Papel

Guia de Obras de Estudantes

Pandora

Nome Turma Data

John Dickson Batten, Pandora (1913), The University of Reading. Domínio público.

Informações principais

Artista
John Dickson Batten wikioo.org/pt/artists/john-dickson-batten/
Datas do artista
1860 – 1932
Pintura
1913
Dimensões originais
128 x 168 cm
Realizado em
The University of Reading wikioo.org/pt/museums/the-university-of-reading-reading/

No contexto

Pandora — John Dickson Batten

Dimensões

As dimensões originais são 128 × 168 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930

Row above: the year. Row below: the artist's age in that year.

Painted when the artist was 53. The artist lived to 72. 5 of the 7 dated works by this artist in our catalogue came earlier.

Sombreado: a trajetória de John Dickson Batten (1860–1932) ▲ esta obra, 1913

Obras comparáveis

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: wikioo.org/pt/art/similar/john-dickson-batten-pandora-ARD839-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    Walnut #7b5639

    Paleta catalogada

    • #7B5639
    • #9F8056
    • #475067
    • #403127
    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Walnut
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Gentle O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Balanced Soft Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by John Dickson Batten over the last twelve months — 1 countries in all.

    The ten leading countries

    1. 1 França 100,0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 2 most looked-at works by John Dickson Batten

    1. 1 Eve and the Serpent, 1895 100,0%
    2. Pandora, 1913 this painting 0,0%

    Together these works take 100,0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 8 works by this artist, of which 1 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank.

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artista e museu

    Artista

    John Dickson Batten

    John Dickson Batten (1860–1932): A Pioneer of Egg Tempera and Enchanting Fairy Tale Illustrations

    John Dickson Batten, born in 1860, was a British artist who achieved considerable renown for his distinctive style of egg tempera painting and his captivating illustrations of fairy tales—particularly those inspired by Celtic folklore. He stands as a pivotal figure in the revival of this traditional medium during the Edwardian era, marking a significant moment in British art history.

    Batten’s artistic journey began with an early fascination for ornithology and animal flight studies, which profoundly influenced his approach to painting. This passion translated into meticulous observation and detailed rendering—characteristics that would become hallmarks of his oeuvre. He honed his skills through self-study and experimentation, eventually establishing himself as a respected artist in Birmingham alongside fellow tempera enthusiasts like Arthur Gaskin. Their collaborative efforts fostered a renewed appreciation for the technique’s luminosity and expressive potential.

    A defining achievement was undoubtedly Batten's monumental fresco depicting Atlanta and Milanion—a retelling of Celtic legend commissioned for Reading University—which exemplifies his mastery of egg tempera and showcases his ability to convey narrative depth with visual precision. This ambitious project cemented his reputation as a visionary artist committed to preserving cultural heritage through art.

    Batten’s artistic output extended beyond monumental frescoes, encompassing a diverse range of subjects including biblical scenes and imaginative depictions of fairy tales. He skillfully adapted the egg tempera technique to illuminate narratives from Arabian Nights and Dante's Inferno, demonstrating versatility and intellectual curiosity. His illustrations for “Snow White and the Seven Dwarfs” and "Europa’s Fairy Book" are celebrated for their delicate beauty and evocative storytelling—testaments to his artistic vision.

    Furthermore, Batten was a prolific writer, delving into poetry and exploring themes of flight and imagination. He published two volumes of verse that captured the spirit of his time, reflecting both scientific observation and lyrical contemplation. His contribution to art scholarship included an insightful article on tempera painting practice, furthering understanding of this artistic tradition.

    Batten’s legacy resides not only in his stunning paintings but also in his role as a champion of egg tempera—a medium that had largely faded from prominence by the early 20th century. He revitalized interest in its expressive qualities and ensured its continued presence within British art, securing his place as an enduring figure in artistic history. His work continues to inspire admiration for its meticulous detail, luminous color palette, and ability to transport viewers into worlds of myth and wonder.

    Museu

    The University of Reading

    Em exibição em Reading, United Kingdom

    A Tapestry of Knowledge: Exploring The University of Reading’s Museums

    Nestled within the verdant landscape of Berkshire, just a short distance from London, lies a treasure trove of artistic and historical significance – The University of Reading’s museums. More than mere repositories of artifacts, these institutions represent a carefully curated journey through human experience, spanning millennia and continents. Founded as an extension college in 1892, the university has cultivated a remarkable collection, born from academic research, philanthropic donations, and a deep commitment to preserving our collective past. A visit here isn’t simply an act of observation; it's an immersion into interconnected narratives that illuminate our understanding of the world around us – a testament to the enduring power of knowledge and beauty.

    The architectural landscape itself contributes significantly to the museum experience. The Whiteknights campus, where these museums reside, is a harmonious blend of historic grandeur and modern functionality. The imposing Victorian buildings, originally designed for academic pursuits, now house collections that whisper tales of bygone eras. The Cole Museum of Zoology’s distinctive red brick façade, reminiscent of a grand scientific institute, stands in stark contrast to the more intimate, almost medieval feel of the Ure Museum of Greek Archaeology. Each building has been thoughtfully integrated into the campus environment, creating a sense of seamlessness and encouraging exploration – a deliberate design choice that reflects the university's holistic approach to learning.

    The Museum of English Rural Life: Echoes of a Vanishing World

    Stepping into The Museum of English Rural Life (MERL) is akin to stepping back in time, enveloped by the sights, sounds, and stories of a vanishing way of life. This isn’t simply a collection of agricultural tools; it's a poignant chronicle of rural England, meticulously assembled to showcase the evolution of farming practices, traditional crafts, and the very fabric of community existence. Vintage tractors stand as silent sentinels, recalling eras of hard work and innovation – their weathered metal bearing witness to countless hours spent tilling the land. Historical photographs offer intimate glimpses into the lives of those who tilled the soil, their faces etched with resilience and a deep connection to the natural world. Exhibits delve into the social history of the countryside, revealing not just how people lived, but why – exploring the traditions, beliefs, and challenges that shaped rural communities for generations. The museum’s strength lies in its ability to humanize history, transforming artifacts into tangible links to our collective past. The scent of hay seems to linger in the air, and the echoes of rural voices resonate through time, offering a poignant reminder of a way of life increasingly rare in the modern world.

    From Ancient Skeletons to Modern Science: The Cole Museum of Zoology

    A dramatic shift in focus awaits at the Cole Museum of Zoology, a captivating realm dedicated to the incredible diversity of life on Earth. This is not a sterile display of specimens; it’s an invitation to marvel at the intricate beauty and evolutionary wonders of the animal kingdom. The museum boasts an impressive array of skeletons, taxidermied creatures, and preserved animals – from delicate butterflies pinned with meticulous care to imposing whale bones that speak of vast oceanic journeys. Particular strength lies in collections from the Euromediterranean region, alongside fascinating finds from the Falkland Islands and southern South America. Rare species are showcased, offering critical insights into biodiversity and the ongoing processes of evolution. The Cole Museum isn’t just about looking at animals; it's about understanding their place within the larger ecological tapestry, prompting reflection on our responsibility to protect these fragile ecosystems for future generations. The museum serves as a vital resource for zoological research, actively contributing to our knowledge of the natural world – a testament to the enduring importance of scientific exploration.

    Echoes of Antiquity: The Ure Museum of Greek Archaeology

    Journeying further back in time, the Ure Museum of Greek Archaeology transports visitors to the sun-drenched landscapes and vibrant culture of ancient Greece. Here, pottery shards whisper tales of daily life, sculptures embody ideals of beauty and power, and coins bear witness to economic exchange and political ambition. The collection is comprised of artifacts from significant archaeological sites – fragments of intricately painted vases, imposing marble statues, and gleaming bronze weaponry – offering a tangible connection to a civilization that laid the foundations for Western thought and art. Examining these objects isn’t merely an exercise in historical observation; it's an opportunity to engage with the beliefs, rituals, and artistic sensibilities of a people who shaped our world. The Ure Museum is invaluable not only to students and researchers but also to anyone captivated by the enduring legacy of ancient Greece – a window into a civilization that continues to inspire awe and wonder.

    A Campus Steeped in Beauty and Learning

    Beyond the individual treasures housed within each museum, The University of Reading itself contributes significantly to the visitor experience. The Whiteknights campus, renowned for its picturesque setting, seamlessly blends historic architecture with modern facilities, all enveloped by lush greenery. This serene environment fosters a sense of tranquility conducive to both learning and contemplation. The integration of these museums into the academic life of the university is particularly noteworthy; they aren’t isolated repositories but active centers for research and education, ensuring that knowledge is not only preserved but also actively disseminated and expanded upon. The university's broader holdings – including rare books and art collections – enrich the experience for those seeking deeper engagement with historical and artistic developments. A visit here isn’t just a tour of museums; it’s an immersion into the vibrant intellectual life of one of Britain’s leading institutions, a place where history, science, and art converge to create a truly enriching experience.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Pandora

    wikioo.org/pt/art/download/john-dickson-batten-pandora-ARD839-en/

    Como citar esta obra

    MLA
    Batten, John Dickson. Pandora. 1913, The University of Reading. https://wikioo.org/pt/art/john-dickson-batten-pandora-ARD839-en/
    APA
    Batten, John Dickson (1913). Pandora [Painting]. The University of Reading. https://wikioo.org/pt/art/john-dickson-batten-pandora-ARD839-en/
    Chicago
    John Dickson Batten. Pandora. 1913. The University of Reading. https://wikioo.org/pt/art/john-dickson-batten-pandora-ARD839-en/
    Harvard
    Batten, John Dickson (1913) Pandora. The University of Reading. Available at: https://wikioo.org/pt/art/john-dickson-batten-pandora-ARD839-en/

    Observe de perto

    Pandora — John Dickson Batten

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre The Family (1886), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. John Dickson Batten tinha cerca de 53 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Com que idade John Dickson Batten criou "Pandora"?

    John Dickson Batten criou "Pandora" aos 53 anos. O artista nasceu em 1860 e a obra data de 1913.

    Quem é o artista por trás de "Pandora"?

    O artista por trás de "Pandora" é John Dickson Batten. A obra está catalogada sob o nome de John Dickson Batten.

    Posso ver "Pandora" como um slideshow em tela cheia?

    Um slideshow está disponível: a página Apresentação de slides de "Pandora" de John Dickson Batten.

    "Pandora" de John Dickson Batten utiliza contrastes fortes ou harmonias suaves?

    Em "Pandora", um Gentle contraste é acompanhado por uma Strong Color Unity harmonia.

    Quem é o autor e qual é a data de "Pandora"?

    O autor de "Pandora" é John Dickson Batten, e a obra data de 1913.

    Qual é a luminância de "Pandora" de John Dickson Batten?

    A luminância registrada para "Pandora" de John Dickson Batten é Dark.

    Em que ano foi criado "Pandora" de John Dickson Batten?

    "Pandora" de John Dickson Batten foi criado em 1913.