Resumo
A pintura mais conhecida de John Ramage é Portrait of a Gentleman (1780), da coleção do Metropolitan Museum of Art, Nova York. As próximas entradas são Major Greene, B.A (1777) e Gilbert Van Cortlandt (1785). O catálogo documenta 23 obras de John Ramage; as 23 entradas abaixo são as mais conhecidas, listadas por ordem de classificação com data, museu de custódia e descrição.
John Ramage: as 10 principais pinturas
Theophylact Bache
Theophylact Bache was the father of Elizabeth (2002.476.2) and Sarah (2002.476.1).
John Ramage: entradas 11 a 23
Principais temas na obra de John Ramage
Os quatro temas mais representados nestas obras, cada um com o seu exemplo mais conhecido.
18th century 4 obras
Historical figure 4 obras
Portraiture 3 obras
Miniature art 3 obras
John Ramage: presente em museus
Os 5 museus que detêm a maioria das pinturas desta página.
| Museu | Cidade | Obras de John Ramage | Pinturas desta lista |
|---|---|---|---|
| Nova York | 17 | Portrait of a Gentleman, Major Greene, B.A, Gilbert Van Cortlandt | |
| Estocolmo | 1 | Mrs. James Bleecker (Sarah Bache) | |
| São Petersburgo | 1 | George Washington | |
| Washington, D.C. | 1 | Col. Josiah Parker | |
| Chicago | 1 | Portrait of Augustine Taylor |
John Ramage: principal obra de cada década
Obras por década
Selecione uma década para exibir sua principal pintura.
Pinturas de John Ramage: perguntas de referência
Qual pintura de John Ramage é a mais conhecida?Mostrar a resposta
Portrait of a Gentleman (1780), Metropolitan Museum of Art, Nova York. As seguintes entradas são Major Greene, B.A (1777) e Gilbert Van Cortlandt (1785).
Qual era a idade de John Ramage quando Portrait of a Gentleman foi pintada?Mostrar a resposta
32 anos: John Ramage nasceu em 1748 e Portrait of a Gentleman é datada de 1780.
Quais são as dez pinturas mais conhecidas de John Ramage?Mostrar a resposta
Portrait of a Gentleman, Major Greene, B.A, Gilbert Van Cortlandt, Governor George Clinton, Mrs. James Bleecker (Sarah Bache), Portrait of a Gentleman, Mrs. William Few (Catherine Nicholson), Mrs. Gulian Ludlow (Maria Ludlow), Thomas Witter e Theophylact Bache. A lista acima regista a data e o museu que detém cada uma.
Quantas obras de John Ramage estão documentadas?Mostrar a resposta
O catálogo registra 23 obras de John Ramage, datadas entre 1777 e 1795.
Quais museus detêm as pinturas mais conhecidas de John Ramage?Mostrar a resposta
Principalmente em Metropolitan Museum of Art (Nova York), Nationalmuseum (Estocolmo) e Museu Hermitage (São Petersburgo). A tabela de museus acima apresenta a distribuição completa.
Em que período foram pintadas as obras mais conhecidas de John Ramage?Mostrar a resposta
Em 1780s: 13 das 23 obras listadas nesta página datam desse período, incluindo Portrait of a Gentleman.
Quais são as obras mais antigas e mais recentes de John Ramage nesta lista?Mostrar a resposta
A obra datada mais antiga listada aqui é Major Greene, B.A (1777); a mais recente é Mrs. James Bleecker (Sarah Bache) (1795).
Quais temas recorrem mais na obra de John Ramage?Mostrar a resposta
18th century (4), Historical figure (4) e Portraiture (3), de um total de 23 obras listadas nesta página.
Com qual movimento artístico John Ramage está associado?Mostrar a resposta
Neoclassicism, conforme documentado pelas obras nesta página.
Quais obras de John Ramage estão na coleção do Metropolitan Museum of Art?Mostrar a resposta
Portrait of a Gentleman, Major Greene, B.A e Gilbert Van Cortlandt estão entre as 17 obras desta página na coleção do Metropolitan Museum of Art, Nova York.
Existem reproduções das pinturas de John Ramage disponíveis?Mostrar a resposta
Sim. Cada obra listada nesta página pode ser encomendada a partir de sua própria entrada como uma reprodução em óleo pintada à mão ou uma impressão fine art, no tamanho de sua escolha.
John Ramage: notas biográficas
A Life Bridging Worlds: The Story of John Ramage
Born in Dublin, Ireland, in 1748, John Ramage’s life was one of remarkable transition and artistic dedication, a journey that carried him from the refined world of Irish goldsmithing to the burgeoning art scene of colonial America. Details surrounding his early family life remain elusive, yet it is known he received formal training at the Dublin Society of Artists in 1763, laying a foundation in drawing and painting techniques that would serve as the bedrock for his future endeavors. Ramage’s initial career path was notably versatile; he skillfully combined the precision of a goldsmith with the delicate artistry of a miniaturist—a testament to his inherent talent for detail and decorative arts. This early period instilled within him not only technical proficiency but also an appreciation for craftsmanship that would distinguish his work throughout his life. In 1772, driven by ambition or perhaps circumstance, Ramage embarked on a new chapter, emigrating to Halifax, Nova Scotia, marking the beginning of his artistic journey in North America and setting the stage for a life intertwined with both art and political upheaval.Loyalty, Love, and Revolution: Navigating Turbulent Times
Ramage’s arrival in North America coincided with a period of immense political tension—the American Revolution. A staunch Loyalist, his allegiance lay firmly with the British Crown, leading him to join “the Loyal Irish Volunteers” in Boston, a military unit dedicated to defending the city. This commitment to the crown deeply impacted his personal life as well. In 1776, he married Victoria Ball, but this union was soon complicated by another marriage to a woman known only as “Mrs. Taylor” while stationed in Halifax. The ensuing legal battles and eventual divorce granted to Ball underscore the complexities of Ramage’s life during wartime—a period marked not only by political strife but also by personal turmoil. Forced to evacuate Boston with British forces in 1776, he relocated back to Halifax before eventually settling in New York City in 1777, seeking refuge and continuing his artistic practice amidst the ongoing conflict. His dedication extended beyond the canvas; Ramage served as a second lieutenant in the City Militia of New York, demonstrating a willingness to actively participate in the defense of the city he had come to call home.The Miniature Master: A Portraitist of an Emerging Nation
Despite the turbulent backdrop of revolution and political division, Ramage flourished as an artist, quickly gaining renown for his exquisite portrait miniatures on ivory. This was a particularly popular art form at the time, prized for its intimacy and portability. His skill lay in the masterful application of delicately shaded cross-hatching and fine linear strokes to model faces with remarkable realism and sensitivity. He didn’t merely replicate likenesses; he captured character, social standing, and a sense of individual presence within each miniature. Ramage's clientele quickly grew to include prominent figures from New York society—the Pintards, Gerrys, Ludlows, Van Rensselaers, and Van Cortlands all sought his services. Beyond his painting prowess, Ramage’s goldsmithing skills were also highly valued; he crafted elegant cases for his miniatures, showcasing a holistic artistic vision that combined artistry with meticulous craftsmanship. He was recognized as “the best artist in his branch in America” by William R. Dunlap, a testament to his enduring talent and contribution to the art world.Notable Works
- Portrait of George Washington (1789): Ramage achieved unparalleled fame when he undertook the monumental task of painting George Washington while serving as President of the United States—making him the first artist to officially portray the president in office. Two distinct miniatures of Washington exist today, each a remarkable achievement and invaluable historical record.
- John Maunsell (1785): A rare and elegant miniature showcasing John Maunsell, demonstrating Ramage’s skill in capturing character with subtle shading and meticulous detail.
- Miniature Portraits of Prominent New York Families: Commissions from influential families like the Pintards, Gerrys, Ludlows, Van Rensselaers, and Van Cortlands exemplify Ramage's versatility and his ability to capture the essence of colonial society.