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Guia de Obras de Estudantes

random dot grid pattern v 73-121

Nome Turma Data

Herman de Vries, random dot grid pattern v 73-121 (1973), THAT'S CONTEMPORARY. Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
Herman de Vries wikioo.org/pt/artists/herman-de-vries/
Datas do artista
1931 –
Pintura a óleo
1973
Dimensões originais
73 x 102 cm
Realizado em
THAT'S CONTEMPORARY wikioo.org/pt/museums/that-s-contemporary-milan/

No contexto

random dot grid pattern v 73-121 — Herman de Vries

Qual é o tamanho?

As dimensões originais são 73 × 102 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Quando foi pintado?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990
  8. 2000
  9. 2010

Linha superior: os anos. Linha inferior: a idade do artista no início e no fim de cada período, contando 0 a partir do nascimento.

Pintado quando o artista tinha 42. 1 das 9 obras datadas deste artista em nosso catálogo são anteriores.

▲ esta obra, 1973 cada pintura datada, década por década

Primeiras obras: até 1979 Principais anos de atividade: 1979–2015 Obras tardias: a partir de 2015

Essas três faixas dividem as obras datadas neste catálogo em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a trajetória do artista neles traçada

Comparar com

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: wikioo.org/pt/art/similar/herman-de-vries-random-dot-grid-pattern-v-73-121-D73UX4-en/

Cores

Medido a partir da imagem

    Cor principal

    Putty #cdd0c9

    Paleta catalogada

    • #CDD0C9
    • #CBBA9C
    • #B49D80
    • #C65C2D

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Monochrome A família de cores predominante na imagem.
    Nome da cor principal
    Putty
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Serene O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Brilliant O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Herman de Vries nos últimos doze meses — 1 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 100,0%200 visits

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 1 obras mais visualizadas de Herman de Vries

    1. 1 random dot grid pattern v 73-121, 1973 esta obra 100,0%200 visits

    Juntas, estas obras representam 100,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 9 obras deste artista, das quais 1 foram visualizadas pelo menos uma vez. This painting ranks 1 of them, with 100,0% of that attention (200 visits). Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Artista e museu

    Artista

    Herman de Vries

    Nascido em Alkmaar, Netherlands

    Herman de Vries: A Life Dedicated to the Language of Nature

    Born in Alkmaar, Netherlands, in 1931, Herman de Vries’s artistic journey is inextricably linked to a profound reverence for the natural world. From his early beginnings exploring the intricacies of plants and seeds – a fascination that began in 1953 – he embarked on a lifelong pursuit to translate the silent eloquence of nature into meticulously crafted visual narratives. De Vries wasn't merely an artist; he was, as he himself described it, a ‘translator,’ seeking to reveal the hidden order within seemingly chaotic natural forms. His work stands apart not just for its technical precision but for its quiet insistence on recognizing the inherent beauty and intelligence embedded in even the smallest botanical detail.

    De Vries’s early career was marked by experimentation with various media, including drawing and collage, reflecting a broader engagement with artistic movements of his time. The influence of the Zero group – a collective of Dutch artists pushing boundaries in the late 1950s and early 1960s – is evident in his commitment to simplicity and economy of form. This minimalist approach, coupled with a desire to capture the essence of natural phenomena, became a defining characteristic of his later work. He famously adopted a lowercase style for his name on his artwork, a deliberate choice intended to diminish hierarchy and emphasize the equal importance of the artist and the subject matter – a subtle yet powerful statement about his artistic philosophy.

    Moving into the 1970s, De Vries shifted his focus towards directly engaging with natural materials. He began collecting soil samples from around the globe, transforming them into vibrant areas of color that revealed the astonishing diversity hidden beneath our feet. This period marked a significant evolution in his work, moving beyond representation to explore the very materiality of nature itself. His pieces became less about depicting specific plants and more about conveying their fundamental qualities – texture, form, and color – through carefully arranged collections.

    Botanical Precision and Geometric Harmony

    De Vries’s technical skill is undeniable. He possessed an almost obsessive attention to detail, meticulously rendering the textures of seeds, the veins of leaves, and the intricate patterns of dried flowers. His works are characterized by a remarkable level of precision, achieved through painstaking observation and patient execution. However, this technical mastery never overshadows the underlying conceptual framework of his art. It’s not simply about accurate representation; it's about revealing the inherent geometry and order within seemingly random natural arrangements.

    Consider “Prunus Persica,” a captivating study of twelve nuts and seeds rendered in exquisite detail. The arrangement isn’t arbitrary; it follows a precise geometric pattern, mirroring the underlying structure of the botanical specimens themselves. Similarly, "An Afternoon Under a Cherry Tree" showcases dried leaves arranged in meticulously crafted diptychs – a testament to De Vries's ability to transform ephemeral natural elements into enduring works of art. These pieces demonstrate his mastery of composition and his deep understanding of how form and space interact.

    A Life Rooted in Germany

    In 1980, De Vries relocated to Eschenau, near Knetzgau, Germany, where he continues to live and work today. This move marked a deepening connection with the landscape and a continued exploration of his core themes. His studio has become a repository for collected natural materials – soil, seeds, leaves, and fragments of wood – each carefully selected and arranged to evoke a sense of wonder and contemplation.

    His current work often focuses on disrupted relationships between humanity and nature, reflecting a growing concern about environmental issues. He continues to collect and arrange these elements, not as static representations but as dynamic expressions of the interconnectedness of all things. The artist’s choice to live in Germany has undoubtedly influenced his perspective, allowing him to immerse himself in the rich cultural heritage of the region while maintaining a steadfast commitment to his artistic vision.

    Recognition and Legacy

    Herman de Vries's work has garnered significant recognition within the international art community. His pieces are held in prestigious collections including The Museum of Modern Art in New York, the Stedelijk Museum Schiedam in the Netherlands, and the Victoria and Albert Museum in London. In 2015, he was included in the Venice Biennale, a testament to his enduring influence and artistic merit.

    Beyond individual accolades, De Vries’s legacy lies in his profound respect for nature and his ability to translate its complexities into visually arresting works of art. He demonstrated that beauty could be found not only in grand landscapes but also in the smallest details – a single seed, a dried leaf, or a handful of soil. His work serves as a constant reminder of our connection to the natural world and the importance of appreciating its inherent value.

    Museu

    THAT'S CONTEMPORARY

    Em exibição em Milan, Italy

    THAT'S CONTEMPORARY: A Milanese Hub for Contemporary Art

    Milan, Italy – THAT’S CONTEMPORARY stands as a singular testament to the evolving landscape of Italian art. Founded in 2011, this innovative cultural platform isn’t merely documenting contemporary artistic endeavors; it actively cultivates an independent network connecting artists, galleries, and audiences—a deliberate departure from traditional museum models. Its mission is simple yet profound: to illuminate Milan's dynamic creative spirit and foster a deeper appreciation for modern art forms.

    Mapping the Scene:

    Launched as a response to the need for centralized artistic mapping, THAT’S CONTEMPORARY swiftly established itself as the go-to resource for discovering exhibitions and emerging talent within Milan.

    Bridging Connections:

    Unlike conventional institutions focused on preservation, THIS platform prioritizes engagement—facilitating dialogues between artists and collectors alike.

    Collection Highlights & Artistic Explorations

    While lacking a permanent collection in the traditional sense, THAT’S CONTEMPORARY offers visitors an immersive journey into Milanese contemporary art. The platform champions exhibitions showcasing diverse mediums—photography, sculpture, installation art—often featuring groundbreaking perspectives on societal issues and artistic experimentation. Notably, explorations of architectural spaces like Viafarini contribute to this experience, highlighting innovative approaches to gallery design and fostering stimulating conversations about artistic presentation.

    Featured Works:

    Among the showcased pieces are captivating artworks such as Gerhard Richter’s ‘Domplatz, Mailand,’ a masterful black & white photograph capturing Milanese grandeur—a testament to realism infused with aged aesthetic qualities.

    Fashion Forward Inspiration:

    Águeda Isabel Ruiz de la Prada’s ‘Dress with Synthetic-Suede Squares,’ presented during Milan Fashion Week, exemplifies the platform's commitment to showcasing artistic collaborations and pushing creative boundaries.

    Notable Artists & Creative Voices

    THAT’S CONTEMPORARY spotlights Italian artists who are shaping the future of art. Massimo Kaufmann, renowned for his expansive paintings, embodies the spirit of Milanese artistic tradition while simultaneously embracing innovation. Similarly, elisabetta gut's sculptures and installations delve into themes of confinement and fragility—reflecting a thoughtful engagement with contemporary concerns. Daniele Innamorato’s collaborative work as founder of Kings Collective underscores the platform’s dedication to fostering collective creativity and pushing artistic boundaries.

    Viafarini: An Architectural Canvas

    The Viafarini gallery complex serves as an integral part of THAT’S CONTEMPORARY's narrative. Designed by architect Marco Zanuso Jr., this building embodies Milanese architectural modernity—a space deliberately conceived to stimulate artistic dialogue and showcase experimental exhibitions. Its expansive layout encourages exploration and contemplation, mirroring the platform’s ethos of fostering engagement with cutting-edge art.

    A Unique Perspective on Contemporary Art

    THAT'S CONTEMPORARY distinguishes itself from conventional museums by prioritizing active participation and disseminating knowledge beyond physical walls. It operates as a dynamic online resource—a vibrant hub for artistic discovery—solidifying its position as an indispensable guide for anyone wishing to experience Milan’s flourishing contemporary art scene.

    Onde ler mais

    Encontre online

    QR code que direciona para a página de download de random dot grid pattern v 73-121

    wikioo.org/pt/art/download/herman-de-vries-random-dot-grid-pattern-v-73-121-D73UX4-en/

    Como citar esta obra

    MLA
    Vries, Herman de. random dot grid pattern v 73-121. 1973, THAT'S CONTEMPORARY. https://wikioo.org/pt/art/herman-de-vries-random-dot-grid-pattern-v-73-121-D73UX4-en/
    APA
    Vries, Herman de (1973). random dot grid pattern v 73-121 [Painting]. THAT'S CONTEMPORARY. https://wikioo.org/pt/art/herman-de-vries-random-dot-grid-pattern-v-73-121-D73UX4-en/
    Chicago
    Herman de Vries. random dot grid pattern v 73-121. 1973. THAT'S CONTEMPORARY. https://wikioo.org/pt/art/herman-de-vries-random-dot-grid-pattern-v-73-121-D73UX4-en/
    Harvard
    Vries, Herman de (1973) random dot grid pattern v 73-121. THAT'S CONTEMPORARY. Available at: https://wikioo.org/pt/art/herman-de-vries-random-dot-grid-pattern-v-73-121-D73UX4-en/

    Observe de perto

    random dot grid pattern v 73-121 — Herman de Vries

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre from the streets of amsterdam (2015), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. Herman de Vries tinha cerca de 42 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Em que ano foi criada a obra "random dot grid pattern v 73-121", de Herman de Vries?

    "random dot grid pattern v 73-121" data de 1973. A data situa a obra na carreira de Herman de Vries e em sua época.

    Onde posso encontrar obras de arte semelhantes a "random dot grid pattern v 73-121", de Herman de Vries?

    A página Obras semelhantes de "random dot grid pattern v 73-121", de Herman de Vries apresenta obras relacionadas.

    Qual paleta de cores é utilizada em "random dot grid pattern v 73-121", de Herman de Vries?

    "random dot grid pattern v 73-121", de Herman de Vries utiliza uma paleta de cores Monochrome. A paleta sintetiza o caráter cromático geral da obra.