요약
Mingering Mike의 가장 잘 알려진 작품은 GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON (1972)입니다. 다음 항목은 THE FREEDOM STOMPERS (1969) 및 3 FOOTSTEPS away from the altar, mingering mike the big D (1969)입니다. Mingering Mike의 작품 목록에는 총 151점이 기록되어 있습니다. 아래의 100개 항목은 가장 잘 알려진 작품들로, 날짜, 소장 박물관, 작품 설명과 함께 순위별로 나열되어 있습니다.
Mingering Mike: 주요 작품 10선
Mingering Mike: 11~100번째 항목
Mingering Mike: 시대별 작품
Late Period
1969 – 1972 · 5개의 작품이 이 목록에 포함됨Contemporary
1968 – 1972 · 5개의 작품이 이 목록에 포함됨Mingering Mike 작품의 주요 주제
이 작품들에서 가장 빈번하게 나타나는 네 가지 주제와 각 주제를 대표하는 가장 유명한 작품들입니다.
Social commentary 8점의 작품
Music memorabilia 4점의 작품
Vintage vinyl 4점의 작품
Mingering Mike: 연도별 주요 작품
Mingering Mike의 작품 연도는 1968년부터 1975년까지 8년에 걸쳐 있으며, 약 10년 동안의 기록이 아래와 같이 연도별로 나열되어 있습니다.
연도별 작품 수
주요 작품을 확인하려면 연도를 선택하세요.
A AGA MING WAR PRODUCTION MINGERING MIKE THE BIG D THE COLTS BAND SUPER GOLD GREATEST HITS
1970 시대의 다른 작품들
GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON
1972 시대의 다른 작품들
Mingering Mike의 작품: 참고 질문
Mingering Mike의 작품 중 가장 잘 알려진 작품은 무엇인가요?결과 보기
GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON (1972). 다음 항목은 THE FREEDOM STOMPERS (1969) 및 3 FOOTSTEPS away from the altar, mingering mike the big D (1969)입니다.
GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON이(가) 그려졌을 당시 Mingering Mike의 나이는 몇 살이었나요?결과 보기
22세: Mingering Mike은(는) 1950년에 태어났으며, GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON의 제작 연도는 1972년입니다.
Mingering Mike의 작품 중 가장 유명한 10가지 작품은 무엇인가요?결과 보기
GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON, THE FREEDOM STOMPERS, 3 FOOTSTEPS away from the altar, mingering mike the big D, THE MINGERING MIKE SHOW LIVE FROM THE HOWARD THEATER, 3 FOOT STEPS DUET CLOSE, EAT MYSELF SILLY (M. MIKE), Gold Pot Records LIVE, FROM PARIS, MINGERING MIKE REVUE (C), PIANOMAN, MINGERING MIKE, MING · WAR ARRANGES AND DIRECT ARRANGES AND DIRECTS, A AGA MING WAR PRODUCTION MINGERING MIKE THE BIG D THE COLTS BAND SUPER GOLD GREATEST HITS 및 DON'T TRY AND TAKE IT ALL IN (MINGERING MIKE) MIKE THE MONITORS LOVE COMES AND GOES (JUST LIKE A RAINBOW) M. MIKE Y, RIGHT OF WAY MINGERING MIKE. 위 목록은 각 작품의 날짜와 소장 박물관을 기록하고 있습니다.
Mingering Mike의 작품은 몇 점이 등록되어 있나요?결과 보기
Mingering Mike의 작품 151점이 카탈로그에 기록되어 있으며, 제작 시기는 1968에서 1975 사이입니다.
Mingering Mike의 가장 유명한 작품들은 어느 시대에 그려졌나요?결과 보기
1972 기간: 이 페이지에 나열된 총 100점의 작품 중 GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON을(를) 포함하여 45점이 해당 기간의 작품입니다.
이 목록에서 Mingering Mike의 작품 중 가장 오래된 작품과 가장 최근의 작품은 무엇인가요?결과 보기
여기에 나열된 작품 중 가장 오래된 작품은 MOTHER GOOSE IT'S A BOYS LIFE (MINGERING MIKE) TWO WAY TRAFFIC (1968)이며, 가장 최근 작품은 MERCY LET THE MUSIC TAKE YOUR MIND (1975)입니다.
Mingering Mike의 작품에서 가장 자주 등장하는 주제는 무엇인가요?결과 보기
이 페이지에 나열된 총 100점의 작품 중 Social commentary (8), Music memorabilia (4) 및 Vintage vinyl (4)점
Mingering Mike은(는) 어떤 미술 사조에 속해 있나요?결과 보기
이 페이지의 작품들을 통해 확인할 수 있는 Pop art 및 Contemporary realism
Mingering Mike: 약력 정보
The Genesis of a Dream: Mingering Mike’s Constructed Reality
Mingering Mike, born in Washington, D.C., in 1950, wasn't simply an artist; he was the architect of his own elaborate and entirely self-contained universe. From roughly 1968 to 1977, this young man meticulously crafted a career as a soul singer and songwriter, producing over fifty “albums” – each a painstakingly assembled cardboard record complete with intricate gatefolds, handwritten liner notes, and simulated vinyl grooves. This wasn’t mere performance art; it was the embodiment of a teenage fantasy, a deeply personal project born from the vibrant, often turbulent, landscape of his youth.
The genesis of this singular endeavor lies in a potent blend of influences – the burgeoning soul music scene of the era, fueled by artists like Aretha Franklin and Otis Redding; the social unrest simmering within American cities during the Civil Rights Movement; and perhaps most crucially, the imaginative world of a young man seeking an outlet for his emotions and aspirations. Mingering Mike’s work wasn't about replicating reality; it was about constructing an idealized version of it, one where he held the microphone, commanded sold-out stadiums, and expressed profound truths through carefully crafted lyrics and soulful melodies.
The Art of the Constructed Album
What distinguishes Mingering Mike’s work is not just its scale – over fifty albums! – but the sheer dedication to detail in each piece. He didn't simply draw album covers; he built entire worlds within them, meticulously crafting cardboard records that resembled authentic vinyl releases. The liner notes were handwritten, often filled with biographical details about his “band,” tour dates, and personal reflections on the songs. This level of commitment transformed a simple artistic project into a fully realized, immersive experience.
The albums themselves are remarkable feats of miniature engineering. They’re layered constructions, incorporating elements like simulated album jackets, meticulously drawn grooves on the “vinyl,” and even tiny photographs depicting concert scenes. The process involved an obsessive attention to detail, reflecting a deep understanding of the music industry and a desire to replicate it with painstaking accuracy. This wasn't about creating art; it was about recreating a career – a career entirely within his own imagination.
Rediscovery and Recognition
For decades, Mingering Mike’s work remained largely unknown outside a small circle of collectors. It wasn’t until 2003 that the world began to take notice when record collectors Dori Hadar and Frank Beylotte stumbled upon his collection at a flea market in Washington, D.C. This serendipitous discovery sparked an intense interest in Mingering Mike's unique project, leading to exhibitions, publications, and widespread recognition within the art world.
The Smithsonian American Art Museum acquired his entire collection in 2015, solidifying his place as a significant figure in contemporary art. The museum’s exhibition, “Mingering Mike’s Supersonic Greatest Hits,” offered visitors a rare glimpse into this extraordinary artist's constructed reality – a testament to the power of imagination and the enduring appeal of a dream realized.
Themes and Legacy
While seemingly fantastical, Mingering Mike’s work resonates with profound themes. It explores ideas of identity, ambition, performance, and the construction of self. His albums often touch upon social issues – civil rights, political upheaval, and personal struggles – reflecting the realities of his youth while simultaneously offering a utopian vision of success and fulfillment.
Mingering Mike’s legacy lies not just in his unique artistic practice but also in challenging our understanding of art itself. He demonstrated that an artwork doesn't need to be “real” to be meaningful, and that the act of creation can be as important as the final product. His work continues to fascinate and inspire artists and collectors alike, reminding us of the boundless possibilities of the human imagination.





