Retrato de Benoît Alhoste

Lista das 1 pinturas mais famosas de Benoît Alhoste

Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 1 obras de Benoît Alhoste em nosso catálogo

Resumo

A pintura mais conhecida de Benoît Alhoste é La Visitation (1662). O catálogo documenta 1 obras de Benoît Alhoste; as 1 entradas abaixo são as mais conhecidas, listadas por ordem de classificação com data, museu de custódia e descrição.

1620 – 1677, Marsonnas

Benoît Alhoste: as 10 principais pinturas

Benoît Alhoste: principais pinturas por ano

Todas as obras datadas de Benoît Alhoste listadas nesta página são de 1662; elas são apresentadas abaixo por ordem de classificação.

Obras por ano

Selecione um ano para exibir as suas principais pinturas.

Pinturas de Benoît Alhoste: perguntas de referência

Qual pintura de Benoît Alhoste é a mais conhecida?Mostrar a resposta

La Visitation (1662)

Qual era a idade de Benoît Alhoste quando La Visitation foi pintada?Mostrar a resposta

42 anos: Benoît Alhoste nasceu em 1620 e La Visitation é datada de 1662.

Quantas obras de Benoît Alhoste estão documentadas?Mostrar a resposta

O catálogo registra 1 obras de Benoît Alhoste.

Benoît Alhoste: notas biográficas

A Life in the Shadows of the 17th Century

Benoît Alhoste lived through a quiet era of French history, moving between the small corners of the country. His life likely began in Marsonnas around 1620. He spent his years working with color and form, eventually settling in Bourg-en-Bresse, where he died in 1677. His presence in the historical record is felt most strongly through the objects he left behind in the religious spaces of his time.

His hands worked within the traditions of the 17th century, focusing on the needs of the local community and the church. There is a sense of stillness in the way his work was preserved, kept within the walls of the Convent of the Visitation. This connection to a specific place helped ensure that his hand remained visible to those who walked through those halls long after he was gone.

The Work of the Hand

The traces of Alhoste's brush are found in specific settings, particularly within the Co-cathédrale Notre-Dame de l'Annonciation in Bourg-en-Bresse. His work was not meant for a gallery, but for the eyes of those seeking a connection to the divine. His output is marked by a commitment to the subjects required by his surroundings.

The following details define the surviving record of his output:

  • The subject matter of his known paintings often centered on religious narratives.
  • His works were originally intended for the Convent of the Visitation.
  • Four of his paintings are held within the musée de Brou.

A Quiet Legacy

The survival of his paintings in the musée de Brou offers a glimpse into the visual language of his era. One notable piece, La Visitation, dated to 1662, remains a point of reference for his skill. It is a piece that speaks to the specific atmosphere of Bourg-en-Bresse during his lifetime. He was a painter who worked with the light and the shadows of his own century, leaving behind a small but tangible part of the French artistic landscape.