Actualizat Noiembrie 2026 · clasat în funcție de scorul nostru de popularitate (căutări, vizite și comenzi pentru fiecare operă) · 114 lucrări ale lui Daniel Macnee în catalogul nostru
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Alexander Morrison of Ballinakill (1786–1860), Dean of Faculty (1846–1860) (1859) este considerată cea mai celebră pictură a lui Daniel Macnee; aceasta este păstrată la Royal Faculty of Procurators, Glasgow. David Crawford (1790–1861), Deputy Lieutenant of Renfrewshire and Baron Baillie of Greenock (1856) și Archibald McNeill, Principal Clerk of Session (1858–1870) (1860) ocupă locul doi și trei. Dintre cele 114 lucrări ale lui Daniel Macnee înregistrate în catalog, cele 100 cele mai cunoscute sunt listate mai jos, fiecare conținând data, muzeul care deține opera și o notă despre aceasta.
Alexander Morrison sits in a stillness that suggests the heavy silence of a courtroom. He is a man defined by the gravity of his position, the Dean of Faculty, captured in a moment of repose that feels more like a pause in thought than a moment of rest. His legs are crossed, a posture of quiet authority, while his suit and tie anchor him to the formal expectations of his…
An elderly gentleman sits anchored in a heavy, upholstered armchair. The light falls upon his face with a quiet, dramatic weight, carving out the lines of a life lived in authority. He is David Crawford, a man whose presence is defined by the stillness of his pose and the dark, indistinct space that surrounds him. The shadows cling to the folds of his clothing and the deep recesses of the…
In this 1860 portrait, we find ourselves in the quiet, shadowed presence of Archibald McNeill. Seated in a formal armchair, the subject is presented with a gravity that reflects his significant position as Principal Clerk of Session. The composition is centered and deliberate, drawing the eye immediately to the man’s face and the steady gaze he holds. There is a certain stillness here, a sense of a life defined by…
In this 1858 portrait, we find ourselves in the presence of Horatio McCulloch, captured during a period of significant professional development. The subject is presented in a bust-length composition, his gaze directed slightly away from the viewer, suggesting a moment of quiet contemplation. There is a certain gravity in his expression, a seriousness that speaks to the dignity of a man deeply immersed in his own thoughts. The lighting is…
A Lady in Grey (The Artist's Daughter, Later Mrs Wiseman) is a portrait painted by Daniel Macnee in 1859. The subject of this work is the artist's daughter, Isabella Wiseman, who is identified in the title as the woman who later became Mrs Wiseman. The oil painting is currently held in the National Gallery of Scotland.
The gaze of Alexander Whitelaw, 1823 - 1879. Industrialist and philanthropist, meets the viewer through this formal oil portrait. He sits with a composed expression that speaks to his status and the weight of his contributions to industry and charity. Every line of his face and the set of his shoulders suggest a man of stability and purpose. The portrait captures him in a moment of quiet dignity, frozen against…
The portrait depicts an elderly man positioned slightly off-center to the right of the frame. He is shown from the chest up, facing forward with a direct gaze. He wears a dark, formal suit jacket over a waistcoat, both rendered with sharp lines that define the structure of the fabric. The lighting originates from the upper left, casting deep shadows across the right side of his face and the folds…
Rev. James Taylor, 1813 - 1892. Minister and author is an oil portrait by the Scottish painter Daniel Macnee. Executed in 1873, the work presents the subject in a scholarly or clerical setting. The sitter is positioned within an environment suggested by the presence of blurred bookshelves in the background.
The portrait depicts an elderly man seated at a desk, positioned centrally within the composition. He is shown in a formal pose, looking toward the viewer with a steady gaze. His face is marked by the textures of age, with fine lines around the eyes and skin that suggests a life of intellectual labor. He wears dark, heavy clothing that falls in deep, structured folds, catching the light to reveal…
In this portrait, we find ourselves in the presence of Adam Sim, a man whose life was deeply intertwined with the history of Coulter Mains. He sits with a composed, thoughtful air, his hands resting upon a book that suggests a life of intellect and quiet study. The composition is anchored by the weight of his presence, seated within a red velvet chair that bears the fine, intricate carvings of…
James Richardson of Ralston, Paisley
12
A Portrait Study of a Gentleman Standing in an InteriorScottish National Gallery
13
Lady Macnee and Her Daughter (Portrait of the Artist's Daughter and Granddaughter)1863 · Royal Scottish Academy of Art - Architecture
14
John Wilson (1800–1849), Singer and Composer of Songs1830 · Galeria Națională a Scottei
15
The Hot Blast1840
16
Queen Victoria (1819–1901)1845
17
Mrs Agnes W. Whyte of Newbury1840
18
Agnes Smith Greig1840 · The Stirling Smith Art Gallery - Museum
19
Horatio McCulloch (1805–1867), RSA1842
20
John Ramsay McCulloch1840
21
Reverend Thomas Chalmers (1780–1847), Preacher and Social Reformer1843 · Galeria Națională a Scottei
22
The Bracelet1851 · Royal Scottish Academy of Art - Architecture
23
Reverend Dr Ralph Wardlaw (1779–1853)1851
24
Douglas William Jerrold1853 · National Portrait Gallery
25
Mrs Thomas McGuffie (1842–1908)1850
26
Louisa Balfour, Mrs James Mackenzie of Craigpark1850 · Scottish National Gallery
27
Henry Marshall (1775–1851), Physician and Military Hygienist1850 · Galeria Națională a Scottei
28
Andrew Ure (1778–1857), MD, FRS1849
29
James Watson (1787–1871), MD, President of the Faculty of Physicians and Surgeons of Glasgow (1838–1841, 1849–1852 1857–1860)1851
30
Charles Mackay (1787–1857), Actor1854 · Galeria Națională a Scottei
31
Reverend Henry Cooke (1788–1868), DD1856
32
The Children of William Neish1862
33
Study for 'A Lady in Grey'1859 · Scottish National Gallery
34
John Erskine, Manager of William Dunn's Machine Works, John Street, Glasgow1859
35
Horatio McCulloch (1805–1867), Landscape Painter1859 · Galeria Națională a Scottei
36
Mrs Catherine Glen Stronach of Lindsaylands1867
37
Alexander Stronach of Lindsaylands1867
38
Portrait of a Bearded Gentleman1865
39
Professor Robert Buchanan (1785–1873)1866
40
Reverend Thomas Barclay (1792–1873)1870
41
William Gibb, JP1871
42
Hugh Cowan1870 · Ayr Town Hall
43
Lady Macnee1870
44
Portrait of an Old Lady1864
45
Peter Denny (1821–1895)1868 · National Maritime Museum
46
Reverend James Begg (1808–1883), Free Church Minister1869 · Galeria Națională a Scottei
47
Charles Mackay, LLD, FSA (unfinished)1870
48
Robert Home (c.1794–1867), Town Clerk1865 · Berwick-upon-tweed Town Hall
49
Alexander Dunlop Anderson, MD, President of the Faculty of Physicians and Surgeons of Glasgow (1852–1855)1870
50
Mrs Peter Simpson1870 · County Buildings
51
Sir James Bain (1817–1898)1870 · Scottish National Gallery
52
Robert Carruthers (1799–1878)1871
53
My Little Dolly1866 · The Stirling Smith Art Gallery - Museum
54
John Hutton Balfour (1808–1884)1878
55
Professor Andrew Buchanan (1839–1876), Regius Professor of the Theory of Physics1872 · The Hunterian Museum and Art Gallery
56
Professor Allen Thomson (1809–1884), Professor of Anatomy at the University of Glasgow1878
57
Bailie James Moir (1806–1880)1877
58
Robert Dalglish (1808–1880), MP1874
59
Sir James Bain (1818–1898), Lord Provost of Glasgow (1874–1877)1878
60
Sam Bough (1822–1878)1878
61
John Carrick (1819–1890), Glasgow City Architect1877
62
John Ramsay McCullochNational Portrait Gallery
63
Charles Randolph (1809–1878), Engineer, Shipbuilder1879
64
John Boyd Baxter (1796–1882), Procurator Fiscal of Farfarshire1881
65
Arthur Perigal (1816–1884), Landscape Painter1881 · Galeria Națională a Scottei
66
John Gibson Fleming (1809–1879), President of the Faculty of Physicians and Surgeons of Glasgow (1865–1868, 1870–1872)1880
67
Burns and his Highland MaryScottish National Gallery
68
A Portrait Study of a Gentleman Seated in an InteriorScottish National Gallery
69
Professor W. Mackenzie
70
Samuel Hunter (1769–1839), Editor of the 'Glasgow Herald'
71
The Sisters1868
72
Portrait of a Girl
73
Sir William Jackson (1805–1876), Bt, Member of Parliament for North Derbyshire
74
James White, Esq., of Overtoun
75
Burns and 'Highland Mary'
76
Reverend Dr William Anderson (1799–1873)
77
William Murray of Monkland, FRSE
78
William Mathieson
79
John Aitchison (1769–1859)
80
Clarkson Stanfield (1793–1867), HRSA, RARoyal Scottish Academy of Art - Architecture
81
Thomas Coats (1809–1883)
82
James Donaldson, Builder
83
John Elder (1824–1869)
84
Portrait Study of a Gentleman Standing in an InteriorScottish National Gallery
85
George BailleRoyal Faculty of Procurators
86
The Letter
87
David Roberts (1796–1864), HRSA, RARoyal Scottish Academy of Art - Architecture
88
Portrait Study of a Gentleman Seated in an InteriorScottish National Gallery
89
Dugald Moore
90
Mrs George Kerr
91
Anderson Kirkwood, LLDRoyal Faculty of Procurators
92
John Dykes, Provost (1860–1869)
93
Portrait Study of a Gentleman Standing in an InteriorScottish National Gallery
94
William Johnstone of Glenorchard (1806–1864)
95
Colonel John Ferrier Hamilton of Cairnhill (1786–1871)County Buildings
96
Sir John WhiteheadNew York Historical Society
97
Robert Perry (1783–1848), President of the Faculty of Physicians and Surgeons of Glasgow (1843–1845)
98
Peter Coats (1808–1890)
99
Portrait Study of Three Ladies and a Boy in Highland Dress in an InteriorScottish National Gallery
100
J. Francis Williams (1785–1846), RSARoyal Scottish Academy of Art - Architecture
#1 Alexander Morrison of Ballinakill (1786–1860), Dean of Faculty (1846–1860)
#2 David Crawford (1790–1861), Deputy Lieutenant of Renfrewshire and Baron Baillie of Greenock
#3 Archibald McNeill, Principal Clerk of Session (1858–1870)
#4 Horatio McCulloch (1805–1867)
#5 A Lady in Grey (The Artist's Daughter, Later Mrs Wiseman)
Cele patru teme cele mai frecvent reprezentate în aceste lucrări, fiecare având cel mai cunoscut exemplu.
Cele 8 muzee care dețin cele mai multe dintre picturile de pe această pagină.
| Muzee | Oraș | Lucrări lui Daniel Macnee | Picturi din această listă |
|---|---|---|---|
 Scottish National Gallery |
Edinburgh | 17 | Horatio McCulloch (1805–1867), A Lady in Grey (The Artist's Daughter, Later Mrs Wiseman), A Portrait Study of a Gentleman Standing in an Interior |
 Galeria Națională a Scottei |
Edinburgh | 11 | Alexander Whitelaw, 1823 - 1879. Industrialist and philanthropist, Rev. James Taylor, 1813 - 1892. Minister and author, John Wilson (1800–1849), Singer and Composer of Songs |
 Royal Scottish Academy of Art - Architecture |
Edinburgh | 6 | Lady Macnee and Her Daughter (Portrait of the Artist's Daughter and Granddaughter), The Bracelet, Clarkson Stanfield (1793–1867), HRSA, RA |
 Royal Faculty of Procurators |
Glasgow | 3 | Alexander Morrison of Ballinakill (1786–1860), Dean of Faculty (1846–1860), George Baille, Anderson Kirkwood, LLD |
 The Stirling Smith Art Gallery - Museum |
Stirling | 3 | Agnes Smith Greig, My Little Dolly |
 National Portrait Gallery |
Londra | 2 | Douglas William Jerrold, John Ramsay McCulloch |
 County Buildings |
Ayr | 2 | Mrs Peter Simpson, Colonel John Ferrier Hamilton of Cairnhill (1786–1871) |
 Scottish Courts And Tribunals Service |
Edinburgh | 1 | Archibald McNeill, Principal Clerk of Session (1858–1870) |
Selectați o deceniu pentru a afișa picturile principale.
Alexander Morrison sits in a stillness that suggests the heavy silence of a courtroom. He is a man defined by the gravity of his position, the Dean of Faculty, captured in a moment of repose that feels more like a pause in thought than a moment of rest. His legs are crossed, a posture of quiet authority, while his suit and tie anchor him to the formal expectations of his…
In this 1860 portrait, we find ourselves in the quiet, shadowed presence of Archibald McNeill. Seated in a formal armchair, the subject is presented with a gravity that reflects his significant position as Principal Clerk of Session. The composition is centered and deliberate, drawing the eye immediately to the man’s face and the steady gaze he holds. There is a certain stillness here, a sense of a life defined by…
The gaze of Alexander Whitelaw, 1823 - 1879. Industrialist and philanthropist, meets the viewer through this formal oil portrait. He sits with a composed expression that speaks to his status and the weight of his contributions to industry and charity. Every line of his face and the set of his shoulders suggest a man of stability and purpose. The portrait captures him in a moment of quiet dignity, frozen against…
Alexander Morrison of Ballinakill (1786–1860), Dean of Faculty (1846–1860) (1859), Royal Faculty of Procurators, Glasgow. Următoarele intrări sunt David Crawford (1790–1861), Deputy Lieutenant of Renfrewshire and Baron Baillie of Greenock (1856) și Archibald McNeill, Principal Clerk of Session (1858–1870) (1860).
53 ani: Daniel Macnee s-a născut în 1806, iar Alexander Morrison of Ballinakill (1786–1860), Dean of Faculty (1846–1860) datează din 1859.
Alexander Morrison of Ballinakill (1786–1860), Dean of Faculty (1846–1860), David Crawford (1790–1861), Deputy Lieutenant of Renfrewshire and Baron Baillie of Greenock, Archibald McNeill, Principal Clerk of Session (1858–1870), Horatio McCulloch (1805–1867), A Lady in Grey (The Artist's Daughter, Later Mrs Wiseman), Alexander Whitelaw, 1823 - 1879. Industrialist and philanthropist, Sir James Matheson (1796–1878), Rev. James Taylor, 1813 - 1892. Minister and author, Professor Allen Thomson (1809–1884), FRCSEd (1832) și Adam Sim of Coulter Mains (1805–1868). Lista de mai sus conține data și muzeul care deține fiecare dintre acestea.
Catalogul conține 114 lucrări ale lui Daniel Macnee, datate între 1830 și 1881.
În principal în Scottish National Gallery (Edinburgh), Galeria Națională a Scottei (Edinburgh) și Royal Scottish Academy of Art - Architecture (Edinburgh). Tabelul cu muzee de mai sus oferă distribuția completă.
În 1870s: 22 dintre cele 100 lucrări listate pe această pagină sunt datate în acea perioadă, inclusiv Alexander Whitelaw, 1823 - 1879. Industrialist and philanthropist.
Cea mai veche lucrare datată din această listă este John Wilson (1800–1849), Singer and Composer of Songs (1830), iar cea mai recentă este John Boyd Baxter (1796–1882), Procurator Fiscal of Farfarshire (1881).
Man (8), Portraiture (7) și 19th century (7), din cele 100 lucrări listate pe această pagină.
Oil On Canvas, din cele 10 dintre cele 100 lucrări listate pe această pagină.
Academic realism, așa cum sunt documentate de operele de pe această pagină.
Horatio McCulloch (1805–1867), A Lady in Grey (The Artist's Daughter, Later Mrs Wiseman) și A Portrait Study of a Gentleman Standing in an Interior se numără printre cele 12 opere de pe această pagină din colecția Scottish National Gallery, Edinburgh.
Daniel Macnee (1806 – 1882) se impune ca o figură esențială în istoria artei scoțiene, fiind recunoscut în principal pentru reprezentările sale evocatoare ale regiunii Highlands și pentru contribuția sa fundamentală în înființarea Royal Scottish Academy. Născut într-o familie prominentă din Londra, parcursul artistic al lui Macnee a început într-un mediu de un privilegiu considerabil, însă focusul său s-a mutat rapid către capturarea frumuseții sălbatice și a spiritului Scoției – o fascinație care avea să îi definească întreaga operă.
Formarea sa intelectuală a fost una de excepție, studiind la Eton College și ulterior la Christ's Hospital, perioadă în care și-a perfecționat abilitățile artistice înainte de a porni pe o distinsă carieră navală. Această experiență formativă i-a insuflat disciplina și capacitatea de observație, calități care s-au dovedit a fi neprețuite în practica sa picturală. Sensibilitatea sa artistică a fost profund modelată de peisajele Scoției, în special de Parcul Național Cairngorms, unde a locuit pentru perioade îndelungate. Macnee a studiat cu meticulozitate desenele și schițele topografice, străduindu-se să reprezinte cu acuratețe peisajele dramatice și variațiile tonale subtile, specifice acestor regiuni montane.
Devotamentul său pentru excelența artistică a culminat cu alegerea sa în Royal Scottish Academy în anul 1837, un onor prestigios care i-a consolidat poziția de voce de prim-rang în comunitatea artistică din Scoția. Servind ca Președinte din 1869 până la moartea sa, Macnee a susținut inovația și a cultivat un mediu de sprijin pentru artiștii aflați la început de drum.
Probabil cea mai celebrată operă a lui Macnee este „A Lady in Grey” (1859), un portret al fiicei sale, ulterior soția domnului Wiseman. Execuționată cu un realism și o sensibilitate remarcabile, pictura exemplifică măiestria lui Macnee în utilizarea gradației tonale — o tehnică pe care a employat-o cu îndemânare pentru a transmite stări de spirit și texturi palpabile. Paleta cromatică temperată reflectă tendințele artistice ale epocii, capturând în același timp demnitatea liniștită a subiectului său.
Dincolo de portretură, Macnee a creat numeroase peisaje care demonstrează o înțelegere acută a luminii și a culorii. Pânzele sale descriu lanțuri muntoase dramatice, îmbibate de lumina aurie a soarelui, emanând un sentiment palpabil de măreție și liniște. Acest efect a fost obținut prin observație minuțioasă și o execuție picturală atentă, caracteristici care îi disting lucrările de reprezentările mai generalizate ale regiunii Highlands. Stilul său artistic a căpătat inspirație din luminism — un curent care pune accent pe efectele atmosferice și variațiile tonale subtile — adoptând cu măiestrie tehnici pionierate de artiști precum George Caleb Bingham și Frederic Church. Atenția sa meticuloasă la detalii și angajamentul neclintit de a surprinde esența subiectelor sale au asigurat faptul că picturile sale vor rămâne expresii atemporale ale peisajului și portretului scoțian.
Contribuția lui Daniel Macnee la arta scoțiană depășește realizarea unor capodopere individuale; el a jucat un rol crucial în consolidarea Royal Scottish Academy, stimulând dialogul artistic și promovând excelența în peisajul artelor vizuale din Scoția. Picturile sale continuă să rezoneze în sufletul privitorilor de astăzi, servind ca memento ale unei epoci trecute, caracterizată de idealismul romantic și de o apreciere neclintită pentru frumusețea sublimă a naturii. Moștenirea lui Macnee rezidă nu doar în realizările sale artistice, ci și în influența sa durabilă asupra generațiilor ulterioare de artiști scoțieni.
