Papel

Guia de Obras de Estudantes

Field Hands

Nome Turma Data

Lamar Baker, Field Hands (1940). Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
Lamar Baker wikioo.org/pt/artists/lamar-baker/
Datas do artista
1908 – 1994
Pintura a óleo
1940
Dimensões originais
22 x 29 cm

No contexto

Field Hands — Lamar Baker

Qual é o tamanho?

As dimensões originais são 22 × 29 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Quando foi pintado?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980
  10. 1990

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 86 ao falecer.

Pintado quando o artista tinha 32. O artista viveu até aos 86. 14 das 23 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de Lamar Baker (1908–1994) ▲ esta obra, 1940 cada pintura datada, década por década

Comparar com

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: wikioo.org/pt/art/similar/lamar-baker-field-hands-AQU23K-en/

Cores

Medido a partir da imagem

    Cor principal

    Putty #e6e4e0

    Paleta catalogada

    • #E6E4E0
    • #6F6C69
    • #383434
    • #A8A4A0

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Neutrals A família de cores predominante na imagem.
    Nome da cor principal
    Putty
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Discordant Palette A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Bright O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Lamar Baker nos últimos doze meses — 1 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 100,0%700 visits

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 8 obras mais visualizadas de Lamar Baker

    1. 1 Plantation System, 1941 33,3%400 visits
    2. 2 African Fantasy, from the series Fantasies, 1936 16,7%200 visits
    3. 3 Mars, from the series Fantasies, 1940 16,7%200 visits
    4. 4 The Tie that Binds, 1939 8,3%100 visits
    5. 5 Commuter's Fantasy, from the series Fantasies, 1936 8,3%100 visits
    6. 6 Self Portrait with Cotton Plant, 1940 8,3%100 visits
    7. 7 Sunday Afternoon in New Jersey, 1936 8,3%100 visits
    8. — Field Hands, 1940 esta obra 0,0%0 visits

    Juntas, estas obras representam 99,9% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 23 obras deste artista, das quais 7 foram visualizadas pelo menos uma vez. Esta pintura ainda não foi visualizada neste período — ela encerra a lista sem uma classificação. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Artista e museu

    Artista

    Lamar Baker

    LaMar Baker: A Voice of the South

    LaMar Baker (1908-1994) wasn’t a name widely recognized during his lifetime, yet his art—a potent blend of social realism and surrealist imagery—continues to resonate with profound significance. Born in Chattanooga, Tennessee, into a family grappling with the realities of poverty and racial injustice, Baker's early life instilled within him a deep empathy for the marginalized and a fierce desire to document their experiences. His journey as an artist wasn’t a straightforward ascent; it was forged through rigorous self-discipline, exposure to diverse artistic influences, and a commitment to using his craft as a tool for social commentary. Baker's work offers a stark yet beautiful portrayal of Southern life in the mid-20th century, capturing both its hardships and its enduring spirit.

    Early training shaped Baker’s approach. He began his artistic education at the High Museum School in Atlanta under the guidance of Ben Shute, a prominent figure in American art education. This foundation provided him with essential skills but it was his relocation to New York City in 1935 that truly catalyzed his development. There, he enrolled at the prestigious Art Students League and found himself profoundly influenced by Harry Sternberg, a teacher known for championing social realism and encouraging artists to engage with pressing social issues. Crucially, Baker’s exposure to the work of masters like Thomas Hart Benton, Louis Lozowick, and particularly John McCrady—a New Orleans artist who depicted the lives of Black people in vivid detail—provided him with a crucial model for addressing racial inequality through his art. These influences combined to shape a distinctive artistic voice that would become synonymous with Baker’s oeuvre.

    Thematic Concerns: Race, Mortality, and Southern Landscapes

    Baker's work is fundamentally rooted in the social realities of the American South during a period of immense upheaval. He didn’t shy away from depicting the harsh realities faced by Black communities—the struggles with poverty, systemic racism, violence, and exploitation. His most famous series, “Cotton Field Saint,” powerfully illustrates this through a haunting image of a young boy kneeling in a cotton field, his face etched with sorrow and resignation. This piece, along with many others, serves as a poignant reminder of the human cost of economic hardship and racial discrimination. Beyond depictions of social injustice, Baker also explored themes of mortality and the passage of time. Works like “Necrophile,” a striking charcoal drawing depicting death and mourning, demonstrate his willingness to confront difficult subjects with unflinching honesty. Furthermore, he frequently captured the beauty and melancholy of Southern landscapes—rolling hills, dense forests, and winding rivers—often imbuing them with symbolic weight.

    Technique and Style: Printmaking and Narrative Imagery

    Baker’s artistic style was characterized by a distinctive blend of realism and surrealism. He primarily worked in printmaking – woodcuts, etchings, and lithographs – techniques that allowed him to create both detailed depictions of everyday life and evocative symbolic imagery. His prints are often densely layered with narrative elements, inviting viewers to contemplate the stories behind each scene. Baker’s use of line and shadow was particularly masterful, creating a sense of depth and atmosphere. He employed bold lines and dramatic contrasts to draw attention to key figures and details within his compositions. His work wasn't simply representational; it aimed to convey emotion and meaning through carefully considered visual choices. The influence of John McCrady is evident in Baker’s ability to imbue seemingly mundane scenes with a sense of profound human drama.

    Legacy and Recognition

    Despite facing challenges and often working outside the mainstream art world, LaMar Baker left an indelible mark on American art. His work gained recognition through exhibitions and awards, including a fellowship from the Julius Rosenwald Fund in 1942, which enabled him to travel throughout Mississippi and Louisiana documenting the lives of Black people in the rural South. Alain Locke, a prominent writer and civil rights advocate, praised Baker’s ability to “provide the American public with a new artistic frankness and social honesty.” Today, his work is increasingly recognized for its powerful social commentary and its unique blend of realism and surrealism. The Columbus Museum holds a significant collection of his prints, ensuring that his art continues to be studied and appreciated by future generations. LaMar Baker’s legacy lies not only in the beauty of his artwork but also in his courageous commitment to using his talent to shed light on the injustices faced by marginalized communities.

    Onde ler mais

    Encontre online

    QR code que direciona para a página de download de Field Hands

    wikioo.org/pt/art/download/lamar-baker-field-hands-AQU23K-en/

    Como citar esta obra

    MLA
    Baker, Lamar. Field Hands. 1940, https://wikioo.org/pt/art/lamar-baker-field-hands-AQU23K-en/
    APA
    Baker, Lamar (1940). Field Hands [Painting]. https://wikioo.org/pt/art/lamar-baker-field-hands-AQU23K-en/
    Chicago
    Lamar Baker. Field Hands. 1940. https://wikioo.org/pt/art/lamar-baker-field-hands-AQU23K-en/
    Harvard
    Baker, Lamar (1940) Field Hands. Available at: https://wikioo.org/pt/art/lamar-baker-field-hands-AQU23K-en/

    Observe de perto

    Field Hands — Lamar Baker

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre The Two Thieves (1948), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. Lamar Baker tinha cerca de 32 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Quão harmoniosas são as cores de "Field Hands" entre si?

    "Field Hands", de Lamar Baker apresenta uma harmonia de cores Discordant Palette.

    Existem obras semelhantes a "Field Hands"?

    Obras semelhantes a "Field Hands" estão listadas na página de Obras semelhantes desta obra.

    Posso ver "Field Hands", de Lamar Baker sob diferentes luzes?

    A página Raio X de "Field Hands", de Lamar Baker é um visualizador interativo que permite percorrer onze camadas ópticas da imagem da obra, incluindo uma visualização em estilo raio-X.