Resumo
A pintura mais conhecida de László Pataky é Roosters on Horses (1880), da coleção do Slovak National Gallery, Bratislava. As próximas entradas são Cavalry Battle (1890) e Kuruci (1903). O catálogo documenta 5 obras de László Pataky; as 3 entradas abaixo são as mais conhecidas, listadas por ordem de classificação com data, museu de custódia e descrição.
László Pataky: as 10 principais pinturas
László Pataky: presente em museus
Os 2 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de László Pataky | Pinturas desta lista |
|---|---|---|---|
| Bratislava | 2 | Roosters on Horses, Cavalry Battle | |
| Ernest Zmeták Art Gallery | Nové Zámky | 1 | Kuruci |
László Pataky: principal obra de cada década
Pinturas de László Pataky: perguntas de referência
Qual pintura de László Pataky é a mais conhecida?Mostrar a resposta
Roosters on Horses (1880), Slovak National Gallery, Bratislava. As seguintes entradas são Cavalry Battle (1890) e Kuruci (1903).
Qual era a idade de László Pataky quando Roosters on Horses foi pintada?Mostrar a resposta
23 anos: László Pataky nasceu em 1857 e Roosters on Horses é datada de 1880.
Quantas obras de László Pataky estão documentadas?Mostrar a resposta
O catálogo registra 5 obras de László Pataky, datadas entre 1880 e 1903.
Quais museus detêm as pinturas mais conhecidas de László Pataky?Mostrar a resposta
Principalmente em Slovak National Gallery (Bratislava) e Ernest Zmeták Art Gallery (Nové Zámky). A tabela de museus acima apresenta a distribuição completa.
Quais são as obras mais antigas e mais recentes de László Pataky nesta lista?Mostrar a resposta
A obra datada mais antiga listada aqui é Roosters on Horses (1880); a mais recente é Kuruci (1903).
Quais obras de László Pataky estão na coleção do Slovak National Gallery?Mostrar a resposta
Roosters on Horses e Cavalry Battle estão entre as 2 obras desta página na coleção do Slovak National Gallery, Bratislava.
László Pataky: notas biográficas
The paths through Munich and Paris
László Pataky began his training within the walls of the arts and crafts school in Budapest. His hands learned the fundamentals before he moved toward the Academy of Fine Arts in Munich after 1880, working under Karl von Piloty. This period of study was followed by years spent moving between Paris, Budapest, and Munich from 1883 to 1889. These travels brought different light and different ways of seeing into his practice.
In 1888, a scholarship for his painting The Messenger opened a door to the studio of Mihály Munkácsy. He worked alongside Munkácsy on the large-scale Hungarian Conquest intended for the Hungarian Parliament Building. After this heavy task was finished, he settled in Alvinc, returning to the landscapes of his home province.
Scenes from the rural landscape
His brush often rested on the quiet rhythms of country life. He focused on rural genre scenes, capturing the movement of horses and the weight of a harvest. Some of his canvases hold specific moments of labor or rest:
- Wildpferde in der ungarischen Puszta (1897)
- Hungarian horse-drawn carts at harvest time
- Flock of Sheep Returning Home (1895)
- Potato harvest
Beyond the canvas, he spent much of his time translating words into images. He provided illustrations for several novels, including works by Carmen Sylva, Gabriele D'Annunzio, and Géza Gárdonyi. His gouache drawings appeared regularly in magazines such as Vasárnapi Ujság, Új Idők, and Magyar Salon.
A lasting presence in the collections
The work of Pataky remains held in places like the Hungarian National Gallery. His career was marked by retrospective exhibitions, such as those organized by the Guild of St. George in 1913 and the Hall of Art in 1918. These gatherings allowed for a final look at his contributions to the depiction of Hungarian life before he passed away in Alvinc in 1912.

