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Lista das 5 pinturas mais famosas de Carl Ebert
Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 5 obras de Carl Ebert em nosso catálogo
Resumo
A pintura mais conhecida de Carl Ebert é Forest Landscape with Bathing Children (1867), da coleção do Bavarian State Painting Collections, Munique. As próximas entradas são Evening Landscape (1875) e Landscape society in a park. O catálogo documenta 5 obras de Carl Ebert; as 5 entradas abaixo são as mais conhecidas, listadas por ordem de classificação com data, museu de custódia e descrição.
1821 – 1885, Stuttgart
Mais obras: Bavarian State Painting Collections
Carl Ebert: as 10 principais pinturas
Carl Ebert: presente em museus
Os 2 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de Carl Ebert | Pinturas desta lista |
|---|---|---|---|
 Bavarian State Painting Collections |
Munique | 2 | Forest Landscape with Bathing Children, Evening Landscape |
 Lenbachhaus |
Munique | 1 | Isar Landscape |
Carl Ebert: principais pinturas por ano
As entradas datadas de Carl Ebert abrangem 9 anos, de 1867 a 1875, aproximadamente uma década, documentadas abaixo ano a ano.
Obras por ano
Selecione um ano para exibir as suas principais pinturas.
Pinturas de Carl Ebert: perguntas de referência
Qual pintura de Carl Ebert é a mais conhecida?Mostrar a resposta
Forest Landscape with Bathing Children (1867), Bavarian State Painting Collections, Munique. As seguintes entradas são Evening Landscape (1875) e Landscape society in a park.
Qual era a idade de Carl Ebert quando Forest Landscape with Bathing Children foi pintada?Mostrar a resposta
46 anos: Carl Ebert nasceu em 1821 e Forest Landscape with Bathing Children é datada de 1867.
Quantas obras de Carl Ebert estão documentadas?Mostrar a resposta
O catálogo registra 5 obras de Carl Ebert, datadas entre 1867 e 1875.
Quais museus detêm as pinturas mais conhecidas de Carl Ebert?Mostrar a resposta
Principalmente em Bavarian State Painting Collections (Munique) e Lenbachhaus (Munique). A tabela de museus acima apresenta a distribuição completa.
Quais são as obras mais antigas e mais recentes de Carl Ebert nesta lista?Mostrar a resposta
A obra datada mais antiga listada aqui é Forest Landscape with Bathing Children (1867); a mais recente é Evening Landscape (1875).
Quais obras de Carl Ebert estão na coleção do Bavarian State Painting Collections?Mostrar a resposta
Forest Landscape with Bathing Children e Evening Landscape estão entre as 2 obras desta página na coleção do Bavarian State Painting Collections, Munique.
Carl Ebert: notas biográficas
Early Life and Artistic Training
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Travels and Artistic Influences
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.