헨리 레바스케의 초상화

헨리 레바스케: The 100 Most Famous Paintings, Documented

10월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 539점의 헨리 레바스케 작품 (당사 카탈로그 기준)

개요

According to this ranking, Street by the Port at Collioure (1921) is the most famous painting by 헨리 레바스케. It is followed by Young woman on a hammock (1923) and On the Beach (1921). This list draws on the 539 works by 헨리 레바스케 in the catalogue and records the 100 most famous, with date, holding museum and description for each entry.

1865 – 1937, Champigné Post-impressionism 최다 소장처: 월라프 리하르츠 박물관

헨리 레바스케: top 10 entries of the list

1
Street by the Port at Collioure (1921) 의 헨리 레바스케

Street by the Port at Collioure

1921 · Oil

In this 1921 work, we find ourselves standing at the edge of a quiet harbor, looking out toward the water. The scene captures a narrow street leading down to the port, where the architecture of the town meets the movement of the sea. Several boats are scattered throughout the harbor, their forms resting upon the water, while small figures move along the waterfront. There is a sense of a lived-in…

2
Young woman on a hammock (1923) 의 헨리 레바스케

Young woman on a hammock

1923 · Oil On Canvas

Sunlight filters through a dense canopy of leaves, casting dappled patterns across a secluded garden. In the center of this lush sanctuary, a young woman reclines within the gentle embrace of a hammock. The fabric, marked by distinct stripes of red, yellow, and blue, sways almost imperceptibly between two sturdy trees. She rests in a state of profound contentment, her body softly contoured by the weight of her repose. Around…

3
On the Beach (1921) 의 헨리 레바스케

On the Beach

1921 · Oil On Canvas

On the Beach is an oil on canvas by the French artist Henri Lebasque. Created about 1921, the work reflects the artist's established interest in the interplay of light and leisure. Lebasque, born in Champigné, France, developed a style characterized by a natural brush-stroke and a focus on the serene atmosphere of the outdoors.

헨리 레바스케: list continued, 11 to 100

11The Terrace at Prefailles (1922) 의 헨리 레바스케The Terrace at Prefailles1922 12Le Pradet Jeune Femme au Hamac (1923) 의 헨리 레바스케Le Pradet Jeune Femme au Hamac1923 13Blue Mountains in Cannes (1926) 의 헨리 레바스케Blue Mountains in Cannes1926 14Women and Children in the Parc de Dammartin (1896) 의 헨리 레바스케Women and Children in the Parc de Dammartin1896 15Young Woman Seated with Hydrangeas (1920) 의 헨리 레바스케Young Woman Seated with Hydrangeas1920 16Girls in a Mediterranean landscape 의 헨리 레바스케Girls in a Mediterranean landscape 17Young Girls in a Wood (1897) 의 헨리 레바스케Young Girls in a Wood1897 · Museo de Arte de Ponce 18Girls in the Forest at Sunset (1898) 의 헨리 레바스케Girls in the Forest at Sunset1898 19Girls in the Garden (1905) 의 헨리 레바스케Girls in the Garden1905 20Fillette à la Fenêtre (1904) 의 헨리 레바스케Fillette à la Fenêtre1904 21The Marne at Lagny (1905) 의 헨리 레바스케The Marne at Lagny1905 22Madame Lebasque and Her Daughters (1903) 의 헨리 레바스케Madame Lebasque and Her Daughters1903 23bathers (1910) 의 헨리 레바스케bathers1910 24Marthe and Madame Lebasque at the Fountain (1907) 의 헨리 레바스케Marthe and Madame Lebasque at the Fountain1907 25ms zambelli (1912) 의 헨리 레바스케ms zambelli1912 26Cannes in Spring (1921) 의 헨리 레바스케Cannes in Spring1921 27Naked on the Red Carpet (1925) 의 헨리 레바스케Naked on the Red Carpet1925 28Nude with Necklace (1923) 의 헨리 레바스케Nude with Necklace1923 29The Terrace in Pradet 의 헨리 레바스케The Terrace in Pradet 30Two Bathers by the Beach 의 헨리 레바스케Two Bathers by the Beach 31Rest on the Banks of the Yaudet (1897) 의 헨리 레바스케Rest on the Banks of the Yaudet1897 32The Siesta (1923) 의 헨리 레바스케The Siesta1923 33Nude in Provence 의 헨리 레바스케Nude in Provence 34Terrace in the Garden 의 헨리 레바스케Terrace in the Garden 35Nude in Repose 의 헨리 레바스케Nude in Repose 36a woman reading 의 헨리 레바스케a woman reading 37woman tying up her sandle 의 헨리 레바스케woman tying up her sandle 38Young girls in a boat on the Marne 의 헨리 레바스케Young girls in a boat on the Marne 39Garden with Urn (1913) 의 헨리 레바스케Garden with Urn1913 40Women Sewing (1922) 의 헨리 레바스케Women Sewing1922 41Street in Lagny, in Chessy (1906) 의 헨리 레바스케Street in Lagny, in Chessy1906 42Young woman with Umbrella at St Maxime (1918) 의 헨리 레바스케Young woman with Umbrella at St Maxime1918 43Madame Lebasque and Her Daughters (1903) 의 헨리 레바스케Madame Lebasque and Her Daughters1903 44Nono and a guitar (1910) 의 헨리 레바스케Nono and a guitar1910 45Bathers in the Sea 의 헨리 레바스케Bathers in the Sea 46Woman in a White Dress (1923) 의 헨리 레바스케Woman in a White Dress1923 47Garden in Spring (1904) 의 헨리 레바스케Garden in Spring1904 48Portrait of Basler (1912) 의 헨리 레바스케Portrait of Basler1912 49Le Cannet Madame Lebasque Reading in the Garden (1923) 의 헨리 레바스케Le Cannet Madame Lebasque Reading in the Garden1923 50Reading in the Garden (1886) 의 헨리 레바스케Reading in the Garden1886 51Reading in the Garden (1886) 의 헨리 레바스케Reading in the Garden1886 52Sheep in the Village Street (1895) 의 헨리 레바스케Sheep in the Village Street1895 53Conversation in the Park (1898) 의 헨리 레바스케Conversation in the Park1898 54Landscape at Champetre (1894) 의 헨리 레바스케Landscape at Champetre1894 55Country Road Bridge and Carriage (1895) 의 헨리 레바스케Country Road Bridge and Carriage1895 56Conversation in the Park (1898) 의 헨리 레바스케Conversation in the Park1898 57Portrait of Marcelle Mezieres Nine Years Old (1896) 의 헨리 레바스케Portrait of Marcelle Mezieres Nine Years Old1896 58Country Road Bridge and Carriage (1895) 의 헨리 레바스케Country Road Bridge and Carriage1895 59Market Place (1893) 의 헨리 레바스케Market Place1893 60Le Château (1897) 의 헨리 레바스케Le Château1897 61Madame Lebasque and her daughter Marthe (1898) 의 헨리 레바스케Madame Lebasque and her daughter Marthe1898 62Young Bather by the River (1897) 의 헨리 레바스케Young Bather by the River1897 63Village of Champigne (1893) 의 헨리 레바스케Village of Champigne1893 · 월라프 리하르츠 박물관 64By the Marne (1898) 의 헨리 레바스케By the Marne1898 65Garden at Champigny (1894) 의 헨리 레바스케Garden at Champigny1894 66Sheep in the Village street (1895) 의 헨리 레바스케Sheep in the Village street1895 67Young Girl in a Clearing (1897) 의 헨리 레바스케Young Girl in a Clearing1897 68Landscape at Champetre (1894) 의 헨리 레바스케Landscape at Champetre1894 69A Square in Monterain (1895) 의 헨리 레바스케A Square in Monterain1895 70Madame Lebasque in a Breton landscape (1898) 의 헨리 레바스케Madame Lebasque in a Breton landscape1898 71The Farm at Lagny in Winter (1905) 의 헨리 레바스케The Farm at Lagny in Winter1905 72The Marne at Lagny (1905) 의 헨리 레바스케The Marne at Lagny1905 73Pont Pierre at the Lagny River (1902) 의 헨리 레바스케Pont Pierre at the Lagny River1902 74The Marne at Lagny (1905) 의 헨리 레바스케The Marne at Lagny1905 75Child's Head in Profile (1905) 의 헨리 레바스케Child's Head in Profile1905 76The Marne at Ponponne (1905) 의 헨리 레바스케The Marne at Ponponne1905 77By the River (1900) 의 헨리 레바스케By the River1900 78Child Playing in the Garden (1903) 의 헨리 레바스케Child Playing in the Garden1903 79Le Parc Monceau (1900) 의 헨리 레바스케Le Parc Monceau1900 80Youn Girl in a Garden at St Tropez (1903) 의 헨리 레바스케Youn Girl in a Garden at St Tropez1903 81Mother and Child in a Landscape (1900) 의 헨리 레바스케Mother and Child in a Landscape1900 82Lunchtime at Lagny (1905) 의 헨리 레바스케Lunchtime at Lagny1905 83Girls by the River (1905) 의 헨리 레바스케Girls by the River1905 84Girls by the River (1905) 의 헨리 레바스케Girls by the River1905 85Madame Lebasque with Daughter (1900) 의 헨리 레바스케Madame Lebasque with Daughter1900 86Madame Lebasque and daughter by the Marne (1899) 의 헨리 레바스케Madame Lebasque and daughter by the Marne1899 87Landscape with Haystack (1900) 의 헨리 레바스케Landscape with Haystack1900 88Partie de Campagne (1903) 의 헨리 레바스케Partie de Campagne1903 89Le Parc de Saint-Cloud (1900) 의 헨리 레바스케Le Parc de Saint-Cloud1900 90fishing party (1905) 의 헨리 레바스케fishing party1905 91Madame Lebasque with daughter (1900) 의 헨리 레바스케Madame Lebasque with daughter1900 92LIttle White Dog (1905) 의 헨리 레바스케LIttle White Dog1905 93In the Forest the Harvest (1904) 의 헨리 레바스케In the Forest the Harvest1904 94The Banks of the Marne at Lagny (1905) 의 헨리 레바스케The Banks of the Marne at Lagny1905 95The Seine at Paris (1904) 의 헨리 레바스케The Seine at Paris1904 96Two girls by the Eau river (1900) 의 헨리 레바스케Two girls by the Eau river1900 97young painter (1905) 의 헨리 레바스케young painter1905 98autumn (1900) 의 헨리 레바스케autumn1900 99A Small Girl with Her Doll (1900) 의 헨리 레바스케A Small Girl with Her Doll1900 100Lagny, View of the Quai de Pamponne (1904) 의 헨리 레바스케Lagny, View of the Quai de Pamponne1904

헨리 레바스케: works by period

Early 20th Century

1904 – 1923 · 4개의 작품이 이 목록에 포함됨

Principal subjects in the work of 헨리 레바스케

The four subjects most frequently represented among these works, each with its best-known example.

헨리 레바스케: holding museums

이 페이지에 있는 작품을 가장 많이 소장하고 있는 2개의 미술관

소장 미술관 도시 헨리 레바스케의 작품 이 목록의 작품들
월라프 리하르츠 박물관, 쾰른월라프 리하르츠 박물관 쾰른 3 Village of Champigne
Museo de Arte de Ponce, 폰세Museo de Arte de Ponce 폰세 1 Young Girls in a Wood

헨리 레바스케 by decade: the most famous painting of each

연대별 작품 수

Select a decade to display its principal painting.

헨리 레바스케: questions and documented answers

Which 헨리 레바스케 painting heads the list of most famous works?Display the answer

Street by the Port at Collioure (1921). The following entries are Young woman on a hammock (1923) and On the Beach (1921).

What age had 헨리 레바스케 reached when Street by the Port at Collioure was painted?Display the answer

56 years: 헨리 레바스케 was born in 1865 and Street by the Port at Collioure is dated 1921.

Which works make up the top 10 of 헨리 레바스케?Display the answer

Street by the Port at Collioure, Young woman on a hammock, On the Beach, Girls in the Garden, In the Flowers, bather, Summer Afternoon at Frejus, Bathers at a fountain in Saint Tropez, Woman in a Boat with an Umbrella 및 Blue Reflection in the Fountain at Pradet. The list above records the date and holding museum of each.

How many works by 헨리 레바스케 are recorded?Display the answer

The catalogue records 539 works by 헨리 레바스케, dated between 1886 and 1926.

In which collections are 헨리 레바스케's most famous works held?Display the answer

Principally in 월라프 리하르츠 박물관 (쾰른) 및 Museo de Arte de Ponce (폰세). The museum table above gives the full distribution.

When were the most famous works of 헨리 레바스케 painted?Display the answer

In 1900s: 41 of the 100 works listed on this page are dated to that period, including Girls in the Garden.

Which dated works by 헨리 레바스케 are the earliest and the latest here?Display the answer

The earliest dated work listed here is Reading in the Garden (1886); the latest is Blue Mountains in Cannes (1926).

What subjects appear most in the work of 헨리 레바스케?Display the answer

Rivers (13), Women (12) 및 Girls (9), out of the 100 works listed on this page.

What materials did 헨리 레바스케 use most frequently?Display the answer

Oil On Canvas, in 13 of the 100 works listed on this page.

Which art movement does 헨리 레바스케 represent?Display the answer

Post-impressionism 및 Impressionism, as documented by the works on this page.

Where can reproductions of 헨리 레바스케's paintings be obtained?Display the answer

Yes. Each work listed on this page can be ordered from its own entry as a hand-painted oil reproduction or a fine art print, in a size of your choice.

헨리 레바스케: life and work

A Painter of Joy and Light: The Life and Art of Henri Lebasque

Henri Lebasque, a name perhaps less immediately recognized than some of his Post-Impressionist contemporaries, nevertheless occupies a significant place in the artistic landscape of early 20th-century France. Born in Champigné, Maine-et-Loire, in 1865, Lebasque’s journey toward becoming a celebrated painter was one marked by diligent study, evolving influences, and an unwavering commitment to capturing beauty in everyday life. His early education at the École régionale des beaux-arts d'Angers provided a foundational grounding, but it was his move to Paris in 1886 that truly ignited his artistic development. There, under the tutelage of Léon Bonnat and through assisting Ferdinand Humbert with decorative murals at the Panthéon, he honed his technical skills while immersing himself in the vibrant Parisian art scene. This period proved crucial, bringing him into contact with pivotal figures like Camille Pissarro and Auguste Renoir, whose emphasis on light and color would profoundly shape his aesthetic sensibilities.

Embracing Intimacy: Influences and Artistic Development

Lebasque’s artistic trajectory wasn't solely defined by the established masters; it was equally influenced by a younger generation of artists pushing the boundaries of painting. His association with Les Nabis, particularly Édouard Vuillard and Pierre Bonnard, proved transformative. These Intimist painters prioritized domestic scenes and intimate moments, fostering in Lebasque a similar inclination toward capturing the quiet poetry of everyday existence. The Nabis’ emphasis on flattened forms, decorative patterns, and subtle color harmonies resonated deeply with his own artistic inclinations. Simultaneously, exposure to the theories of Georges Seurat and Paul Signac introduced him to the principles of Chromoluminarism – the scientific application of complementary colors to create luminous effects. This knowledge became a cornerstone of his technique, allowing him to imbue his canvases with an extraordinary vibrancy and sense of light. He wasn’t merely replicating what he saw; he was interpreting it through a lens of color and emotion, creating scenes that felt both familiar and dreamlike. Lebasque's artistic vision centered around portraying the beauty found in ordinary life—a deliberate departure from the grand narratives favored by earlier movements. His fascination with domestic interiors and portraits of families stemmed from a desire to capture genuine human connection and tenderness. Influenced heavily by Impressionists like Renoir and Pissarro, Lebasque adopted their technique of layering thin washes of color to achieve luminous effects – a method he perfected through meticulous observation and experimentation. He meticulously studied the interplay of light and shadow, striving to convey not just what was visible but also what lay beneath the surface—the emotions and sensations experienced by his subjects.

A Palette of Serenity: Themes and Techniques

The hallmark of Lebasque's work lies in its serene atmosphere and harmonious palette. He found inspiration in the simple pleasures of life – family portraits, leisurely moments in gardens, landscapes bathed in sunlight. His paintings are not grand historical narratives or dramatic allegories; instead, they offer glimpses into intimate domesticity and the beauty of the natural world. Madame Lebasque and Her Daughters exemplifies his ability to capture a tender moment with remarkable grace and sensitivity. The figures are rendered with soft brushstrokes and bathed in warm light, creating an atmosphere of peaceful contentment. He skillfully employed complementary color pairings – blues and oranges, reds and greens – to create visual excitement while maintaining an overall sense of harmony. Works like Rest on the Banks of the Yaudet demonstrate his mastery of landscape painting, capturing the tranquility of nature with a delicate touch. Lebasque’s dedication to detail—particularly in rendering fabrics and textures—further distinguished him from many of his contemporaries. He painstakingly recreated surfaces using subtle gradations of color and brushstrokes, creating an illusion of depth that enhanced the realism of his compositions. This meticulous approach reflects Lebasque's belief that art should strive for accuracy while simultaneously conveying emotion – a balance he achieved with exceptional skill.

Legacy and Recognition: A Lasting Impression

Throughout his career, Lebasque enjoyed considerable success, participating in prestigious exhibitions such as the Salon d’Automne – which he helped found alongside Henri Matisse – and the Salon des Indépendants. He even received commissions for decorative projects, including work at the Champs-Élysées theatre and on transatlantic liners. His paintings are now held in numerous prominent museum collections, including the Musée d’Orsay in Paris, the Petit Palais in Geneva, and museums in Lille and Nantes, attesting to his enduring artistic significance. While perhaps not as widely celebrated as some of his more avant-garde contemporaries, Henri Lebasque's contribution to Post-Impressionism is undeniable. He offered a unique vision – one that prioritized beauty, harmony, and the quiet joys of everyday life. His paintings continue to resonate with viewers today, offering a welcome respite from the complexities of the modern world and reminding us of the enduring power of art to uplift and inspire.

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