured by the natural terrain. The composition places the viewer amidst a scattering…

에드워드 리어: entries 11 to 100

11A Great Green Macaw 의 에드워드 리어A Great Green Macaw 12Great Sulphur Cockatoo (Plyctolophus Sulphureus) 의 에드워드 리어Great Sulphur Cockatoo (Plyctolophus Sulphureus) 13Diano, South Of France 의 에드워드 리어Diano, South Of France 14Philae, Egypt (1863) 의 에드워드 리어Philae, Egypt1863 · 예일 영국 미술관 15The Plains of Lombardy from Monte Generoso (1880) 의 에드워드 리어The Plains of Lombardy from Monte Generoso1880 · 애슈몰린 미술관 16Between Olavano and Civitella (1842) 의 에드워드 리어Between Olavano and Civitella1842 · 예일 영국 미술관 17Civita Castellana (1839) 의 에드워드 리어Civita Castellana1839 18The Mountains of Thermopylae (1852) 의 에드워드 리어The Mountains of Thermopylae1852 · 브리스틀 박물관 - 아트 갤러리 19A Study of Ferns, Civitella (1842) 의 에드워드 리어A Study of Ferns, Civitella1842 · 예일 영국 미술관 20Landscape with Goatherd (1842) 의 에드워드 리어Landscape with Goatherd1842 · 예일 영국 미술관 21Temple of Venus and Roma, Rome (1840) 의 에드워드 리어Temple of Venus and Roma, Rome1840 · 예일 영국 미술관 22Rome, a View of the Forum from a Terrace (1841) 의 에드워드 리어Rome, a View of the Forum from a Terrace1841 23Rome, a View of the Forum with the Temple of Venus (1841) 의 에드워드 리어Rome, a View of the Forum with the Temple of Venus1841 24A View of the Roman Campagna, a Villa and Aqueduct in the Distance (1841) 의 에드워드 리어A View of the Roman Campagna, a Villa and Aqueduct in the Distance1841 25A View of the Roman Campagna with Travelers Passing a Ruined Brick Tomb, an Aqueduct in the Distance (1841) 의 에드워드 리어A View of the Roman Campagna with Travelers Passing a Ruined Brick Tomb, an Aqueduct in the Distance1841 26Study of Rocks, Shrubs, and Tree Trunks at Monte Casale near Sansepolcro, Tuscany (1842) 의 에드워드 리어Study of Rocks, Shrubs, and Tree Trunks at Monte Casale near Sansepolcro, Tuscany1842 27Venosa (1852) 의 에드워드 리어Venosa1852 · 톨레도 미술관 28Corfu from near the Village of Virós (1858) 의 에드워드 리어Corfu from near the Village of Virós1858 · Rhode Island School of Design Museum of Art 29Jerusalem from the Mount of Olives (1858) 의 에드워드 리어Jerusalem from the Mount of Olives1858 · 이스라엘 박물관 30Corfu from Ascension (1860) 의 에드워드 리어Corfu from Ascension1860 · 예일 영국 미술관 31Corfu from Ascension (1862) 의 에드워드 리어Corfu from Ascension1862 · 예일 영국 미술관 32Corfu from Santa Decca (1862) 의 에드워드 리어Corfu from Santa Decca1862 · 예일 영국 미술관 33Butrinto, Albania (1861) 의 에드워드 리어Butrinto, Albania1861 · 예일 영국 미술관 34Zagori, Greece (1860) 의 에드워드 리어Zagori, Greece1860 · 예일 영국 미술관 35Masada on the Dead Sea (1858) 의 에드워드 리어Masada on the Dead Sea1858 · Fine Arts Museums of San Francisco 36View of the Ducal Palace, Massa, Northern Italy (1858) 의 에드워드 리어View of the Ducal Palace, Massa, Northern Italy1858 37View in the Campagna, Rome (with a River) (1861) 의 에드워드 리어View in the Campagna, Rome (with a River)1861 38View in the Campagna, Rome (with Ruins) (1861) 의 에드워드 리어View in the Campagna, Rome (with Ruins)1861 39View of Florence from Villa San Firenze (1862) 의 에드워드 리어View of Florence from Villa San Firenze1862 · Government Art Collection 40Corfu (1863) 의 에드워드 리어Corfu1863 41The Forest of Valdoniello, Corsica (1869) 의 에드워드 리어The Forest of Valdoniello, Corsica1869 · 예일 영국 미술관 42Denderah on the Nile (1867) 의 에드워드 리어Denderah on the Nile1867 43Feluccas on the Nile near Abu-Simbel (1867) 의 에드워드 리어Feluccas on the Nile near Abu-Simbel1867 44A Distant View of Nice from the Hills (1864) 의 에드워드 리어A Distant View of Nice from the Hills1864 45Thermopylae (1872) 의 에드워드 리어Thermopylae1872 · 애슈몰린 미술관 46Kinchinjunga (1877) 의 에드워드 리어Kinchinjunga1877 · 예일 영국 미술관 47Campagna di Roma (1878) 의 에드워드 리어Campagna di Roma1878 48Buon Ricovero, in the Roman Campagna (1878) 의 에드워드 리어Buon Ricovero, in the Roman Campagna1878 49Kangchenjunga from Darjeeling (1879) 의 에드워드 리어Kangchenjunga from Darjeeling1879 · 예일 영국 미술관 50The Marble Rocks - Nerbudda Jubbolpore (1882) 의 에드워드 리어The Marble Rocks - Nerbudda Jubbolpore1882 · 예일 영국 미술관 51Argos from Mycene (1884) 의 에드워드 리어Argos from Mycene1884 52A View of Adam's Peak, Ceylon (1882) 의 에드워드 리어A View of Adam's Peak, Ceylon1882 · Government Art Collection 53Snowy Owl 의 에드워드 리어Snowy Owl 54Villa Borghese, Rome 의 에드워드 리어Villa Borghese, Rome 55Studies Of Sheep And Herdsmen 의 에드워드 리어Studies Of Sheep And Herdsmen 56Views In Rome And Its Environs 2 의 에드워드 리어Views In Rome And Its Environs 2 57Opposite Calvi 의 에드워드 리어Opposite Calvi 58Arabs Approaching Mount Sinai 의 에드워드 리어Arabs Approaching Mount Sinai 59Bocche Di Cattaro, Montenegro 의 에드워드 리어Bocche Di Cattaro, Montenegro 60Palaiukhora, Crete 의 에드워드 리어Palaiukhora, Crete 61Naples, Italy 의 에드워드 리어Naples, Italy 62Katholikó Akrotiri, Crete 의 에드워드 리어Katholikó Akrotiri, Crete 63Damascus 3 의 에드워드 리어Damascus 3 64View Of Sermoneta, Italy 의 에드워드 리어View Of Sermoneta, Italy 65Arkodyllus, Corfu 의 에드워드 리어Arkodyllus, Corfu 66View Of Jerusalem 1 의 에드워드 리어View Of Jerusalem 1 67The Monastery Of Baarlam, Meteora 의 에드워드 리어The Monastery Of Baarlam, Meteora 68Windermere From Lowwood, Cumbria 의 에드워드 리어Windermere From Lowwood, Cumbria 69View Of Philae 의 에드워드 리어View Of Philae 70Musta, Malta 의 에드워드 리어Musta, Malta 71Modica, Sicily 의 에드워드 리어Modica, Sicily 72A View Of Sorrento, Italy 의 에드워드 리어A View Of Sorrento, Italy 73Parnassus 의 에드워드 리어Parnassus 74Isola Pescatore, Lake Maggiore, Italy 의 에드워드 리어Isola Pescatore, Lake Maggiore, Italy 75A View Of Santa Maura, Levkas, Ionian Islands 의 에드워드 리어A View Of Santa Maura, Levkas, Ionian Islands 76Corfu From The Hill Of Gastouri 의 에드워드 리어Corfu From The Hill Of Gastouri 77Pompey's Pillar 의 에드워드 리어Pompey's Pillar 78Figures On The Shore Near Edfu 의 에드워드 리어Figures On The Shore Near Edfu 79Joannina, Epirus, Albania 의 에드워드 리어Joannina, Epirus, Albania 80Travellers On A Road, Subiaco, Italy 의 에드워드 리어Travellers On A Road, Subiaco, Italy 81The Pyramids Road 의 에드워드 리어The Pyramids Road 82View Of Eze, Côte D'azur, France 1 의 에드워드 리어View Of Eze, Côte D'azur, France 1 83An Arab Encampment In Wadi Feiran, Egypt 의 에드워드 리어An Arab Encampment In Wadi Feiran, Egypt 84The Claudian Aqueduct On The Via Appia Near Rome 의 에드워드 리어The Claudian Aqueduct On The Via Appia Near Rome 85A Distant View Of Mdina, Malta 의 에드워드 리어A Distant View Of Mdina, Malta 86Galata, Constantinople 의 에드워드 리어Galata, Constantinople 87Benares On The Ganges 의 에드워드 리어Benares On The Ganges 88Sunrise At Erment, Egypt 의 에드워드 리어Sunrise At Erment, Egypt 89Porto Maurizio, Italy 의 에드워드 리어Porto Maurizio, Italy 90The Nile Above Aswan 의 에드워드 리어The Nile Above Aswan 91A View Of Pauna, In The Ionian Islands 의 에드워드 리어A View Of Pauna, In The Ionian Islands 92View Of Ratnapura, Ceylon 의 에드워드 리어View Of Ratnapura, Ceylon 93Stairs Leading To S. Pietro In Vincoli 의 에드워드 리어Stairs Leading To S. Pietro In Vincoli 94Mount Oeta And Thermopylae From Near Lamia 의 에드워드 리어Mount Oeta And Thermopylae From Near Lamia 95Damascus 의 에드워드 리어Damascus 96Arabs At Mount Sinai, Egypt 의 에드워드 리어Arabs At Mount Sinai, Egypt 97View Of Cythera, Greece 의 에드워드 리어View Of Cythera, Greece 98The Upper Nile, Toske, Egypt 의 에드워드 리어The Upper Nile, Toske, Egypt 99Saffron-Coloured Aracari And Golden-Green Aracari 의 에드워드 리어Saffron-Coloured Aracari And Golden-Green Aracari 100Prince Of Wales Road, Malta 의 에드워드 리어Prince Of Wales Road, Malta

Principal subjects in the work of 에드워드 리어

The four subjects most frequently represented among these works, each with its best-known example.

에드워드 리어: holding museums

이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관

소장 미술관 도시 에드워드 리어의 작품 이 목록의 작품들
예일 영국 미술관, 뉴헤이븐예일 영국 미술관 뉴헤이븐 16 Philae, Egypt, Between Olavano and Civitella, A Study of Ferns, Civitella
Government Art Collection, 런던Government Art Collection 런던 5 View of Florence from Villa San Firenze, A View of Adam's Peak, Ceylon
애슈몰린 미술관, Oxford애슈몰린 미술관 Oxford 3 The Plains of Lombardy from Monte Generoso, Thermopylae
이스라엘 박물관, 예루살렘이스라엘 박물관 예루살렘 2 View of Bethlehem, Jerusalem from the Mount of Olives
피츠윌리엄 칼리지, Cambridge피츠윌리엄 칼리지 Cambridge 1 The Temple of Apollo at Bassae
브리스틀 박물관 - 아트 갤러리, 브리스톨브리스틀 박물관 - 아트 갤러리 브리스톨 1 The Mountains of Thermopylae
톨레도 미술관, 톨레도톨레도 미술관 톨레도 1 Venosa
Rhode Island School of Design Museum of Art, 프로비던스Rhode Island School of Design Museum of Art 프로비던스 1 Corfu from near the Village of Virós

에드워드 리어: principal painting of each decade

연대별 작품 수

Select a decade to display its principal painting.

에드워드 리어's paintings: reference questions

Which painting by 에드워드 리어 is the most widely known?Display the answer

Cogoleto, Italy. The following entries are Crescenza and Blue And Yellow Macaw.

Which ten paintings by 에드워드 리어 are the best known?Display the answer

Cogoleto, Italy, Crescenza, Blue And Yellow Macaw, View of Taormina in Sicily with Etna in the distance, View of Bethlehem, The Pyramids of Ghizeh, The Temple of Apollo at Bassae, Plains Of Ashdod, Israel, View Of Eze, Italy 및 Ithaca, Ionian Islands. The list above records the date and holding museum of each.

How many works by 에드워드 리어 are documented?Display the answer

The catalogue records 419 works by 에드워드 리어, dated between 1839 and 1884.

Which museums hold the best-known paintings of 에드워드 리어?Display the answer

Principally in 예일 영국 미술관 (뉴헤이븐), Government Art Collection (런던) 및 애슈몰린 미술관 (Oxford). The museum table above gives the full distribution.

In which period were 에드워드 리어's best-known works painted?Display the answer

In 1860s: 14 of the 100 works listed on this page are dated to that period, including Philae, Egypt.

Which are the earliest and latest dated works by 에드워드 리어 on this list?Display the answer

The earliest dated work listed here is Civita Castellana (1839); the latest is Argos from Mycene (1884).

Which subjects recur most in the work of 에드워드 리어?Display the answer

Landscape (11), Scenes (11) 및 Italy (11), out of the 100 works listed on this page.

Which medium predominates in the work of 에드워드 리어?Display the answer

Watercolor, in 2 of the 100 works listed on this page.

With which art movement is 에드워드 리어 associated?Display the answer

Romanticism, as documented by the works on this page.

Which works by 에드워드 리어 are in the collection of the 예일 영국 미술관?Display the answer

Philae, Egypt, Between Olavano and Civitella 및 A Study of Ferns, Civitella are among the 14 works on this page in the collection of the 예일 영국 미술관, 뉴헤이븐.

Are reproductions of paintings by 에드워드 리어 available?Display the answer

Yes. Each work listed on this page can be ordered from its own entry as a hand-painted oil reproduction or a fine art print, in a size of your choice.

에드워드 리어: biographical notes

Edward Lear (1812-1888): A Life Painted in Nonsense and Light

Edward Lear, a name synonymous with whimsical verse and delightfully peculiar illustrations, was far more than the purveyor of limericks and fantastical creatures that often define his legacy. Born in 1812 in Holloway, North London, into a family teeming with twenty-one children, Lear’s early life was marked by both financial instability and a burgeoning artistic talent. His father, Jeremiah Lear, faced hardship after the Napoleonic Wars, forcing young Edward to begin earning a living through his drawings at the tender age of fifteen. This necessity, however, ignited a lifelong passion that would see him traverse continents and capture the world in vibrant hues and playful lines. The shadow of familial difficulty, coupled with early health challenges – including epilepsy and bouts of melancholia he termed “the Morbids” – instilled within Lear a sense of gentle solitude and an inclination towards imaginative escape, qualities profoundly reflected in his art and writing.

Early Influences: Scientific Precision and Observation

Lear’s artistic journey began with meticulous precision. Initially employed by the Zoological Society, he honed his skills illustrating birds and animals, demonstrating a remarkable eye for detail and anatomical accuracy. This early work demanded unwavering observation and a commitment to scientific rigor—a foundation that would shape his approach to art throughout his life. The Society tasked him with documenting the diverse avian species inhabiting Britain’s countryside, requiring painstaking sketches and detailed renderings of plumage, skeletal structure, and behavior. These commissions instilled in Lear a disciplined mindset and fostered an appreciation for accurate representation, skills he carried forward into his later landscape paintings. He meticulously studied topographical maps and geological formations, striving to capture the essence of each location with unwavering fidelity.

Travel & Landscape Painting: Absorbing Diverse Atmospheres

His extensive travels through Italy, Greece, Egypt, and beyond profoundly influenced his artistic vision. Lear absorbed the light, colors, and textures of these diverse regions—from the sun-drenched hills of Tuscany to the rugged peaks of Crete—developing a distinctive style characterized by atmospheric perspective and delicate brushwork. He wasn’t merely copying scenery; he was attempting to convey its emotional resonance, capturing fleeting moments of beauty and solitude with remarkable sensitivity. His landscapes are imbued with a palpable sense of stillness and contemplation, inviting viewers to immerse themselves in the grandeur of nature. Lear's technique involved layering thin washes of watercolor pigment—often applied in multiple sessions—to build up tonal gradations that mimicked the effects of sunlight and shadow. This painstaking process resulted in paintings that possessed an ethereal quality, capturing the elusive beauty of twilight or dawn with breathtaking precision.

The Poet of Nonsense: A Revolution in Verse

While celebrated as a painter, it is perhaps for his literary contributions that Edward Lear is most widely remembered. His “nonsense” poetry—particularly his limericks—revolutionized children’s literature and captivated audiences of all ages. *A Book of Nonsense*, published in 1846 under the pseudonym "Derry down Derry," introduced a world populated by owls and pussycats sailing in pea-green boats, dongs with luminous noses, and other delightfully absurd creations. These verses weren’t merely frivolous; they were imbued with a subtle melancholy and a playful subversion of conventional logic. Lear didn't simply invent nonsense words; he crafted entire worlds governed by their own internal rules, inviting readers to suspend disbelief and embrace the joy of imagination. He challenged established poetic conventions—abandoning rhyme schemes and meter—and prioritizing imaginative play over formal correctness. His limericks explored themes of loneliness, longing, and the absurdity of existence, cloaked within a veneer of whimsicality.

A Legacy of Innovation and Enduring Charm

Lear’s influence extends far beyond the realm of children's literature. He pioneered a new form of poetic expression, liberating verse from rigid structures and embracing playful experimentation. His landscapes, though often overshadowed by his poetry, demonstrate a keen artistic sensibility and a mastery of watercolor technique. He was a true polymath—artist, illustrator, musician (he composed musical settings for Tennyson’s poems), author, and poet—whose diverse talents converged to create a unique and enduring legacy. He defied expectations, blurring the boundaries between art, literature, and music. His work continues to inspire artists, writers, and dreamers alike, reminding us of the power of imagination and the beauty of embracing the absurd. His paintings can be found in esteemed collections like The Ashmolean Museum, Oxford—a testament to his skill as a landscape artist—and serve as a poignant reminder that even amidst personal hardships, creativity flourishes, illuminating the human spirit with its radiant glow.

에드워드 리어의 작품 419점 전체 보기 →