Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 13 obras de Basawan em nosso catálogo
Resumo
Mihrdukht aims her arrow at the ring (1570) é considerada a pintura mais famosa de Basawan; encontra-se no Metropolitan Museum of Art, Nova York. The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) e The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) ocupam a segunda e a terceira posições. Das 13 obras de Basawan registradas no catálogo, as 13 mais conhecidas estão listadas abaixo, cada uma com sua data, o museu detentor e uma nota sobre a obra.
1. Mihrdukht aims her arrow at the ring 1570
2. The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night 1560
3. The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night 1560
The air holds its breath as Mihrdukht leans over the balcony, her focus narrowing to a single, slender point. She aims her arrow at the ring, a gesture that freezes the very pulse of the court. Below her, the world unfolds in layers of architectural precision and organic life. Attendants and observers gather in the shadows of the structure, their eyes drawn upward to the woman and her task. The…
Os 6 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de Basawan | Pinturas desta lista |
|---|---|---|---|
 Cleveland Museum of Art |
Cleveland | 8 | The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night |
 Metropolitan Museum of Art |
Nova York | 1 | Mihrdukht aims her arrow at the ring |
 Victoria and Albert Museum |
Londres | 1 | Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer |
 Art Institute of Chicago |
Chicago | 1 | The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama |
 San Diego Museum of Art |
San Diego | 1 | The Virgin and Child |
 Harvard Art Museums |
Cambridge | 1 | A Mughal and a Rajput Converse at Dusk |
Selecione uma década para exibir sua principal pintura.
The air holds its breath as Mihrdukht leans over the balcony, her focus narrowing to a single, slender point. She aims her arrow at the ring, a gesture that freezes the very pulse of the court. Below her, the world unfolds in layers of architectural precision and organic life. Attendants and observers gather in the shadows of the structure, their eyes drawn upward to the woman and her task. The…
Mihrdukht aims her arrow at the ring (1570), Metropolitan Museum of Art, Nova York. As seguintes entradas são The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) e The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560).
10 anos: Basawan nasceu em 1560 e Mihrdukht aims her arrow at the ring é datada de 1570.
Mihrdukht aims her arrow at the ring, The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night, A feast for Babur hosted by his half-brother Jahangir Mirza in Ghazni in May 1505, from a Babur-nama (Memoirs of Babur), Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer, The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama, The Virgin and Child, The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) e Page from Tales of a Parrot (Tuti-nama): text page. A lista acima regista a data e o museu que detém cada uma.
O catálogo registra 13 obras de Basawan, datadas entre 1570 e 1596.
Principalmente em Cleveland Museum of Art (Cleveland), Metropolitan Museum of Art (Nova York) e Victoria and Albert Museum (Londres). A tabela de museus acima apresenta a distribuição completa.
Em 1590s: 4 das 13 obras listadas nesta página datam desse período, incluindo Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer.
A obra datada mais antiga listada aqui é Mihrdukht aims her arrow at the ring (1570); a mais recente é The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) (1596).
The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night e The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night estão entre as 8 obras desta página na coleção do Cleveland Museum of Art, Cleveland.
