艺术家: John Everett Millais
作风: 浪漫主义
日期: 1856
尺寸: 73 x 104 cm
博物馆: City Art Gallery (Manchester, United Kingdom)
术: 油画
马尔康 Warner's 这幅画的绝佳入门作品 1984 泰特目录指出 " 与 'Autumn Leaves' 米莱斯开始油漆 'a 没有美丽的画面 subject' , 一项非常具体的工作 story-telling 在他的绘画中扮演了这样的角色 early-1850s 取而代之的是建立情绪并提出更普遍的想法 . 本赛季 , 死叶 , 烟和日落都是超科学的全部图像 , 提醒所有事情都必须过去 . 它是腐朽和死亡的背景,使我们意识到前景中的女孩 , 他们所有的青春和美丽 , 必须不可避免地经历相同的过程 . 右边的小苹果所握住的苹果是秋天的象征,但也可能想起使人类死亡的原始罪恶 . . . . 'Autumn Levaes' . . . . 庄严 , 几乎神圣的感觉,有人可能会称其为宗教 . . . . 秋天的思想引发了米莱斯的呼唤 " 宗教反思的最深层思想 " 不来 [ 作为他的prb兄弟f . G . 斯蒂芬斯建议 ] 选自诗篇或圣经的其他部分,但来自当代英语诗歌 " ( 139 ) . 根据华纳 , 画家正在阅读 Tennyson's 公主在绘画时 , " 和他的思想呼应 poet's 如在 well-known 第一部分
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