Retrato de Philippe Quantin

Philippe Quantin: As 2 pinturas mais famosas, documentadas

Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 2 obras de Philippe Quantin em nosso catálogo

Resumo

De acordo com este ranking, The mystical wedding of Saint-Catherine-of-Siena é a pintura mais famosa de Philippe Quantin. Esta lista baseia-se nas 2 obras de Philippe Quantin no catálogo e apresenta as 2 mais famosas, com data, museu de custódia e descrição para cada entrada.

1600 – 1636

Philippe Quantin: as 10 principais entradas da lista

Philippe Quantin: perguntas e respostas documentadas

Qual pintura de Philippe Quantin encabeça a lista das obras mais famosas?Mostrar a resposta

The mystical wedding of Saint-Catherine-of-Siena

Quantas obras de Philippe Quantin estão registradas?Mostrar a resposta

O catálogo registra 2 obras de Philippe Quantin.

Philippe Quantin: vida e obra

A Life in Burgundy

Philippe Quantin was a French painter whose career was primarily centered in Burgundy. He gained recognition for his religious scenes and decorative works, many of which were commissioned by wealthy Burgundian figures. In 1636, shortly before his death, he was named "peintre ordinaire" to Henri II de Bourbon, the Prince of Condé. His artistic output included significant decorative cycles, such as those for the cabinet du pastor fido at the château d'Ancy-le-Franc, executed between 1610 and 1615 for Charles-Henri de Clermont-Tonnerre. He also provided decorations for the château de Mussy-sur-Seine for Sébastien Zamet, the Bishop of Langres, and the cabinet des muses at the château de La Motte-Ternant between 1624 and 1628 for Charles de Marcilly-Cypierre.

Artistic Style and Notable Works

The works of Philippe Quantin are characterized by figures with distinctive round and tubular faces. His early compositions, particularly the series for the cabinet du pastor fido, show influences from the second school of Fontainebleau. As his career progressed toward its end, his style underwent a simplification, moving toward a more stripped-down approach with simple, neutral colors.

His religious repertoire includes several notable pieces held in various collections: