Resumo
A pintura mais conhecida de Mingering Mike é GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON (1972). As próximas entradas são THE FREEDOM STOMPERS (1969) e 3 FOOTSTEPS away from the altar, mingering mike the big D (1969). O catálogo documenta 151 obras de Mingering Mike; as 100 entradas abaixo são as mais conhecidas, listadas por ordem de classificação com data, museu de custódia e descrição.
Mingering Mike: as 10 principais pinturas
Mingering Mike: entradas 11 a 100
Mingering Mike: obras por período
Late Period
1969 – 1972 · 5 obras nesta listaContemporary
1968 – 1972 · 5 obras nesta listaPrincipais temas na obra de Mingering Mike
Os quatro temas mais representados nestas obras, cada um com o seu exemplo mais conhecido.
Social commentary 8 obras
Music memorabilia 4 obras
Vintage vinyl 4 obras
Mingering Mike: principais pinturas por ano
As entradas datadas de Mingering Mike abrangem 8 anos, de 1968 a 1975, aproximadamente uma década, documentadas abaixo ano a ano.
Obras por ano
Selecione um ano para exibir as suas principais pinturas.
MOTHER GOOSE IT'S A BOYS LIFE (MINGERING MIKE) TWO WAY TRAFFIC
Outras obras de 1968
A AGA MING WAR PRODUCTION MINGERING MIKE THE BIG D THE COLTS BAND SUPER GOLD GREATEST HITS
Outras obras de 1970
MING · WAR ARRANGES AND DIRECT ARRANGES AND DIRECTS
Outras obras de 1971
GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON
Outras obras de 1972
Pinturas de Mingering Mike: perguntas de referência
Qual pintura de Mingering Mike é a mais conhecida?Mostrar a resposta
GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON (1972). As seguintes entradas são THE FREEDOM STOMPERS (1969) e 3 FOOTSTEPS away from the altar, mingering mike the big D (1969).
Qual era a idade de Mingering Mike quando GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON foi pintada?Mostrar a resposta
22 anos: Mingering Mike nasceu em 1950 e GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON é datada de 1972.
Quais são as dez pinturas mais conhecidas de Mingering Mike?Mostrar a resposta
GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON, THE FREEDOM STOMPERS, 3 FOOTSTEPS away from the altar, mingering mike the big D, THE MINGERING MIKE SHOW LIVE FROM THE HOWARD THEATER, 3 FOOT STEPS DUET CLOSE, EAT MYSELF SILLY (M. MIKE), Gold Pot Records LIVE, FROM PARIS, MINGERING MIKE REVUE (C), PIANOMAN, MINGERING MIKE, MING · WAR ARRANGES AND DIRECT ARRANGES AND DIRECTS, A AGA MING WAR PRODUCTION MINGERING MIKE THE BIG D THE COLTS BAND SUPER GOLD GREATEST HITS e DON'T TRY AND TAKE IT ALL IN (MINGERING MIKE) MIKE THE MONITORS LOVE COMES AND GOES (JUST LIKE A RAINBOW) M. MIKE Y, RIGHT OF WAY MINGERING MIKE. A lista acima regista a data e o museu que detém cada uma.
Quantas obras de Mingering Mike estão documentadas?Mostrar a resposta
O catálogo registra 151 obras de Mingering Mike, datadas entre 1968 e 1975.
Em que período foram pintadas as obras mais conhecidas de Mingering Mike?Mostrar a resposta
Em 1972: 45 das 100 obras listadas nesta página datam desse período, incluindo GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON.
Quais são as obras mais antigas e mais recentes de Mingering Mike nesta lista?Mostrar a resposta
A obra datada mais antiga listada aqui é MOTHER GOOSE IT'S A BOYS LIFE (MINGERING MIKE) TWO WAY TRAFFIC (1968); a mais recente é MERCY LET THE MUSIC TAKE YOUR MIND (1975).
Quais temas recorrem mais na obra de Mingering Mike?Mostrar a resposta
Social commentary (8), Music memorabilia (4) e Vintage vinyl (4), de um total de 100 obras listadas nesta página.
Com qual movimento artístico Mingering Mike está associado?Mostrar a resposta
Pop art e Contemporary realism, conforme documentado pelas obras nesta página.
Mingering Mike: notas biográficas
The Genesis of a Dream: Mingering Mike’s Constructed Reality
Mingering Mike, born in Washington, D.C., in 1950, wasn't simply an artist; he was the architect of his own elaborate and entirely self-contained universe. From roughly 1968 to 1977, this young man meticulously crafted a career as a soul singer and songwriter, producing over fifty “albums” – each a painstakingly assembled cardboard record complete with intricate gatefolds, handwritten liner notes, and simulated vinyl grooves. This wasn’t mere performance art; it was the embodiment of a teenage fantasy, a deeply personal project born from the vibrant, often turbulent, landscape of his youth.
The genesis of this singular endeavor lies in a potent blend of influences – the burgeoning soul music scene of the era, fueled by artists like Aretha Franklin and Otis Redding; the social unrest simmering within American cities during the Civil Rights Movement; and perhaps most crucially, the imaginative world of a young man seeking an outlet for his emotions and aspirations. Mingering Mike’s work wasn't about replicating reality; it was about constructing an idealized version of it, one where he held the microphone, commanded sold-out stadiums, and expressed profound truths through carefully crafted lyrics and soulful melodies.
The Art of the Constructed Album
What distinguishes Mingering Mike’s work is not just its scale – over fifty albums! – but the sheer dedication to detail in each piece. He didn't simply draw album covers; he built entire worlds within them, meticulously crafting cardboard records that resembled authentic vinyl releases. The liner notes were handwritten, often filled with biographical details about his “band,” tour dates, and personal reflections on the songs. This level of commitment transformed a simple artistic project into a fully realized, immersive experience.
The albums themselves are remarkable feats of miniature engineering. They’re layered constructions, incorporating elements like simulated album jackets, meticulously drawn grooves on the “vinyl,” and even tiny photographs depicting concert scenes. The process involved an obsessive attention to detail, reflecting a deep understanding of the music industry and a desire to replicate it with painstaking accuracy. This wasn't about creating art; it was about recreating a career – a career entirely within his own imagination.
Rediscovery and Recognition
For decades, Mingering Mike’s work remained largely unknown outside a small circle of collectors. It wasn’t until 2003 that the world began to take notice when record collectors Dori Hadar and Frank Beylotte stumbled upon his collection at a flea market in Washington, D.C. This serendipitous discovery sparked an intense interest in Mingering Mike's unique project, leading to exhibitions, publications, and widespread recognition within the art world.
The Smithsonian American Art Museum acquired his entire collection in 2015, solidifying his place as a significant figure in contemporary art. The museum’s exhibition, “Mingering Mike’s Supersonic Greatest Hits,” offered visitors a rare glimpse into this extraordinary artist's constructed reality – a testament to the power of imagination and the enduring appeal of a dream realized.
Themes and Legacy
While seemingly fantastical, Mingering Mike’s work resonates with profound themes. It explores ideas of identity, ambition, performance, and the construction of self. His albums often touch upon social issues – civil rights, political upheaval, and personal struggles – reflecting the realities of his youth while simultaneously offering a utopian vision of success and fulfillment.
Mingering Mike’s legacy lies not just in his unique artistic practice but also in challenging our understanding of art itself. He demonstrated that an artwork doesn't need to be “real” to be meaningful, and that the act of creation can be as important as the final product. His work continues to fascinate and inspire artists and collectors alike, reminding us of the boundless possibilities of the human imagination.





