Retrato de Constant Cap

Constant Cap: Catálogo das 1 Pinturas Mais Famosas

Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 1 obras de Constant Cap em nosso catálogo

Resumo

Remembering the National Festivities of 1880 (1880) é considerada a pintura mais famosa de Constant Cap; encontra-se no Royal Museum of Fine Arts Antwerp, Antuérpia. Das 1 obras de Constant Cap registradas no catálogo, as 1 mais conhecidas estão listadas abaixo, cada uma com sua data, o museu detentor e uma nota sobre a obra.

1842 – 1915, Sint-Niklaas Mais obras: Royal Museum of Fine Arts Antwerp

Entradas 1 a 10: as pinturas mais famosas de Constant Cap

Constant Cap: presente em museus

O museu que detém a maioria das pinturas desta página.

Museus Cidade Obras de Constant Cap Pinturas desta lista
Royal Museum of Fine Arts Antwerp, AntuérpiaRoyal Museum of Fine Arts Antwerp Antuérpia 1 Remembering the National Festivities of 1880

Índice por ano: as principais pinturas de Constant Cap

Cada entrada datada de Constant Cap nesta página apresenta a data 1880; as obras estão listadas por classificação.

Obras por ano

Selecione um ano para exibir as suas principais pinturas.

Perguntas frequentes sobre as pinturas de Constant Cap

Qual é a obra mais conhecida de Constant Cap?Mostrar a resposta

Remembering the National Festivities of 1880 (1880)

Qual era a idade de Constant Cap no ano de Remembering the National Festivities of 1880?Mostrar a resposta

38 anos: Constant Cap nasceu em 1842 e Remembering the National Festivities of 1880 é datada de 1880.

Quantas obras de Constant Cap constam no catálogo?Mostrar a resposta

O catálogo registra 1 obras de Constant Cap.

Onde se encontram as principais obras de Constant Cap?Mostrar a resposta

Principalmente em Royal Museum of Fine Arts Antwerp (Antuérpia). A tabela de museus acima apresenta a distribuição completa.

Biografia de Constant Cap

The Quiet Precision of Constant Cap

Constant Aimé Marie Cap lived his life within the borders of Belgium, moving from Saint-Nicolas to the streets of Antwerp. He spent his days as both a painter and an engraver, working with a focus on academic precision. His hands were trained at the Royal Academy of Fine Arts in Antwerp, where he learned to capture the small, steady movements of daily life.

His work often rests on the stillness of a single moment. In pieces like A Woman gazing through a window, there is a sense of looking without being seen. He had a way of placing figures in quiet settings, such as Femmes en prière dans une église, where the focus remains on the weight of the atmosphere rather than grand gestures.

Scenes from an Older Antwerp

Cap looked backward as much as he looked at the present. He used his skill to document the textures of the past, particularly through works like De goudweger/Oud Antwerpen/XVI eeuw and Oud Antwerpen-Het laatste Keersken. These paintings carry the weight of history, rendered with the careful detail of an engraver's eye.

The subjects he chose were often ordinary, yet he treated them with a specific gravity:

  • A young woman lost in thought while looking at a painting.
  • The sight of a hot air balloon during its first flight over Antwerp.
  • The simple, repetitive motions of people in a city setting.

He died in Antwerp in 1915, leaving behind a body of work that remains tied to the light and the specific corners of his Belgian home.