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Tree in the cornfield

Nume Clasă Date

August Macke, Tree in the cornfield (1907). Lipsit de drepturi de autor.

Detalii esențiale

Artist
August Macke wikioo.org/ro/artists/august-macke_ro/
Date artistului
1887 – 1914
Pictură
1907
Material
Oil On Canvas
Dimensiune originală
30 x 15 cm
Mișcare
German Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Artistic style
German Expressionism
Subject or theme
People in a field with trees

În context

Tree in the cornfield — August Macke

Care sunt dimensiunile sale?

Originalul măsoară 30 × 15 cm (înălțime × lățime), prezentat aici alături de un adult de înălțime medie.

Anul realizării

  1. 1880
  2. 1890
  3. 1900
  4. 1910

Row above: the year. Row below: the artist's age in that year.

Painted when the artist was 20. The artist lived to 27. 2 of the 138 dated works by this artist in our catalogue came earlier.

Shaded: întreaga viață a lui August Macke (1887–1914) ▲ această operă, 1907

Artă similară

Alege o lucrare de mai sus: numește două elemente pe care le are în comun cu aceasta și unul care o diferențiază.

Alte lucrări care pot fi puse alături de aceasta: wikioo.org/ro/art/similar/august-macke-tree-in-the-cornfield-8BWN5W-en/

Paletă de culori

Extras din imagine

    Culoare principală

    Clay #936d4b

    Paletă salvată

    • #936D4B
    • #345FAC
    • #3B473F
    • #F2BF49
    Paletă
    Earthy Gama dominantă de culori din imagine.
    Nume culoare principală
    Clay
    Saturare
    Vivid Nivelul de saturație și varietatea culorilor, de la o singură nuanță temperată la numeroase nuanțe vibrante.
    Contrast
    Bold Gradul de diferențiere a culorilor în ceea ce privește luminozitatea și saturația pe întreaga suprafață a imaginii.
    Armonie
    Strong Color Unity Modul în care culorile interacționează între ele, de la contrast puternic la o unitate completă.
    Luminozitate
    Brilliant Nivelul de luminozitate sau întunecare al întregii imagini, de la umbrele profunde la luminile strălucitoare.
    Saturație
    Clear Color Presence Cât de pure și intense sunt culorile, de la un gri aproape neutru până la nuanțe complet vibrante.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by August Macke over the last twelve months — 40 countries in all.

    The ten leading countries

    1. 1 China 44,1%
    2. 2 Statele Unite ale Americii 5,8%
    3. 3 Mexic 5,1%
    4. 4 Germania 4,7%
    5. 5 Spania 4,1%
    6. 6 Franţa 3,4%
    7. 7 Hong Kong 3,4%
    8. 8 Coreea de Sud 3,4%
    9. 9 Columbia 2,4%
    10. 10 India 2,0%
    11. · 30 other countries 21,6%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by August Macke

    1. 1 Femeia în cămașă verde, 1913 37,8%
    2. 2 Peisaj cu vaci și cămilă, 1914 5,0%
    3. 3 Market in Tunis II 2,9%
    4. 4 Bathing girls with town in the background, 1913 2,4%
    5. 5 Hat Shop, 1913 1,8%
    6. 6 Still life hyacinths carpet, 1910 1,8%
    7. 7 Milliner 1,5%
    8. 8 Little Walter, 1912 1,2%
    9. 9 Three girls in yellow straw hats I, 1913 1,2%
    10. 10 Inner courtyard of house in St. Germain, 1914 1,2%
    11. 11 Man Reading in a Park, 1914 0,9%
    12. 12 Portrait of Franz Marc, 1910 0,9%
    13. 13 At the Garden Table, 1914 0,9%
    14. 14 Red house in park, 1914 0,9%
    15. 15 Church with Flags, 1914 0,9%
    16. 16 Sailing boat on the Tegernsee, 1910 0,9%
    17. 17 Promenade, 1913 0,9%
    18. 18 Hat Shop, 1914 0,9%
    19. 19 untitled (5318) 0,9%
    20. 24 Tree in the cornfield, 1907 this painting 0,6%

    Together these works take 65,5% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 228 works by this artist, of which 116 were looked at at least once. This painting ranks 24 of them, with 0,6% of that attention.

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Despre această operă

    Tree in the cornfield — August Macke

    A Sunlit Interlude in the Cornfield

    August Macke’s Tree in the cornfield, painted in 1907, transports the viewer into a moment suspended between pastoral tranquility and burgeoning modern life. This canvas is not merely a depiction of an agricultural scene; it is a vibrant meditation on human connection set against the rhythmic geometry of nature. The composition immediately draws the eye into the lush expanse of the cornfield, dominated by the stately presence of a central tree whose trunk anchors the entire scene. Macke captures the light with an almost palpable energy, suggesting a warm, late afternoon glow filtering through the stalks and illuminating the figures gathered within.

    The Echoes of Impressionism in German Expressionism

    To understand this work is to appreciate its pivotal moment in art history. While Macke’s early training placed him within the orbit of academic tradition, his style blossomed into a brilliant embrace of Post-Impressionist color and the burgeoning spirit of German Expressionism. Yet, unlike some of his more emotionally charged contemporaries, here, the energy feels buoyant, almost joyous. The technique is characterized by visible, confident brushstrokes that build up the texture of the foliage and the earth. Macke uses color not just to mimic reality, but to amplify feeling—the greens are rich, the skin tones luminous, suggesting an optimistic view of modern existence.

    Narrative Details and Symbolic Touches

    The human element adds a layer of intimate storytelling. We observe a man bending low, perhaps gathering something precious from the ground, while a woman stands nearby, lending a sense of watchful grace to the scene. The inclusion of details—the two umbrellas suggesting preparedness for changing weather, the handbag resting near the woman’s feet—grounds the ethereal quality of the light in tangible reality. These small props invite speculation: What are they gathering? Are they pausing from a journey? Macke masterfully weaves these anecdotal elements into the broader tapestry of the field, turning a simple outing into a portrait of shared experience.

    Bringing the Light Home

    For the collector or designer seeking to infuse a space with artistic vitality, this reproduction offers more than just decoration; it offers an atmosphere. The scale of 30 x 15 cm makes it perfectly suited for mantelpieces, gallery walls, or console tables where a burst of color and narrative depth is desired without overwhelming the room. Owning Tree in the cornfield is to possess a piece of early 20th-century optimism—a reminder that even amidst the structured beauty of nature, moments of human grace and connection can bloom vibrantly.

    Artist și muzeu

    Artist

    August Macke

    Născut în Meschede, Germania

    A Life Cut Short: The Vibrant World of August Macke

    August Robert Ludwig Macke, a name now inextricably linked to the brief but intensely vibrant flowering of German Expressionism, lived a life tragically curtailed by the horrors of the First World War. Born in 1887 in Meschede, a small town nestled within the Westphalian countryside, his artistic journey was one of rapid evolution and profound exploration – a relentless pursuit of capturing not just what he saw, but how he felt about it. Macke’s early years were marked by a restless spirit and an insatiable curiosity, shaping him into the artist he would become. His upbringing in Bonn, followed by moves to Cologne and then back to Bonn, provided fertile ground for his artistic development, exposing him to diverse influences and fostering a deep connection with the natural world. Though formally trained at the Düsseldorf Art Academy from 1904-1906 under Adolf Maennchen, it was through independent study, travel, and a passionate engagement with contemporary art that Macke truly discovered his unique voice. These formative years were characterized by an absorption of Impressionist and Post-Impressionist techniques – not as mere imitation, but as a foundation upon which he would build his own distinctive style. He supplemented his income with stage design work, honing his compositional skills and developing a keen eye for color and form, skills that would prove invaluable in his later paintings.

    Influences and Artistic Development

    Macke’s artistic trajectory was profoundly shaped by encounters with the most innovative and influential artists of the early 20th century. A pivotal moment arrived in Paris in 1912, where he met Robert Delaunay, a leading proponent of Orphism – a branch of Cubism that focused on pure abstraction and the ecstatic harmony of color. This encounter proved transformative, introducing Macke to the concept of simultaneous contrast – the idea that colors can evoke emotions independently of their visual relationships – and profoundly influencing his work towards a more dynamic and non-representational approach. He began experimenting with broken planes of color, simplified forms, and an increasingly expressive use of line, seeking to convey not just what he saw, but how he felt about it. Simultaneously, his close friendship with Franz Marc, a fellow artist and member of the influential group Der Blaue Reiter (The Blue Rider), drew him into the orbit of Wassily Kandinsky and other avant-garde thinkers. While Macke’s style remained distinct from Kandinsky's more purely abstract explorations – he retained a strong connection to the natural world – he embraced the group’s spirit of artistic freedom, spiritual inquiry, and their belief in art as a means of expressing profound emotions. The influence of Matisse also played a crucial role; Macke was deeply moved by the Fauves’ bold use of color and their rejection of traditional academic conventions. He began to incorporate brighter, more saturated hues into his paintings, creating works that were both visually arresting and emotionally charged.

    The Blue Rider and Beyond: A Unique Expressionist Vision

    As an integral member of Der Blaue Reiter, Macke contributed significantly to the group’s exhibitions and publications, helping to disseminate its radical ideas about art and spirituality. However, he wasn't simply a follower; he forged his own unique path within the movement. Unlike some of his colleagues who leaned towards darker, more angst-ridden themes – often reflecting the anxieties of the time – Macke consistently sought to portray beauty and harmony in the world around him. His paintings, such as Bathing Girls with Town in the Background, exemplify this approach – vibrant colors, simplified forms, and a sense of idyllic tranquility characterize his work. He masterfully blended elements of Fauvism, Cubism, and Futurism into a distinctly personal style, creating compositions that are both visually striking and emotionally resonant. Woman in a Green Jacket, painted in 1913, is another prime example – a portrait radiating warmth and vitality through its bold color palette and confident brushwork. His later works, like Türkisches Café, demonstrate his luminist approach, capturing the play of light and shadow with remarkable sensitivity. The influence of Tunisia, where Macke travelled in 1914, is also evident in these paintings – the warm colors, exotic motifs, and sense of timelessness reflecting the profound impact of that experience on his artistic vision.

    Major Achievements and Artistic Style

    Macke’s artistic style evolved rapidly throughout his short career, reflecting his constant experimentation and his desire to capture the essence of modern life. Initially influenced by Impressionism and Post-Impressionism, he gradually developed a more expressive and abstract approach, incorporating elements of Cubism, Fauvism, and Orphism. His paintings are characterized by their bold colors, simplified forms, dynamic compositions, and a strong sense of emotion. He was particularly adept at capturing the fleeting moments of everyday life – children playing in the streets, women bathing in the countryside, couples strolling through town squares – imbuing these scenes with a sense of joy, vitality, and optimism. His use of color was often unconventional, employing bright, saturated hues to evoke specific emotions and create visual impact. He also made extensive use of line, creating strong outlines that defined forms and added dynamism to his compositions. Notable works include Bathing Girls with Town in the Background (1913), a vibrant depiction of women enjoying a summer afternoon; Landscape with Cows (1912), a serene portrayal of rural life; and Türkisches Café (1914), a luminous scene capturing the atmosphere of a Turkish coffeehouse.

    A Tragic End and Lasting Legacy

    The outbreak of World War I brought a sudden and devastating end to Macke’s promising career. Driven by patriotic fervor, he volunteered for military service in 1914 and was tragically killed in action on September 26th, near Champagne, France, at the young age of 27. His final painting, Farewell, poignantly captures the somber mood that descended upon Europe as war engulfed the continent. Despite his untimely death, Macke’s legacy endures. He is now recognized as one of the most important pioneers of German Expressionism and a significant figure in the history of modern art. His paintings continue to captivate viewers with their vibrant colors, dynamic compositions, and optimistic vision – a testament to his extraordinary talent and his brief but brilliant career. His works are held in prominent collections worldwide, offering visitors a chance to experience the power of his art firsthand. Exploring Macke’s world through museums like the Staatsgalerie Moderner Kunst in Munich and the Kunstmuseum Bonn provides invaluable insights into the life and work of this remarkable artist.

    Unde puteți afla mai multe

    Accesează online

    Cod QR care trimite la pagina de descărcare pentru Tree in the cornfield

    wikioo.org/ro/art/download/august-macke-tree-in-the-cornfield-8BWN5W-en/

    Citare lucrare

    MLA
    Macke, August. Tree in the cornfield. 1907, https://wikioo.org/ro/art/august-macke-tree-in-the-cornfield-8BWN5W-en/
    APA
    Macke, August (1907). Tree in the cornfield [Painting]. https://wikioo.org/ro/art/august-macke-tree-in-the-cornfield-8BWN5W-en/
    Chicago
    August Macke. Tree in the cornfield. 1907. https://wikioo.org/ro/art/august-macke-tree-in-the-cornfield-8BWN5W-en/
    Harvard
    Macke, August (1907) Tree in the cornfield. Available at: https://wikioo.org/ro/art/august-macke-tree-in-the-cornfield-8BWN5W-en/

    Priviți cu atenție

    Tree in the cornfield — August Macke

    Privire detaliată

    Răspunde cu propriile tale cuvinte. Nu există răspunsuri greșite aici — doar răspunsuri pe care le poți explica.

    1. Ce vă atrage atenția prima dată și de ce?
    2. Ce culori sau forme creează atmosfera — și care este acea atmosferă?
    3. Catalogul nostru clasifică această lucrare sub: cornfield scene, figures outdoors, umbrellas. Sunteți de acord? Ce ați adăuga sau ce ați elimina?
    4. Reveniți asupra lucrării Femeia în cămașă verde (1913), prezentată anterior în acest ghid. Identificați două elemente pe care le împarte cu această lucrare și unul care diferă.
    5. German Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Unde puteți observa acest lucru în această lucrare?

    Răspunsul tău

    Scrie un scurt paragraf despre această operă de artă. Folosește informațiile din secțiunile anterioare ale acestui ghid și răspunsurile oferite mai sus.

    Întrebări și răspunsuri

    Ce tehnică a fost utilizată pentru "Tree in the cornfield" și când a fost creată?

    Tehnica utilizată pentru "Tree in the cornfield" de August Macke este Oil On Canvas, iar lucrarea datează din 1907.

    Cine este artistul din spatele "Tree in the cornfield"?

    „Tree in the cornfield” a fost creat de August Macke. Informațiile de pe această pagină descriu opera originală a lui August Macke.

    Ce intensitate de culoare are "Tree in the cornfield" de August Macke?

    "Tree in the cornfield" de August Macke prezintă o intensitate a culorii Vivid.

    În ce an a fost creată "Tree in the cornfield" de August Macke?

    „Tree in the cornfield” datează din 1907. Această dată plasează lucrarea în cadrul carierei lui August Macke și în contextul epocii sale.

    Ce vârstă avea August Macke când a fost creat "Tree in the cornfield"?

    Când „Tree in the cornfield” a fost creat în 1907, August Macke – născut în 1887 – avea 20 ani.

    Este disponibil un download la rezoluție înaltă pentru "Tree in the cornfield"?

    "Tree in the cornfield" este disponibil ca descărcare imagine digitală de înaltă rezoluție, achiziționat direct pe această pagină.

    Ce dimensiuni are "Tree in the cornfield" de August Macke în realitate?

    Originalul "Tree in the cornfield" de August Macke are dimensiunile de 30 x 15 cm.