Resumo
The Bolshevik (1918) é considerada a pintura mais famosa de David Jagger; encontra-se no Canadian War Museum, Ottawa. Thomas Newbould (1845–1933) (1921) e Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935) (1936) ocupam a segunda e a terceira posições. Das 23 obras de David Jagger registradas no catálogo, as 23 mais conhecidas estão listadas abaixo, cada uma com sua data, o museu detentor e uma nota sobre a obra.
Entradas 1 a 10: as pinturas mais famosas de David Jagger
David Jagger, outros resultados: 11 a 23
Principais temas na obra de David Jagger
Os quatro temas mais representados nestas obras, cada um com o seu exemplo mais conhecido.
Portraits 2 obras
Men 2 obras
David Jagger: presente em museus
Os 8 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de David Jagger | Pinturas desta lista |
|---|---|---|---|
| Eastbourne | 2 | Alderman Miss Alice Hudson, JP, Mayor of Eastbourne (1925–1928 1943–1945), Alderman Lieutenant Colonel Roland Vaughan Gwynne, DSO, DL, JP, Mayor of Eastbourne (1928–1931) | |
| Ottawa | 1 | The Bolshevik | |
| Liverpool | 1 | Sewing | |
| Sheffield | 1 | Henry Hall Bedford, JP, Chairman of the Board (1913–1924) | |
| London | 1 | Lord Baden Powell (1857–1941), as World Chief Scout | |
| Nottingham | 1 | Jewish Refugee, Vienna | |
| Egham | 1 | Miss Janet Ruth Bacon | |
| Birmingham | 1 | Sir Horace Clarke |
Índice por década: a principal pintura de David Jagger de cada
Obras por década
Selecione uma década para exibir sua principal pintura.
Perguntas frequentes sobre as pinturas de David Jagger
Qual é a obra mais conhecida de David Jagger?Mostrar a resposta
The Bolshevik (1918), Canadian War Museum, Ottawa. As seguintes entradas são Thomas Newbould (1845–1933) (1921) e Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935) (1936).
Qual era a idade de David Jagger no ano de The Bolshevik?Mostrar a resposta
27 anos: David Jagger nasceu em 1891 e The Bolshevik é datada de 1918.
Quais são as dez obras mais conhecidas de David Jagger?Mostrar a resposta
The Bolshevik, Thomas Newbould (1845–1933), Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935), Dr John George Graves (1866–1945), Portrait of a Man, The Late Cyrus Jones, Kathleen, Portrait of a Lady, Charles Jagger (1885–1934) e Charles Sargeant Jagger. A lista acima regista a data e o museu que detém cada uma.
Quantas obras de David Jagger constam no catálogo?Mostrar a resposta
O catálogo registra 23 obras de David Jagger, datadas entre 1917 e 1950.
Onde se encontram as principais obras de David Jagger?Mostrar a resposta
Principalmente em Towner (Eastbourne), Canadian War Museum (Ottawa) e Walker Art Gallery (Liverpool). A tabela de museus acima apresenta a distribuição completa.
Em que período David Jagger produziu as suas obras mais conhecidas?Mostrar a resposta
Em 1920s: 6 das 23 obras listadas nesta página datam desse período, incluindo Thomas Newbould (1845–1933).
Quais são as obras mais conhecidas de David Jagger, desde as mais antigas até as mais recentes?Mostrar a resposta
A obra datada mais antiga listada aqui é Charles Jagger (1885–1934) (1917); a mais recente é Michael Theodore Waterhouse (1888–1968), CBE, PRIBA (1950).
Quais temas David Jagger abordou com mais frequência?Mostrar a resposta
Portraits (2) e Men (2), de um total de 23 obras listadas nesta página.
Quais pinturas de David Jagger estão no Towner?Mostrar a resposta
Alderman Miss Alice Hudson, JP, Mayor of Eastbourne (1925–1928 1943–1945) e Alderman Lieutenant Colonel Roland Vaughan Gwynne, DSO, DL, JP, Mayor of Eastbourne (1928–1931) estão entre as 2 obras desta página na coleção do Towner, Eastbourne.
Biografia de David Jagger
A Legacy of Elegance: The Life of David Jagger
Born in Kilnhurst, near Rotherham, David Jagger emerged as one of the most accomplished English portrait painters of his era. His journey into the world of fine art was deeply rooted in a family of immense creative talent; he was the son of colliery manager Enoch Jagger and Mary Sargeant, and grew up alongside siblings who would also leave their mark on the British art scene. His sister, Edith, became a noted landscape artist and textile designer, while his brother, Charles Sargeant Jagger, rose to prominence as a celebrated sculptor. This environment of artistic rigor shaped David’s early development, leading him to the Sheffield School of Art, where he honed the technical precision that would later define his professional career.
As an accomplished draughtsman and skilled illustrator, Jagger’s talent was recognized early through accolades in mural design and painting. Following his formal education, he moved to London, a transition that marked the beginning of his ascent within the prestigious circles of British society. Initially balancing commercial art studio work with evening portrait commissions, he eventually established his own professional portrait studio in Chelsea, south of London. This period of his life was not only marked by professional growth but also by profound personal inspiration; his marriage to Catherine Gardiner brought a muse into his life whose features would grace many of his most accomplished works, often appearing under a pseudonym.
Mastery of the Portrait
Jagger’s work is characterized by a remarkable realism that, while highly detailed, maintained a soft, painterly quality that avoided the harshness of hard-edge styles. He possessed a rare ability to capture the essence of his subjects, whether they were members of the British aristocracy or figures of significant historical importance. His technical mastery allowed him to navigate the delicate balance between formal, official-looking commissions and more intimate, thoughtfully posed compositions. This skill earned him a place among the leading exhibitors of his time, with regular appearances at the Royal Academy, the Royal Society of British Artists, and the Royal Institute of Oil Painters.
The breadth of his subject matter reflects the high society and civic authority of early 20th-century Britain. His portfolio includes a breathtaking array of notable figures, such as:
- Robert Baden-Powell, whose 1929 portrait remains one of Jagger's most enduring legacies, with numerous copies displayed in Scouting premises worldwide.
- Queen Mary, captured in significant works during 1930 and 1932.
- Winston Churchill, a monumental subject for any portraitist of the era.
- King George VI, documented in 1937.
- Vivien Leigh, representing the glamour of the cinematic age in 1941.
- Prince Philip, Duke of Edinburgh, one of his final notable subjects.
Historical Significance and Artistic Standing
Beyond the individual brilliance of his brushwork, David Jagger holds a significant place in the history of British portraiture due to his role in documenting the faces of an era. His ability to secure commissions from the highest echelons of power—ranging from royalty to political leaders—cemented his reputation as a premier chronicler of his time. His work serves as a visual record of the dignity, tradition, and shifting social landscape of mid-century England.
His contribution to the art community was further solidified through his active membership in prestigious societies like the Royal Society of Portrait Painters. Through these institutions, Jagger helped maintain the high standards of oil painting and portraiture during a period of significant artistic transition. Today, his portraits remain cherished not only for their technical excellence but as windows into the character and prestige of the individuals who shaped the twentieth century.






