Papel

Guia de Obras de Estudantes

United Enemies I

Nome Turma Data

thomas schütte, United Enemies I (2011). Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos.

Informações principais

Artista
thomas schütte wikioo.org/pt/artists/thomas-schutte/
Datas do artista
1954 – ?
Pintura
2011

No contexto

United Enemies I — thomas schütte

Ano de criação

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000
  7. 2010

Sombreado: a trajetória de thomas schütte (1954–?) ▲ esta obra, 2011

Obras comparáveis

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Paleta de cores

Medido a partir da imagem

    Cor principal

    Steel Blue #6689b6

    Paleta catalogada

    • #6689B6
    • #B7B7B2
    • #7A7B7A
    • #323333
    Paleta
    Neutrals A família de cores predominante na imagem.
    Nome da cor principal
    Steel Blue
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Balanced O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Discordant Palette A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Brilliant O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Artista e museu

    Artista

    thomas schütte

    Nascido em Oldenburg, Germany

    Thomas Schütte: A Biography

    Early Life and Education

    Born in Oldenburg, Germany, in 1954, Thomas Schütte is a prominent figure in contemporary art. He received his artistic training at the prestigious Kunstakademie Düsseldorf from 1973 to 1981. His instructors included influential artists such as Gerhard Richter, Fritz Schwegler, Daniel Buren, and Benjamin Buchloh, shaping his conceptual approach to art.

    Artistic Development and Style

    Schütte’s artistic practice is remarkably diverse, encompassing sculpture, architectural designs, and drawings. He doesn't adhere to a single style; instead, he explores various forms and materials, often characterized by a sense of ambiguity and critical engagement with societal norms. His early work frequently involved wooden figures and installations that questioned traditional sculptural conventions.

    Sculptural Experimentation: Schütte’s sculptures range from small-scale figurative works to monumental public installations.

    Architectural Models: He is renowned for his intricate architectural models, often fantastical and thought-provoking, challenging conventional notions of space and functionality.

    Drawing & Woodcuts: His drawings and woodcuts offer a more intimate exploration of form and texture, frequently displaying surreal or unsettling imagery.

    Influences and Themes

    Schütte’s work is influenced by a broad range of sources, including art history, philosophy, and architecture. He engages with themes such as the human condition, cultural memory, societal structures, and the role of art itself. His pieces often provoke questions about identity, power, and the complexities of modern life.

    Major Achievements and Recognition

    First US Solo Show (1989): Schütte gained significant recognition with his first solo exhibition in New York at Marian Goodman Gallery.

    Fourth Plinth Commission (2007): His “Model for a hotel” was installed on the Fourth Plinth in Trafalgar Square, London – a highly visible public art commission.

    Venice Biennale Golden Lion (2005): He received the prestigious Golden Lion award at the Venice Biennale for his outstanding contribution to contemporary art.

    Düsseldorf Prize (2010): Awarded the Düsseldorf Prize, recognizing his significant artistic achievements.

    Auction Successes: His sculptures have achieved impressive prices at auction, demonstrating their market value and collector demand. For example, “Großer Geist No. 16” sold for $4.1 million in 2010.

    Historical Significance and Legacy

    Thomas Schütte’s work has had a profound impact on contemporary sculpture and installation art. He challenges traditional artistic boundaries, prompting viewers to question their perceptions of the world around them. His diverse practice and intellectual rigor have established him as one of the most important artists of his generation. His pieces are held in major museum collections worldwide, including the Tate, MoMA, and the Art Institute of Chicago, ensuring his lasting legacy within art history.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de United Enemies I

    wikioo.org/pt/art/download/thomas-schutte-united-enemies-i-AS7VB7-en/

    Como citar esta obra

    MLA
    schütte, thomas. United Enemies I. 2011, https://wikioo.org/pt/art/thomas-schutte-united-enemies-i-AS7VB7-en/
    APA
    schütte, thomas (2011). United Enemies I [Painting]. https://wikioo.org/pt/art/thomas-schutte-united-enemies-i-AS7VB7-en/
    Chicago
    thomas schütte. United Enemies I. 2011. https://wikioo.org/pt/art/thomas-schutte-united-enemies-i-AS7VB7-en/
    Harvard
    schütte, thomas (2011) United Enemies I. Available at: https://wikioo.org/pt/art/thomas-schutte-united-enemies-i-AS7VB7-en/

    Observe de perto

    United Enemies I — thomas schütte

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Steel Woman No. 11, visto anteriormente neste guia. Nomeie duas características que esta obra compartilha com a anterior e uma que seja diferente.
    4. thomas schütte tinha cerca de 57 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

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