Обзор
The Bolshevik (1918) считается самой известной картиной Дэвид Джаггер; она находится в Canadian War Museum, Оттава. Thomas Newbould (1845–1933) (1921) и Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935) (1936) занимают второе и третье места. Из 23 работ Дэвид Джаггер, зафиксированных в каталоге, ниже представлены 23 самых известных: для каждой указаны дата создания, музей, в котором она хранится, и краткое описание.
Записи с 1 по 10: самые известные картины Дэвид Джаггер
Дэвид Джаггер, далее: с 11 по 23
Основные сюжеты в творчестве Дэвид Джаггер
Четыре наиболее часто встречающихся сюжета среди этих работ, каждый из которых представлен своим самым известным примером.
Portraits 2 работ
Men 2 работ
Дэвид Джаггер: в коллекциях музеев
8 музеев, в которых находится большинство картин со страницы.
| Музей | Город | Работы Дэвид Джаггер | Картины из этого списка |
|---|---|---|---|
| Истборн | 2 | Alderman Miss Alice Hudson, JP, Mayor of Eastbourne (1925–1928 1943–1945), Alderman Lieutenant Colonel Roland Vaughan Gwynne, DSO, DL, JP, Mayor of Eastbourne (1928–1931) | |
| Оттава | 1 | The Bolshevik | |
| Ливерпуль | 1 | Sewing | |
| Sheffield | 1 | Henry Hall Bedford, JP, Chairman of the Board (1913–1924) | |
| London | 1 | Lord Baden Powell (1857–1941), as World Chief Scout | |
| Ноттингем | 1 | Jewish Refugee, Vienna | |
| Egham | 1 | Miss Janet Ruth Bacon | |
| Бирмингем | 1 | Sir Horace Clarke |
Индекс десятилетия: главная картина Дэвид Джаггер за каждый
Произведения по десятилетиям
Выберите десятилетие, чтобы увидеть его главную картину.
Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935)
Michael Theodore Waterhouse (1888–1968), CBE, PRIBA
Часто задаваемые вопросы о картинах Дэвид Джаггер
Какая работа Дэвид Джаггер является самой известной?Показать ответ
The Bolshevik (1918), Canadian War Museum, Оттава. Следующие позиции — Thomas Newbould (1845–1933) (1921) и Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935) (1936).
Сколько лет было Дэвид Джаггер в год создания The Bolshevik?Показать ответ
27 лет: Дэвид Джаггер родился в 1891, а работа The Bolshevik датирована 1918 годом.
Какие десять самых известных работ принадлежат Дэвид Джаггер?Показать ответ
The Bolshevik, Thomas Newbould (1845–1933), Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935), Dr John George Graves (1866–1945), Portrait of a Man, The Late Cyrus Jones, Kathleen, Portrait of a Lady, Charles Jagger (1885–1934) и Charles Sargeant Jagger. В списке выше указаны даты создания и музеи, в которых хранятся данные произведения.
Сколько работ Дэвид Джаггер зафиксировано в каталоге?Показать ответ
В каталоге представлено 23 работ Дэвид Джаггер, датированных периодом с 1917 по 1950.
В каких музеях хранятся основные работы Дэвид Джаггер?Показать ответ
В основном в Towner (Истборн), Canadian War Museum (Оттава) и Walker Art Gallery (Ливерпуль). В таблице выше приведено полное распределение.
В какой период Дэвид Джаггер создал свои самые известные работы?Показать ответ
В 1920s: 6 из 23 работ, представленных на этой странице, относятся к этому периоду, включая Thomas Newbould (1845–1933).
Какие самые ранние и поздние известные работы Дэвид Джаггер?Показать ответ
Самая ранняя работа из представленных здесь датирована Charles Jagger (1885–1934) (1917), а самая поздняя — Michael Theodore Waterhouse (1888–1968), CBE, PRIBA (1950).
Какие сюжеты Дэвид Джаггер выбирал чаще всего?Показать ответ
Portraits (2) и Men (2) из 23 работ, представленных на этой странице.
Какие картины Дэвид Джаггер находятся в коллекции Towner?Показать ответ
Alderman Miss Alice Hudson, JP, Mayor of Eastbourne (1925–1928 1943–1945) и Alderman Lieutenant Colonel Roland Vaughan Gwynne, DSO, DL, JP, Mayor of Eastbourne (1928–1931) входят в число 2 работ на этой странице из коллекции Towner, Истборн.
Биография Дэвид Джаггер
A Legacy of Elegance: The Life of David Jagger
Born in Kilnhurst, near Rotherham, David Jagger emerged as one of the most accomplished English portrait painters of his era. His journey into the world of fine art was deeply rooted in a family of immense creative talent; he was the son of colliery manager Enoch Jagger and Mary Sargeant, and grew up alongside siblings who would also leave their mark on the British art scene. His sister, Edith, became a noted landscape artist and textile designer, while his brother, Charles Sargeant Jagger, rose to prominence as a celebrated sculptor. This environment of artistic rigor shaped David’s early development, leading him to the Sheffield School of Art, where he honed the technical precision that would later define his professional career.
As an accomplished draughtsman and skilled illustrator, Jagger’s talent was recognized early through accolades in mural design and painting. Following his formal education, he moved to London, a transition that marked the beginning of his ascent within the prestigious circles of British society. Initially balancing commercial art studio work with evening portrait commissions, he eventually established his own professional portrait studio in Chelsea, south of London. This period of his life was not only marked by professional growth but also by profound personal inspiration; his marriage to Catherine Gardiner brought a muse into his life whose features would grace many of his most accomplished works, often appearing under a pseudonym.
Mastery of the Portrait
Jagger’s work is characterized by a remarkable realism that, while highly detailed, maintained a soft, painterly quality that avoided the harshness of hard-edge styles. He possessed a rare ability to capture the essence of his subjects, whether they were members of the British aristocracy or figures of significant historical importance. His technical mastery allowed him to navigate the delicate balance between formal, official-looking commissions and more intimate, thoughtfully posed compositions. This skill earned him a place among the leading exhibitors of his time, with regular appearances at the Royal Academy, the Royal Society of British Artists, and the Royal Institute of Oil Painters.
The breadth of his subject matter reflects the high society and civic authority of early 20th-century Britain. His portfolio includes a breathtaking array of notable figures, such as:
- Robert Baden-Powell, whose 1929 portrait remains one of Jagger's most enduring legacies, with numerous copies displayed in Scouting premises worldwide.
- Queen Mary, captured in significant works during 1930 and 1932.
- Winston Churchill, a monumental subject for any portraitist of the era.
- King George VI, documented in 1937.
- Vivien Leigh, representing the glamour of the cinematic age in 1941.
- Prince Philip, Duke of Edinburgh, one of his final notable subjects.
Historical Significance and Artistic Standing
Beyond the individual brilliance of his brushwork, David Jagger holds a significant place in the history of British portraiture due to his role in documenting the faces of an era. His ability to secure commissions from the highest echelons of power—ranging from royalty to political leaders—cemented his reputation as a premier chronicler of his time. His work serves as a visual record of the dignity, tradition, and shifting social landscape of mid-century England.
His contribution to the art community was further solidified through his active membership in prestigious societies like the Royal Society of Portrait Painters. Through these institutions, Jagger helped maintain the high standards of oil painting and portraiture during a period of significant artistic transition. Today, his portraits remain cherished not only for their technical excellence but as windows into the character and prestige of the individuals who shaped the twentieth century.






