Retrato de László Pataky

Lista das 3 pinturas mais famosas de László Pataky

Atualizado em Outubro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 5 obras de László Pataky em nosso catálogo

Resumo

A pintura mais conhecida de László Pataky é Roosters on Horses (1880), da coleção do Slovak National Gallery, Bratislava. As próximas entradas são Cavalry Battle (1890) e Kuruci (1903). O catálogo documenta 5 obras de László Pataky; as 3 entradas abaixo são as mais conhecidas, listadas por ordem de classificação com data, museu de custódia e descrição.

1857 – 1912, Brad Mais obras: Slovak National Gallery

László Pataky: as 10 principais pinturas

László Pataky: presente em museus

Os 2 museus que detêm a maioria das pinturas desta página.

Museus Cidade Obras de László Pataky Pinturas desta lista
Slovak National Gallery, BratislavaSlovak National Gallery Bratislava 2 Roosters on Horses, Cavalry Battle
Ernest Zmeták Art Gallery Nové Zámky 1 Kuruci

László Pataky: principal obra de cada década

Obras por década

Selecione uma década para exibir sua principal pintura.

Pinturas de László Pataky: perguntas de referência

Qual pintura de László Pataky é a mais conhecida?Mostrar a resposta

Roosters on Horses (1880), Slovak National Gallery, Bratislava. As seguintes entradas são Cavalry Battle (1890) e Kuruci (1903).

Qual era a idade de László Pataky quando Roosters on Horses foi pintada?Mostrar a resposta

23 anos: László Pataky nasceu em 1857 e Roosters on Horses é datada de 1880.

Quantas obras de László Pataky estão documentadas?Mostrar a resposta

O catálogo registra 5 obras de László Pataky, datadas entre 1880 e 1903.

Quais museus detêm as pinturas mais conhecidas de László Pataky?Mostrar a resposta

Principalmente em Slovak National Gallery (Bratislava) e Ernest Zmeták Art Gallery (Nové Zámky). A tabela de museus acima apresenta a distribuição completa.

Quais são as obras mais antigas e mais recentes de László Pataky nesta lista?Mostrar a resposta

A obra datada mais antiga listada aqui é Roosters on Horses (1880); a mais recente é Kuruci (1903).

Quais obras de László Pataky estão na coleção do Slovak National Gallery?Mostrar a resposta

Roosters on Horses e Cavalry Battle estão entre as 2 obras desta página na coleção do Slovak National Gallery, Bratislava.

László Pataky: notas biográficas

The paths through Munich and Paris

László Pataky began his training within the walls of the arts and crafts school in Budapest. His hands learned the fundamentals before he moved toward the Academy of Fine Arts in Munich after 1880, working under Karl von Piloty. This period of study was followed by years spent moving between Paris, Budapest, and Munich from 1883 to 1889. These travels brought different light and different ways of seeing into his practice.

In 1888, a scholarship for his painting The Messenger opened a door to the studio of Mihály Munkácsy. He worked alongside Munkácsy on the large-scale Hungarian Conquest intended for the Hungarian Parliament Building. After this heavy task was finished, he settled in Alvinc, returning to the landscapes of his home province.

Scenes from the rural landscape

His brush often rested on the quiet rhythms of country life. He focused on rural genre scenes, capturing the movement of horses and the weight of a harvest. Some of his canvases hold specific moments of labor or rest:

  • Wildpferde in der ungarischen Puszta (1897)
  • Hungarian horse-drawn carts at harvest time
  • Flock of Sheep Returning Home (1895)
  • Potato harvest

Beyond the canvas, he spent much of his time translating words into images. He provided illustrations for several novels, including works by Carmen Sylva, Gabriele D'Annunzio, and Géza Gárdonyi. His gouache drawings appeared regularly in magazines such as Vasárnapi Ujság, Új Idők, and Magyar Salon.

A lasting presence in the collections

The work of Pataky remains held in places like the Hungarian National Gallery. His career was marked by retrospective exhibitions, such as those organized by the Guild of St. George in 1913 and the Hall of Art in 1918. These gatherings allowed for a final look at his contributions to the depiction of Hungarian life before he passed away in Alvinc in 1912.