Resumo
De acordo com este ranking, The Myth of Man Is Over (1950) é a pintura mais famosa de Robert Eigenberger. É seguido por The Sensual One (1929) e Saint Sebastian (1934). Esta lista baseia-se nas 4 obras de Robert Eigenberger no catálogo e apresenta as 4 mais famosas, com data, museu de custódia e descrição para cada entrada.
Robert Eigenberger: as 10 principais entradas da lista
Robert Eigenberger por década: a pintura mais famosa de cada uma
Robert Eigenberger: perguntas e respostas documentadas
Qual pintura de Robert Eigenberger encabeça a lista das obras mais famosas?Mostrar a resposta
The Myth of Man Is Over (1950). As seguintes entradas são The Sensual One (1929) e Saint Sebastian (1934).
Que idade tinha Robert Eigenberger quando The Myth of Man Is Over foi pintada?Mostrar a resposta
60 anos: Robert Eigenberger nasceu em 1890 e The Myth of Man Is Over é datada de 1950.
Quantas obras de Robert Eigenberger estão registradas?Mostrar a resposta
O catálogo registra 4 obras de Robert Eigenberger, datadas entre 1929 e 1950.
Quais obras datadas de Robert Eigenberger são as mais antigas e as mais recentes aqui?Mostrar a resposta
A obra datada mais antiga listada aqui é The Sensual One (1929); a mais recente é The Myth of Man Is Over (1950).
Robert Eigenberger: vida e obra
The Life and Academic Career of Robert Eigenberger
Robert Eigenberger was an Austrian art historian, painter, pedagogue, restorer, and university teacher. Born in Sedlec, Czech Republic, he pursued his studies in art history in Prague, Munich, Göttingen, and Berlin. His professional journey included serving as an assistant at the K. K. Zentralkommission für Denkmalpflege in Vienna and later becoming the director of the Gemäldegalerie at the Academy of Fine Arts in Vienna. Throughout his distinguished academic career, he held various roles at the Academy, including serving as a professor and eventually as the Rector from 1951 to 1955. He also led the Institute for Sacred Art following his retirement.
Artistic Practice and Pseudonym
In addition to his academic and restorative work, Eigenberger was an active painter who often exhibited under the pseudonym Karl Reigen. His artistic output was diverse, encompassing the following subjects:
His recognition within the art community included membership in the Vienna Secession and the Wiener Künstlerhaus, as well as receiving the Austrian State Prize for Painting in 1930.


