1
Peter Copmann: Catálogo das 1 Pinturas Mais Famosas
Atualizado em Outubro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 1 obras de Peter Copmann em nosso catálogo
Resumo
Portræt af en ung pige (1824) é considerada a pintura mais famosa de Peter Copmann; encontra-se no Statens Museum For Kunst, Copenhague. Das 1 obras de Peter Copmann registradas no catálogo, as 1 mais conhecidas estão listadas abaixo, cada uma com sua data, o museu detentor e uma nota sobre a obra.
1794 – 1850, Rudkøbing
Mais obras: Statens Museum For Kunst
Entradas 1 a 10: as pinturas mais famosas de Peter Copmann
Peter Copmann: presente em museus
O museu que detém a maioria das pinturas desta página.
| Museus | Cidade | Obras de Peter Copmann | Pinturas desta lista |
|---|---|---|---|
 Statens Museum For Kunst |
Copenhague | 1 | Portræt af en ung pige |
Índice por ano: as principais pinturas de Peter Copmann
Cada entrada datada de Peter Copmann nesta página apresenta a data 1824; as obras estão listadas por classificação.
Obras por ano
Selecione um ano para exibir as suas principais pinturas.
Perguntas frequentes sobre as pinturas de Peter Copmann
Qual é a obra mais conhecida de Peter Copmann?Mostrar a resposta
Portræt af en ung pige (1824)
Qual era a idade de Peter Copmann no ano de Portræt af en ung pige?Mostrar a resposta
30 anos: Peter Copmann nasceu em 1794 e Portræt af en ung pige é datada de 1824.
Quantas obras de Peter Copmann constam no catálogo?Mostrar a resposta
O catálogo registra 1 obras de Peter Copmann.
Onde se encontram as principais obras de Peter Copmann?Mostrar a resposta
Principalmente em Statens Museum For Kunst (Copenhague). A tabela de museus acima apresenta a distribuição completa.
Biografia de Peter Copmann
A Life in Portraiture and Landscape
Born in 1794, Peter Copmann lived through a period of significant artistic transition. His life, which concluded in 1850, was defined by a commitment to capturing the likeness of individuals and the quiet details of the natural world. Working primarily in Denmark, he developed a skill for both the delicate touch of pastel and the precise lines of lithography. His hands were as comfortable with the soft, powdery texture of a portrait as they were with the technical demands of printmaking.
His work often focused on the human face, seeking to find the character within a sitter's gaze. In his 1832 pastel portrait of the composer Friedrich Kuhlau, Copmann demonstrated his ability to interpret existing works, creating a new version of a portrait originally painted by Christian Horneman. This ability to translate one medium into another shows a deep understanding of light and form. He did not merely copy; he reinterpreted the essence of his subjects through his own lens.
Technique and Subject Matter
Copmann’s repertoire was diverse, spanning from the intimate scale of a portrait to the expansive views of a rural scene. He moved between different artistic subjects with ease, often finding beauty in the simplest elements of nature. His technical range allowed him to explore various ways of seeing the world:
- Portraiture: He captured the presence of notable figures, using pastel to achieve a softness that mimicked the skin and clothing of his subjects.
- Landscape and Nature: His studies of the outdoors brought the quietude of the countryside into the studio.
- Lithography: Through printmaking, he was able to share his visions of people and places with a wider audience.
In his lithograph of Johan Christian Ryge, there is a specific focus on the subject's unwavering gaze. This directness creates a sense of psychological depth, making the viewer feel the weight of the sitter's presence. It is a quiet, steady way of engaging with the world, avoiding the dramatic in favor of the sincere.