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Going Ashore

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Томас Берч, Going Ashore (1843). Общественное достояние

Факты

Автор
Томас Берч wikioo.org/ru/artists/%D1%82%D0%BE%D0%BC%D0%B0%D1%81-%D0%B1%D0%B5%D1%80%D1%87_ru/
Даты жизни автора
1779 – 1851
Живопись
1843

В контексте

Going Ashore — Томас Берч

Дата написания

  1. 1770
  2. 1780
  3. 1790
  4. 1800
  5. 1810
  6. 1820
  7. 1830
  8. 1840
  9. 1850

Row above: the year. Row below: the artist's age in that year.

Painted when the artist was 64. The artist lived to 72. 13 of the 16 dated works by this artist in our catalogue came earlier.

Затененная область: годы жизни Томас Берч (1779–1851) ▲ эта работа, 1843

First works: up to 1830 Main working years: 1830–1840 Late works: from 1840

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell.

Похожие произведения

Выберите одну из работ выше: назовите две общие черты с этим произведением и одно отличие.

Другие работы, которые дополнят эту: wikioo.org/ru/art/similar/thomas-birch-going-ashore-8CEGWN-en/

Цветовая палитра

Определено по изображению

    Основной цвет

    Putty #e4e3d8

    Сохраненная палитра

    • #E4E3D8
    • #71614F
    • #31251F
    • #C0B39F
    Палитра
    Neutrals Преобладающая цветовая гамма изображения.
    Основной цвет
    Putty
    Интенсивность
    Balanced Насколько насыщенными и разнообразными могут быть цвета — от одного приглушенного оттенка до множества ярких.
    Контрастность
    Statement Степень различия цветов по светлоте и насыщенности в разных частях картины.
    Гармония
    Balanced Harmony Насколько хорошо сочетаются цвета — от контрастных до полностью гармоничных.
    Яркость
    Brilliant Общая светлость или темность картины: от глубокой тени до яркого блика.
    Насыщенность
    Muted Насколько чисты и насыщенны эти цвета — от почти серых до максимально ярких.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Томас Берч over the last twelve months — 4 countries in all.

    The ten leading countries

    1. 1 Китай 90,3%
    2. 2 Канада 3,2%
    3. 3 Северная Македония 3,2%
    4. 4 Соединенные Штаты Америки 3,2%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Томас Берч

    1. 1 Sailing along the Shore, 1825 8,6%
    2. 2 Battle of Lake Erie 5,7%
    3. 3 The Loss of the Schooner 'John S. Spence', 1833 5,7%
    4. 4 Longships Lighthouse, Land's End, 1849 5,7%
    5. 5 he Upper Ferry Bridge over the River Schuylkill near Morris Street in the county of Philadelphia 5,7%
    6. 6 American Merchant Ship Entering Marseilles 5,7%
    7. 7 Winter Scene 5,7%
    8. 8 The Steamsailor Benjamin Franklin 5,7%
    9. 9 Pennsylvania Winter Scene, 1842 2,9%
    10. 10 High Street, from the country marketplace Philadelphia. with the procession in commemoration of the death of General George Washington 1 2,9%
    11. 11 Naval Battle Between the United States and the Macedonian on Oct. 30, 1812 2,9%
    12. 12 Philadelphia Winter Landscape, 1847 2,9%
    13. 13 Figures with Docked Boat at Shoreline, 1838 2,9%
    14. 14 Going Ashore, 1843 this painting 2,9%
    15. 15 View of New York Harbor, 1835 2,9%
    16. 16 Second Street north from Market St. wth. Christ Church. Philadelphia 2,9%
    17. 17 High Street, with the First Presbyterian Church. Philadelphia 2,9%
    18. 18 Bank of the United States, in Third Street Philadelphia 2,9%
    19. 19 Loss of the Schooner John S. Spence at Norfolk Virginia 2,9%
    20. 20 Bank of Pennsylvania, South Second Street Philadelphia 1 2,9%

    Together these works take 83,3% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 88 works by this artist, of which 26 were looked at at least once. This painting ranks 14 of them, with 2,9% of that attention.

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Художник и музей

    Автор

    Томас Берч

    Место рождения Лондон, Великобритания

    A Transatlantic Vision: The Life and Art of Thomas Birch

    Thomas Birch, born in Warwickshire, England, in 1779, embarked on a remarkable journey that ultimately cemented his place as one of the most significant figures in American marine painting. His story is not merely one of artistic progression; it’s a tale interwoven with transatlantic influences, evolving national identity, and a profound fascination with the power and beauty of the sea. In 1794, at the tender age of fifteen, Birch immigrated to Philadelphia alongside his family, joining a vibrant wave of artisans and entrepreneurs seeking opportunity within the burgeoning United States. His father, William Russell Birch – an accomplished engraver and miniaturist – laid the foundation for Thomas’s artistic development, fostering a deep appreciation for meticulous detail and skillful craftsmanship. Their collaborative venture, “Birch’s Views of Philadelphia” (1800), quickly established them as respected artists within the city's cultural landscape, capturing the dynamic essence of a rapidly transforming urban center – an endeavor that instilled in Thomas Birch a keen eye for composition and a deep understanding of visual storytelling.

    From Portraits to the Majesty of the Sea

    Initially, Birch followed in his father’s footsteps, dedicating himself to the art of portraiture. However, by 1807, a transformative shift occurred within his artistic trajectory. Drawn to the dramatic spectacle and inherent dynamism of maritime life, he decisively turned his attention towards marine painting – a genre that would become the defining characteristic of his career. This transition wasn’t driven by mere whim; it reflected both a deeply personal fascination with the ocean's vastness and a growing national awareness of America’s burgeoning naval power, particularly as tensions escalated in the lead-up to the War of 1812. Birch’s early marine works reveal an evolving style, profoundly influenced by the traditions of the Dutch masters – Jacob van Ruisdael and Jan van Goyen foremost among them. He meticulously studied their techniques, absorbing their mastery of atmospheric perspective, their ability to capture the subtle interplay of light on water, and their overall sense of realism. Yet, Birch wasn’t simply a diligent imitator; he skillfully synthesized these European influences with an emerging American sensibility, imbuing his paintings with a distinctly patriotic fervor that resonated deeply with audiences eager for artistic expressions of national pride.

    Naval Battles and the Birth of National Identity

    Birch's name became inextricably linked with depictions of naval engagements during the War of 1812. His paintings weren’t merely historical records; they were powerful visual narratives, celebrating American courage, resilience, and ultimately, triumph. The painting USS United States and HMS Macedonian, arguably his most iconic work, immortalized a pivotal clash between American and British frigates – a moment of national significance rendered with breathtaking detail and dramatic intensity. This masterpiece captured not just the physical action of battle but also the spirit of defiance that fueled the American cause. Similarly, Engagement Between the U.S. Frigate Constitution and the British Frigate Guerriere further solidified Birch’s reputation as a master of marine painting, showcasing his technical skill and artistic vision. Beyond these celebrated battles, Birch excelled at portraying tranquil harbor scenes – serene glimpses into the everyday life of coastal communities – and meticulously detailed ship portraits, demonstrating his remarkable versatility and unwavering commitment to accuracy. He was, in essence, the first American artist to truly specialize in ship portraiture, establishing a benchmark for future generations of marine painters.

    Influences and Artistic Techniques

    Birch’s artistic development was profoundly shaped by several key influences. As a young man, he immersed himself in the collections of his father, particularly those containing Dutch paintings – a testament to the enduring impact of masters like Jacob van Ruisdael and Jan van Goyen. He meticulously studied their techniques, absorbing their mastery of atmospheric perspective, their ability to capture the subtle interplay of light on water, and their overall sense of realism. However, Birch wasn’t merely an imitator; he skillfully synthesized these European influences with an emerging American sensibility, imbuing his paintings with a distinctly patriotic fervor that resonated deeply with audiences eager for artistic expressions of national pride. Furthermore, Birch's early work in portraiture honed his observational skills and understanding of human anatomy – qualities that proved invaluable when depicting the figures involved in naval battles. His meticulous attention to detail, combined with his ability to convey movement and emotion, set him apart from his contemporaries and established him as a leading figure in American art.

    Legacy and Enduring Significance

    Thomas Birch’s contributions to American art are undeniable. He didn't simply paint ships; he captured a pivotal moment in history – the rise of a nation asserting its independence on the world stage. His paintings served as both historical records and powerful symbols of national identity, reflecting the spirit of innovation and determination that defined early America. Birch’s influence extended far beyond his immediate contemporaries, laying the groundwork for subsequent generations of marine artists. Today, his works are cherished within prestigious museum collections across the United States – including the Pennsylvania Academy of the Fine Arts, the Smithsonian American Art Museum, and the Museum of Fine Arts, Boston – ensuring that his legacy will continue to inspire and captivate audiences for years to come. Elected an honorary member of the National Academy of Design in 1833, Birch’s life and art stand as a testament to the transformative power of artistic vision and its ability to shape our understanding of history and national identity.

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    QR-код со ссылкой на страницу загрузки Going Ashore

    wikioo.org/ru/art/download/thomas-birch-going-ashore-8CEGWN-en/

    Цитирование произведения

    MLA
    Берч, Томас. Going Ashore. 1843, https://wikioo.org/ru/art/thomas-birch-going-ashore-8CEGWN-en/
    APA
    Берч, Томас (1843). Going Ashore [Painting]. https://wikioo.org/ru/art/thomas-birch-going-ashore-8CEGWN-en/
    Chicago
    Томас Берч. Going Ashore. 1843. https://wikioo.org/ru/art/thomas-birch-going-ashore-8CEGWN-en/
    Harvard
    Берч, Томас (1843) Going Ashore. Available at: https://wikioo.org/ru/art/thomas-birch-going-ashore-8CEGWN-en/

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    Going Ashore — Томас Берч

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    2. Какие цвета или формы создают настроение — и какое это настроение?
    3. Вспомните работу The Narrows, New York Bay (1812), представленную ранее в этом руководстве. Назовите две общие черты с этим произведением и одно отличие.
    4. Томас Берч было около 64 лет, когда это произведение было создано. Что в нем напоминает о творчестве художника именно этого периода?
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    Вопросы и ответы

    В каком возрасте Томас Берч создал(а) «Going Ashore»?

    Когда в 1843 году было создано произведение «Going Ashore», художнику Томас Берч (родившемуся в 1779) было 64 лет.

    В каком году было создано произведение «Going Ashore»?

    «Going Ashore» датируется 1843 годом. Эта дата позволяет определить место произведения в творчестве Томас Берч и в контексте его эпохи.

    Как я могу посмотреть «Going Ashore», Томас Берч в режиме слайд-шоу?

    Доступна презентация: страница Слайд-шоу работы «Going Ashore», Томас Берч.

    Какая цветовая гармония представлена в работе «Going Ashore», Томас Берч?

    В работе «Going Ashore», Томас Берч представлена Balanced Harmony цветовая гармония.

    Могу ли я рассмотреть «Going Ashore» более детально?

    Произведение «Going Ashore» можно изучить слой за слоем на странице Рентгеновский снимок, представляющей собой интерактивный просмотрщик, вдохновленный реставрационным световым столом, с одиннадцатью оптическими пластами изображения.

    Есть ли работы, похожие на "Going Ashore"?

    Работы, похожие на «Going Ashore», представлены на странице Похожие работы произведения.

    Кто является автором произведения «Going Ashore»?

    «Going Ashore» был создан Томас Берч. Информация на этой странице описывает оригинальную работу Томас Берч.