25 самых востребованных работ Франческо Тревизани, отобранных по популярности и представленных по одной: с описанием и ценой каждой репродукции ручной работы.
Издание 2026 · 25 произведений искусства
Каждое произведение создается под заказ
Холст из льна · Сертификат подлинности · Доставка по всему миру
Франческо Тревизани · 1656 – 1746
Francesco Trevisani's 'La Famille de Darius aux pieds d’Alexandre' depicts Alexander the Great honoring Darius’ family – a dramatic Baroque masterpiece of power and diplomacy.
Experience the profound emotion of Francesco Trevisani's 'Christ Mort porté par des anges,' a Baroque masterpiece depicting Christ’s death with angelic support, showcasing dramatic lighting and masterful brushwork.
Experience the dramatic Baroque intensity of Apollo and Daphne by Francesco Trevisani; capture this mythic moment of passion and flight for your collection.
Francesco Trevisani’s “Le Sommeil de l’enfant Jésus” is a captivating Baroque painting showcasing Mary gazing down upon Jesus Christ peacefully sleeping in a manger, surrounded by angelic figures illuminated by masterful dramatic lighting. Executed in oil on canvas and reflecting Trevisani's Venetian style, it embodies the grandeur of his era.
1730 · Дворец Мафры, Мафра · оригинал 549 x 247 cm
Картина Франческо Тревизани «Дева Мария и Иисус Христос». Великолепное религиозное произведение искусства XVII века, выполненное маслом на холсте. Подлинная репродукция знаменитой работы для вашего интерьера.
This painting depicts the Virgin Mary holding her infant Jesus, adorned with two flowers symbolizing the Passion. Created by Francesco Trevisani in 1690, it exemplifies Baroque elegance and showcases meticulous detail.
Admire Francesco Trevisani’s "Portrait of Cardinal Pietro Ottoboni." A Baroque masterpiece featuring a thoughtful cardinal in rich robes. Hand-painted reproduction available.
Magnificent 'Angels Carrying the Corpse of Christ' by Francesco Trevisani. A Baroque masterpiece depicting religious devotion. Hand-painted reproduction available.
