10월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 47점의 잠보로냐 작품 (당사 카탈로그 기준)
개요
Rape of the Sabines (1581) is recorded as the most famous painting of 잠보로냐; it is held by the 란치 궁중, 피렌체. Rape of the Sabines (1585) and Crouching Venus occupy the second and third entries. Of the 47 works by 잠보로냐 recorded in the catalogue, the 47 best known are listed below, each entry with its date, the holding museum and a note on the work.
Giambologna’s “Rape of the Sabines,” sculpted in 1581, stands as an emblem of Mannerist art—a stylistic movement that prioritized expressive dynamism and psychological complexity over idealized beauty. Created during Rome's turbulent Baroque era, this monumental sculpture transcends mere depiction; it embodies a profound exploration of violence, desire, and societal upheaval rooted in Roman mythology.
The sculpture titled Rape of the Sabines by the artist Giambologna depicts a specific moment of abduction and struggle. This work was completed between 1579 and 1583 for Francesco I de' Medici of Tuscany. The subject matter originates from the legendary tale of the founding of Rome, specifically the event where Etruscan kings abducted Sabine women to secure alliances. This narrative provides the basis for the physical interaction between the…
To gaze upon Giambologna's Crouching Venus is to encounter a moment suspended between dream and reality. This magnificent bronze sculpture does not merely depict the goddess; it embodies her very essence—a confluence of divine beauty, earthly sensuality, and exquisite artistic tension. The figure is captured in a pose that is both languidly graceful and dynamically charged. She seems caught mid-thought, or perhaps mid-sigh, allowing the viewer an intimate glimpse into…
Giovanni da Bologna, universally known as Giambologna (1529 – 1608), remains a titan amongst sculptors of the Italian Renaissance and Baroque eras. Born in Douai, Flanders—now France—his artistic trajectory began with foundational training under Jacques Du Broeucq in Antwerp before he decisively chose Rome in 1550 as his creative crucible. This relocation wasn’t merely geographical; it was a profound immersion into the intellectual currents of classical sculpture and the stylistic…
To stand before a depiction such as the Anointment of the Dead Christ is to be drawn into a moment suspended between profound death and nascent resurrection. This bronze painting captures an intimacy that transcends mere narrative; it breathes with the weight of sacred ritual. The composition centers on the figure reclined upon the stone slab, his hands folded in a gesture of ultimate surrender or quiet acceptance. It is…
Giambologna's "Astronomy," a bronze sculpture created around 1580, isn’t merely a depiction of a woman gazing upwards; it’s an invitation to contemplate the vastness and beauty of the cosmos. This masterpiece, currently residing within the Metropolitan Museum of Art in New York City, embodies the height of Mannerist artistry – a style characterized by its elegant restraint, dynamic poses, and profound psychological depth. The sculpture immediately draws the viewer in…
Giambologna's "Bathing Venus," a bronze sculpture of breathtaking elegance and subtle sensuality, isn’t merely a depiction of a goddess; it’s an embodiment of the Renaissance fascination with classical ideals, a testament to masterful technique, and a poignant exploration of beauty itself. Created during the late 16th century, this captivating work transcends its historical context, offering a timeless allure that continues to resonate with viewers today. The sculpture captures Venus in…
Giambologna’s “Mercury,” created in 1580, stands as a pinnacle achievement of the Mannerist artistic movement—a testament to refined elegance and dramatic dynamism. Housed at the Museo Nazionale del Bargello in Florence, Italy, this bronze sculpture transcends mere representation; it embodies the spirit of its time and continues to captivate viewers centuries later.
Giambologna's "Astronomy," a bronze sculpture commanding attention with its opulent gilding and dynamic pose, isn’t merely a depiction of a figure; it’s an invitation to contemplate the vastness of the cosmos. Created during the height of Mannerism in the early 17th century, this piece transcends simple portraiture, embodying a profound connection between humanity and the heavens. The sculpture, housed within the Metropolitan Museum of Art in New York City, immediately…
Rape of the Sabines1581 · 란치 궁중
12
Fountain of Neptune1563 · Piazza Maggiore
13
Triumph of Virtue over Vice1564 · 팔라초 베키오
14
Mercury1563 · Museo Civico Medievale
15
Neptune from the Fountain of Neptune1563 · Piazza Maggiore
16
Rape of the Sabines (12)1581 · 란치 궁중
17
Schreitender Mars1590
18
Abduction of a Sabine Woman1583 · 팔라초 베키오
19
The Rape of a Sabine Woman1583
20
Turkey1560 · 프라도 미술관
21
Venus1573
22
Venus1573
23
The Fountain of Oceanus1576 · 보볼리 정원
24
Perseus1576 · 보볼리 정원
25
Appenine1570 · Garden of the Villa Medici
26
Appenine (detail)1570 · Garden of the Villa Medici
27
Rape of the Sabines1581 · 란치 궁중
28
Mercury (front view)1580 · 프라도 미술관
29
Rape of the Sabines (back view)1581 · 란치 궁중
30
Equestrian Portrait of Cosimo I1587 · Piazza della Signoria
31
Equestrian Portrait of Cosimo I (11)1587 · Piazza della Signoria
32
Equestrian Portrait of Cosimo I (12)1587 · Piazza della Signoria
33
Cosimo I Triumphant over Siena (detail)1595 · Piazza della Signoria
34
Hercules and the Centaur1600 · 란치 궁중
35
Saint John the Evangelist1602
36
Bull메트로폴리탄 미술관
37
Francesco I De' Medici메트로폴리탄 미술관
38
Anointment of the Dead Christ메트로폴리탄 미술관
39
Psychomachia Or Victory of Virtue over Vice
40
Hercules and CerberusWalters Art Museum
41
Fortuna메트로폴리탄 미술관
42
Tugend, das Laster bezwingend1600
43
Mars Gradivus1580
44
Door Knocker메트로폴리탄 미술관
45
Triton
46
Virgin of Humility with Saints
47
Lion Attacking a HorseWalters Art Museum
The four subjects most frequently represented among these works, each with its best-known example.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | 잠보로냐의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 메트로폴리탄 미술관 |
뉴욕 | 10 | Crouching Venus, Anointment of the Dead Christ, Astronomy |
 란치 궁중 |
피렌체 | 6 | Rape of the Sabines, Rape of the Sabines, Rape of the Sabines (12) |
 Piazza della Signoria |
피렌체 | 4 | Equestrian Portrait of Cosimo I, Equestrian Portrait of Cosimo I (11), Equestrian Portrait of Cosimo I (12) |
 팔라초 베키오 |
피렌체 | 3 | Apollo, Triumph of Virtue over Vice, Abduction of a Sabine Woman |
 프라도 미술관 |
피렌체 | 3 | Mercury (rear view), Turkey, Mercury (front view) |
 Piazza Maggiore |
볼로냐 | 2 | Fountain of Neptune, Neptune from the Fountain of Neptune |
 보볼리 정원 |
피렌체 | 2 | The Fountain of Oceanus, Perseus |
 Garden of the Villa Medici |
프라톨리노 | 2 | Appenine, Appenine (detail) |
Select a decade to display its principal painting.
Giambologna’s “Rape of the Sabines,” sculpted in 1581, stands as an emblem of Mannerist art—a stylistic movement that prioritized expressive dynamism and psychological complexity over idealized beauty. Created during Rome's turbulent Baroque era, this monumental sculpture transcends mere depiction; it embodies a profound exploration of violence, desire, and societal upheaval rooted in Roman mythology.
Rape of the Sabines (1581), 란치 궁중, 피렌체. The following entries are Rape of the Sabines (1585) and Crouching Venus.
52 years: 잠보로냐 was born in 1529 and Rape of the Sabines is dated 1581.
Rape of the Sabines, Rape of the Sabines, Crouching Venus, Mercury, Anointment of the Dead Christ, Astronomy, Apollo, Bathing Venus, Mercury (rear view) 및 Astronomy. The list above records the date and holding museum of each.
The catalogue records 47 works by 잠보로냐, dated between 1560 and 1602.
Principally in 메트로폴리탄 미술관 (뉴욕), 란치 궁중 (피렌체) 및 Piazza della Signoria (피렌체). The museum table above gives the full distribution.
In 1580s: 15 of the 47 works listed on this page are dated to that period, including Rape of the Sabines.
The earliest dated work listed here is Turkey (1560); the latest is Saint John the Evangelist (1602).
Renaissance (10), Sculpture (9) 및 Mythology (6), out of the 47 works listed on this page.
Bronze, in 6 of the 47 works listed on this page.
Mannerism, as documented by the works on this page.
Crouching Venus, Anointment of the Dead Christ 및 Astronomy are among the 10 works on this page in the collection of the 메트로폴리탄 미술관, 뉴욕.
Yes. Each work listed on this page can be ordered from its own entry as a hand-painted oil reproduction or a fine art print, in a size of your choice.
