The Portrait of a Legal Era To look at the work of Rufus Wright is to confront the faces of nineteenth-century American authority. His brush did not seek to decorate; it sought to document the specific, often heavy, weight of social and legal standing. When we examine his 1845 oil on canvas, The Honorable Roger Sherman Baldwin, we are not merely looking at a likeness, but at a visual record of a man deeply embedded in the legal struggl…