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David Tindle: Cele 11 cele mai faimoase picturi, documentate
Actualizat Noiembrie 2026 · clasat în funcție de scorul nostru de popularitate (căutări, vizite și comenzi pentru fiecare operă) · 11 lucrări ale lui David Tindle în catalogul nostru
Rezumat
Conform acestui clasament, Shell Site, South Bank, London este cea mai celebră pictură a lui David Tindle; aceasta este păstrată în County Hall, Leicester. Urmează Night Walk, 1984 și The Relationship. Această listă se bazează pe cele 11 opere ale lui David Tindle din catalog și reține cele 11 cele mai faimoase, incluzând data, muzeul care le deține și o descriere pentru fiecare intrare.
născut în 1932, Huddersfield
Cele mai multe lucrări: County Hall
David Tindle: primele 10 intrări din listă
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David Tindle: lista continuă, de la 11 la 11
David Tindle: în colecțiile muzeelor
Cele 6 muzee care dețin cele mai multe dintre picturile de pe această pagină.
| Muzee | Oraș | Lucrări lui David Tindle | Picturi din această listă |
|---|---|---|---|
 County Hall |
Leicester | 1 | Shell Site, South Bank, London |
 Northamptonshire Central Library |
Northampton | 1 | The Relationship |
 Royal College of Psychiatrists |
London | 1 | Dr Thomas Bewley, CBE, President of the Royal College of Psychiatrists (1984–1987) |
 Ferens Art Gallery |
Hull | 1 | From Room to Room, Self Portrait |
 St Edmund Hall |
Oxford | 1 | Justin Gosling, Principal (1982–1996) |
 The Hepworth Wakefield |
Wakefield | 1 | Saucepan and Milk Bottle |
David Tindle pe ani: cele mai celebre picturi
Cariera documentată a lui David Tindle pe această pagină cuprinde 5 ani, de la 1989 la 1993, și este prezentată mai jos, an cu an.
Lucrări pe an
Selectați o anul pentru a afișa principalele sale picturi.
David Tindle: întrebări și răspunsuri documentate
Care pictură a lui David Tindle se află în topul celor mai celebre lucrări?Afișează răspunsul
Shell Site, South Bank, London, County Hall, Leicester. Următoarele intrări sunt Night Walk, 1984 și The Relationship.
Care sunt cele mai importante 10 lucrări ale lui David Tindle?Afișează răspunsul
Shell Site, South Bank, London, Night Walk, 1984, The Relationship, High Room, Dr Thomas Bewley, CBE, President of the Royal College of Psychiatrists (1984–1987), From Room to Room, Self Portrait, Justin Gosling, Principal (1982–1996), The Lock Gate at Dundee, Still Life with Gramophone și Figure with Reflections. Lista de mai sus conține data și muzeul care deține fiecare dintre acestea.
Câte lucrări ale lui David Tindle sunt înregistrate?Afișează răspunsul
Catalogul conține 11 lucrări ale lui David Tindle, datate între 1989 și 1993.
În ce colecții se află cele mai faimoase opere ale lui David Tindle?Afișează răspunsul
În principal în County Hall (Leicester), Northamptonshire Central Library (Northampton) și Royal College of Psychiatrists (London). Tabelul cu muzee de mai sus oferă distribuția completă.
Când au fost pictate cele mai celebre lucrări ale lui David Tindle?Afișează răspunsul
În 1989: 2 dintre cele 11 lucrări listate pe această pagină sunt datate în acea perioadă, inclusiv High Room.
Care sunt cele mai vechi și cele mai recente lucrări datate ale lui David Tindle de aici?Afișează răspunsul
Cea mai veche lucrare datată din această listă este High Room (1989), iar cea mai recentă este Justin Gosling, Principal (1982–1996) (1993).
David Tindle: viață și operă
The Life and Art of David Tindle
David Tindle remains a significant figure in British realism, a fact cemented by his election as a Royal Academician in 1979. Born in Huddersfield, Yorkshire, on 29 April 1932, his career has been defined by a disciplined adherence to technical precision. While many of his contemporaries moved toward abstraction, Tindle maintained a focus on the subtle interplay of light and atmosphere. His work possesses a quiet profundity that avoids the need for grandiosity, relying instead on the structural integrity of his subjects.
His practice is characterized by a specific, demanding approach to the egg tempera medium. This choice dictates the pace and texture of his output, requiring a layered, patient application to achieve its characteristic luminosity. He often captures glimpsed views through openings, creating a sense of space that feels both intimate and distant. This method allows him to render ordinary domestic scenes or expansive landscapes with a similar level of intense, observational clarity.
Currently, Tindle resides in Santa Maria del Giudice, near Lucca, Italy. His long-term presence in Europe reflects a life spent observing the nuances of light across different landscapes. His ability to translate these observations into permanent, detailed records ensures his continued relevance in contemporary realist circles. His catalog includes several notable subjects:
Early Life and Artistic Training
Born in Huddersfield, Yorkshire, David Tindle’s early trajectory was defined by a rapid immersion into the technical demands of visual production. His training was not a singular, linear path but a series of practical engagements with the medium. Between 1945 and 1946, he spent six months studying art at the Lanchester College of Technology, a period that provided an immediate, functional foundation before he moved into more formal academic settings.
This early technical grounding led him to the Coventry School of Art, where he studied from 1945 to 1947. This period was crucial for establishing the discipline required for his later precision. During these formative years, Tindle also gained practical experience working with the theatrical scene painter Edward Delaney in Birmingham. This exposure to large-scale scenic work offered a stark contrast to the intimate, detailed nature of his later egg tempera paintings, grounding his development in the physical realities of pigment and surface.
Professional Career and Teaching
Tindle’s professional trajectory moved from early exhibition success to significant institutional influence. He held his first solo show in 1954 at the Piccadilly Gallery in London. This early recognition preceded a long period of academic engagement. Between 1959 and 1972, he held tutoring positions at both Hornsey College of Art and the Byam Shaw School of Art. These roles established his presence within the British art education system, moving from foundational instruction to more specialized guidance.
His influence expanded further when he joined the Royal College of Art as a Tutor from 1972 to 1983. This decade of teaching at one of the UK's most prominent art institutions solidified his standing among his peers. His expertise was later recognized by Oxford University, where he served as the Ruskin Master of Drawing from 1985 to 1987. This appointment underscores a career defined by technical authority and a commitment to the formal study of drawing and painting.
Technique and Artistic Style
Tindle’s practice is defined by the disciplined application of egg tempera. This medium requires a meticulous approach, building color through translucent layers to achieve a specific luminosity. His technical precision allows him to capture subtle shifts in light and atmosphere that oil paints often struggle to replicate. In the 1960s, his approach shifted toward heavily painted, encrusted surfaces paired with a muted palette. This period demonstrated a capacity for abstraction, particularly in his atmospheric views of beaches.
His compositions frequently utilize the perspective of glimpsed views. By framing scenes through open doors and windows, he creates a sense of looking into a private or quiet space. This structural choice contributes to the quiet profundity found in his work. He avoids the grandiosity of wide-open vistas, opting instead for intimate, domestic, or localized subjects that carry significant weight through their stillness.
Notable Works and Subjects
Tindle’s output reveals a career focused on the weight of the ordinary. His early precision is evident in a 1954 still life of a broken egg shell, a work that established his ability to find complexity in discarded, mundane objects. This focus on the domestic and the singular continues in pieces like Saucepan and Milk Bottle, where the subject matter remains grounded in the quietude of everyday life. He does not seek the grand or the dramatic, preferring instead the subtle tension found in a domestic tableau.
His portraiture and landscapes offer a different kind of scrutiny. He captured the former Principal Justin Gosling in a portrait that emphasizes dignity through restraint. In his landscape work, such as Night Walk, 1984, he uses light to define space rather than to create spectacle. These works demonstrate a consistent interest in how light interacts with specific, often solitary, environments. His subjects are rarely crowded; they are usually singular moments or quiet corners of the world.
- Dr Thomas Bewley, CBE, President of the Royal College of Psychiatrists (1984–1987)
- From Room to Room, Self Portrait
- Justin Gosling, Principal (1982–1996)
- Shell Site, South Bank, London
Where to See His Works Today
Tindle’s presence in public collections confirms his standing within British art. His work is held in the Ferens Art Gallery in Hull and at The Hepworth Wakefield. These institutions provide a permanent record of his technical precision and his ability to render light through the egg tempera medium. To see his paintings in these settings is to witness the physical reality of his meticulous layering process.
His connection to Oxford remains visible through specific institutional placements. Several of his paintings are located in the Senior Common Room of St Edmund Hall. Additionally, his portrait of Justin Gosling hangs in the Old Dining Hall of the same college. These works exist in spaces that reflect the academic and social environments he has long been associated with.