Портрет Хаим Соломонович Сутин

Хаим Соломонович Сутин: Catalogue of the 100 Most Famous Paintings

Обновлено Октябрь 2026 · рейтинг на основе нашего показателя популярности (количество поисковых запросов, посещений и заказов для каждой работы) · 118 работ Хаим Соломонович Сутин в нашем каталоге

Краткая статистика

Chicken Hanging in Front of a Brick Wall (1924) is recorded as the most famous painting of Хаим Соломонович Сутин; it is held by the Кунстмузеум Берна, Берн. Подвешенная гусь (1925) and Suburban Landscape with Red Houses (1917) occupy the second and third entries. Of the 118 works by Хаим Соломонович Сутин recorded in the catalogue, the 100 best known are listed below, each entry with its date, the holding museum and a note on the work.

1893 – 1943, Смиловичи Expressionism Больше всего работ: Музей Оранжере

Entries 1 to 10: the most famous Хаим Соломонович Сутин paintings

2
Подвешенная гусь (1925) работы Хаим Соломонович Сутин

Подвешенная гусь

1925 · Масло на холсте · Ohara Museum of Art, Курасики

Художник и Время: Чайм Сoutine и Картина «Подвешенная Гусь» Чайм Сoutine (1893–1943) был одним из самых ярких представителей экспрессионизма начала XX века, художником, чье творчество отражает глубокую эмоциональную связь с природой и внутренним миром человека. Его работы отличаются необычной техникой живописи и мощным воздействием на зрителя, что делает их особенно привлекательными для коллекционеров и ценителей искусства. Картина «Подвешенная Гусь», созданная в 1925 году, является прекрасным примером этого стиля и служит…

3
Suburban Landscape with Red Houses (1917) работы Хаим Соломонович Сутин

Suburban Landscape with Red Houses

1917 · Oil On Canvas

In the turbulent landscape of early 20th-century modernism, few voices resonate with as much raw, visceral energy as that of Chaim Soutine. His 1917 masterpiece, Suburban Landscape with Red Houses, serves as a breathtaking window into the heart of Expressionism. This is not merely a depiction of a quiet neighborhood; it is an emotional upheaval captured on canvas. The painting invites the viewer into a world where the boundaries between…

4
Girl in Red (1919) работы Хаим Соломонович Сутин

Girl in Red

1919 · Oil

A woman sits, draped in a heavy shade of red. The color is thick, a visceral weight of pigment that seems to pulse against the surface. She is seated upon a chair, her hands resting upon its back, while a smaller chair sits in the distance, a silent companion in the room. A handbag lies near her feet, a solitary object in a space defined by shadow. Her face remains…

5
Portrait of a Child (1937) работы Хаим Соломонович Сутин

Portrait of a Child

1937 · Oil

In this intimate work, titled Portrait of a Child, the artist Chaim Soutine turns his gaze toward the quiet vulnerability of youth. Created about 1937, the painting presents a portrait of a young child, capturing a moment of profound stillness. There is a certain weight to the subject's presence, a sense of being caught in a private moment of thought.

6
Untitled (1411) работы Хаим Соломонович Сутин

Untitled (1411)

A woman sits draped in red. The color is heavy, a thick weight of pigment that seems to pulse against the paper. She turns her head away, her gaze lost to something unseen. A hat, dark and perhaps mystical, rests upon her hair. She is a solitary anchor in a shifting space. Around her, the edges of the world dissolve into shadows and half-formed shapes.

7
Beef and calf's head (1923) работы Хаим Соломонович Сутин

Beef and calf's head

1923 · Oil On Canvas · Музей Оранжере, Париж

The composition is dominated by a large, central mass of meat that occupies most of the frame. To the left, a severed animal head is positioned within the arrangement. The color palette relies on highly saturated, warm tones, specifically crimson, vermilion, and ochre, which contrast against dark, murky browns and blacks in the background. Thick, gestural lines create a sense of movement across the surface. The shapes are organic and…

8
The Gipsy (1926) работы Хаим Соломонович Сутин

The Gipsy

1926 · Oil On Canvas · Statens Museum For Kunst, Копенгаген

The Gipsy by Chaim Soutine, created about 1926, is a centered, bust-length portrait of a single figure. The subject possesses dark hair and directs the gaze slightly off-center rather than toward the viewer. This figure is positioned against a dark, indistinct background that lacks measurable depth, which focuses the attention entirely on the person. A saturated red scarf is wrapped around the neck, providing a sharp contrast to the surrounding…

9
Return from School After the Storm работы Хаим Соломонович Сутин

Return from School After the Storm

Oil

Two children navigate a dirt path through an open field, their figures positioned closely as they walk under a heavy, cloud-scattered sky. The scene captures a moment of transition, where the aftermath of a storm leaves a sense of stillness in the air. In the distance, a solitary figure moves away from the pair, adding a layer of quiet isolation to the natural setting. The composition focuses on the relationship…

Хаим Соломонович Сутин, further entries: 11 to 100

11Still Life with Fowl [Nature Morte à La Volaille] (1918) работы Хаим Соломонович СутинStill Life with Fowl [Nature Morte à La Volaille]1918 · Nagoya City Art Museum 12Self-Portrait (1916) работы Хаим Соломонович СутинSelf-Portrait1916 · Государственный Эрмитаж 13The big altar boy (1925) работы Хаим Соломонович СутинThe big altar boy1925 · Центр Помпиду 14Woman in Red Blouse (1919) работы Хаим Соломонович СутинWoman in Red Blouse1919 · Метрополитен-музей 15Portrait of Moise Kisling (1920) работы Хаим Соломонович СутинPortrait of Moise Kisling1920 16Woman in a Blue Dress (1924) работы Хаим Соломонович СутинWoman in a Blue Dress1924 · Музей современного искусства города Парижа 17Young Woman in a White Blouse (1923) работы Хаим Соломонович СутинYoung Woman in a White Blouse1923 · Галерея Куртуальда 18Seated Woman (1923) работы Хаим Соломонович СутинSeated Woman1923 · Кливлендский музей искусств 19Pastry Chef (1923) работы Хаим Соломонович СутинPastry Chef1923 20Servant Girl in Blue (1934) работы Хаим Соломонович СутинServant Girl in Blue1934 21Man with Horse (1920) работы Хаим Соломонович СутинMan with Horse1920 · Метрополитен-музей 22Still Life with Violin, Bread, and Fish (1922) работы Хаим Соломонович СутинStill Life with Violin, Bread, and Fish1922 · Кунстхаус Базель 23Duck on Blue Background (1925) работы Хаим Соломонович СутинDuck on Blue Background1925 · Staatliche Kunsthalle Karlsruhe 24Little Girl in Blue (1935) работы Хаим Соломонович СутинLittle Girl in Blue1935 · Кунстмузеум Берна 25Dead Fowl (1926) работы Хаим Соломонович СутинDead Fowl1926 · Институт искусств Чикаго 26untitled (8824) работы Хаим Соломонович Сутинuntitled (8824) 27The Table (1919) работы Хаим Соломонович СутинThe Table1919 · Музей Оранжере 28The Turkey (1925) работы Хаим Соломонович СутинThe Turkey1925 · Музей Оранжере 29Landscape работы Хаим Соломонович СутинLandscapeИзраильский музей 30The Child работы Хаим Соломонович СутинThe Child 31untitled (4004) работы Хаим Соломонович Сутинuntitled (4004) 32Apples (1917) работы Хаим Соломонович СутинApples1917 · Метрополитен-музей 33Self Portrait with Beard (1917) работы Хаим Соломонович СутинSelf Portrait with Beard1917 34Self Portrait by Curtain (1917) работы Хаим Соломонович СутинSelf Portrait by Curtain1917 35The Plane Trees at Céret (1920) работы Хаим Соломонович СутинThe Plane Trees at Céret1920 36Vase of Flowers (1918) работы Хаим Соломонович СутинVase of Flowers1918 · Музей Unterlinden 37Landscape with Flight of Stairs (1922) работы Хаим Соломонович СутинLandscape with Flight of Stairs1922 · Национальная галерея Ирландии 38Hill in Céret (1921) работы Хаим Соломонович СутинHill in Céret1921 · Израильский музей 39View of Céret (1921) работы Хаим Соломонович СутинView of Céret1921 · Художественный музей Цинциннати 40Landscape with character (1918) работы Хаим Соломонович СутинLandscape with character1918 · Музей Оранжере 41The Houses (1920) работы Хаим Соломонович СутинThe Houses1920 · Музей Оранжере 42Landscape at Ceret (1918) работы Хаим Соломонович СутинLandscape at Ceret1918 · Музеи изящных искусств Сан-Франциско 43Still Life with Fish (1920) работы Хаим Соломонович СутинStill Life with Fish1920 · Метрополитен-музей 44Chemin de la Fontaine des Tins at Céret (1920) работы Хаим Соломонович СутинChemin de la Fontaine des Tins at Céret1920 45Steeple of Saint-Pierre at Céret (1922) работы Хаим Соломонович СутинSteeple of Saint-Pierre at Céret1922 46Houses at Ceret (1920) работы Хаим Соломонович СутинHouses at Ceret1920 47View of Ceret (1921) работы Хаим Соломонович СутинView of Ceret1921 48Ceret Landscape (1920) работы Хаим Соломонович СутинCeret Landscape1920 49Self Portrait (1918) работы Хаим Соломонович СутинSelf Portrait1918 50Farm Girl [La Fille de Ferme] (1919) работы Хаим Соломонович СутинFarm Girl [La Fille de Ferme]1919 · Nagoya City Art Museum 51Portrait of a Boy (1928) работы Хаим Соломонович СутинPortrait of a Boy1928 · Worcester Art Museum 52Calf and Red Curtain (1924) работы Хаим Соломонович СутинCalf and Red Curtain1924 · Израильский музей 53Still Life with Rayfish (1923) работы Хаим Соломонович СутинStill Life with Rayfish1923 · Кливлендский музей искусств 54The Chicken (1926) работы Хаим Соломонович СутинThe Chicken1926 · Музей изящных искусств Хьюстона 55The Village (1923) работы Хаим Соломонович СутинThe Village1923 · Музей Оранжере 56Landscape at Cagnes (1923) работы Хаим Соломонович СутинLandscape at Cagnes1923 · Институт искусств Чикаго 57Dead fowl, (1924) работы Хаим Соломонович СутинDead fowl,1924 58(Carcass of beef) Minneapolis Institute of Arts (1926) работы Хаим Соломонович Сутин(Carcass of beef) Minneapolis Institute of Arts1926 · Minneapolis Institute of Art 59Gorge de Loup-sur-Vence (1923) работы Хаим Соломонович СутинGorge de Loup-sur-Vence1923 · Scottish National Gallery of Modern Art 60Houses of Cagnes (1925) работы Хаим Соломонович СутинHouses of Cagnes1925 61The White House (1933) работы Хаим Соломонович СутинThe White House1933 · Музей Оранжере 62The Alley of Trees (1935) работы Хаим Соломонович СутинThe Alley of Trees1935 · Musée de Grenoble 63Woman in Profile (Portrait of Madame Tennent) (1937) работы Хаим Соломонович СутинWoman in Profile (Portrait of Madame Tennent)1937 64Landscape at Céret [Paysage à Céret] (1922) работы Хаим Соломонович СутинLandscape at Céret [Paysage à Céret]1922 · Nagoya City Art Museum 65The old mill работы Хаим Соломонович СутинThe old mill 66Landscape with trees in the wind (1919) работы Хаим Соломонович СутинLandscape with trees in the wind1919 · The Ema Klabin House Museum 67Windy Day, Auxerre работы Хаим Соломонович СутинWindy Day, AuxerreThe Phillips Collection 68Jeune Servante (Waiting Maid, also known as La Soubrette) (1933) работы Хаим Соломонович СутинJeune Servante (Waiting Maid, also known as La Soubrette)1933 · Ben Uri Gallery & Museum 69The Pheasant работы Хаим Соломонович СутинThe PheasantThe Phillips Collection 70Woman in Profile работы Хаим Соломонович СутинWoman in ProfileThe Phillips Collection 71Return from School After the Storm работы Хаим Соломонович СутинReturn from School After the StormThe Phillips Collection 72Landscape of Gréolières работы Хаим Соломонович СутинLandscape of Gréolières 73The Artist's Workshop in the City of Falguière работы Хаим Соломонович СутинThe Artist's Workshop in the City of Falguière 74The Falguière City работы Хаим Соломонович СутинThe Falguière City 75Homes in a Landscape работы Хаим Соломонович СутинHomes in a Landscape 76untitled (7655) работы Хаим Соломонович Сутинuntitled (7655) 77untitled (9695) работы Хаим Соломонович Сутинuntitled (9695) 78untitled (7349) работы Хаим Соломонович Сутинuntitled (7349) 79untitled (8701) работы Хаим Соломонович Сутинuntitled (8701) 80untitled (2675) работы Хаим Соломонович Сутинuntitled (2675) 81untitled (4171) работы Хаим Соломонович Сутинuntitled (4171) 82untitled (1043) работы Хаим Соломонович Сутинuntitled (1043) 83untitled (1362) работы Хаим Соломонович Сутинuntitled (1362) 84untitled (7544) работы Хаим Соломонович Сутинuntitled (7544) 85untitled (4036) работы Хаим Соломонович Сутинuntitled (4036) 86untitled (484) работы Хаим Соломонович Сутинuntitled (484) 87untitled (1818) работы Хаим Соломонович Сутинuntitled (1818) 88untitled (7142) работы Хаим Соломонович Сутинuntitled (7142) 89untitled (2412) работы Хаим Соломонович Сутинuntitled (2412) 90untitled (3452) работы Хаим Соломонович Сутинuntitled (3452) 91untitled (2795) работы Хаим Соломонович Сутинuntitled (2795) 92untitled (7502) работы Хаим Соломонович Сутинuntitled (7502) 93untitled (2684) работы Хаим Соломонович Сутинuntitled (2684) 94untitled (2219) работы Хаим Соломонович Сутинuntitled (2219) 95untitled (5106) работы Хаим Соломонович Сутинuntitled (5106) 96untitled (80) работы Хаим Соломонович Сутинuntitled (80) 97untitled (3865) работы Хаим Соломонович Сутинuntitled (3865) 98untitled (7795) работы Хаим Соломонович Сутинuntitled (7795) 99untitled (1693) работы Хаим Соломонович Сутинuntitled (1693) 100untitled (5980) работы Хаим Соломонович Сутинuntitled (5980)

Хаим Соломонович Сутин: works by period

Principal subjects in the work of Хаим Соломонович Сутин

The four subjects most frequently represented among these works, each with its best-known example.

Хаим Соломонович Сутин: holding museums

8 музеев, в которых находится большинство картин со страницы.

Музей Город Работы Хаим Соломонович Сутин Картины из этого списка
Музей Оранжере, ПарижМузей Оранжере Париж 9 Beef and calf's head, The Table, The Turkey
Метрополитен-музей, Нью-ЙоркМетрополитен-музей Нью-Йорк 7 Woman in Red Blouse, Man with Horse, Apples
The Phillips Collection, Вашингтон, округ КолумбияThe Phillips Collection Вашингтон, округ Колумбия 4 Windy Day, Auxerre, The Pheasant, Woman in Profile
Nagoya City Art Museum, НагояNagoya City Art Museum Нагоя 3 Still Life with Fowl [Nature Morte à La Volaille], Farm Girl [La Fille de Ferme], Landscape at Céret [Paysage à Céret]
Израильский музей, ИерусалимИзраильский музей Иерусалим 3 Landscape, Hill in Céret, Calf and Red Curtain
Кунстмузеум Берна, БернКунстмузеум Берна Берн 2 Chicken Hanging in Front of a Brick Wall, Little Girl in Blue
Кливлендский музей искусств, КливлендКливлендский музей искусств Кливленд 2 Seated Woman, Still Life with Rayfish
Институт искусств Чикаго, ЧикагоИнститут искусств Чикаго Чикаго 2 Dead Fowl, Landscape at Cagnes

Decade index: the principal Хаим Соломонович Сутин painting of each

Произведения по десятилетиям

Select a decade to display its principal painting.

Questions frequently consulted on Хаим Соломонович Сутин's paintings

What is the best-known work of Хаим Соломонович Сутин?Display the answer

Chicken Hanging in Front of a Brick Wall (1924), Кунстмузеум Берна, Берн. The following entries are Подвешенная гусь (1925) and Suburban Landscape with Red Houses (1917).

How old was Хаим Соломонович Сутин in the year of Chicken Hanging in Front of a Brick Wall?Display the answer

31 years: Хаим Соломонович Сутин was born in 1893 and Chicken Hanging in Front of a Brick Wall is dated 1924.

What are the ten best-known works by Хаим Соломонович Сутин?Display the answer

Chicken Hanging in Front of a Brick Wall, Подвешенная гусь, Suburban Landscape with Red Houses, Girl in Red, Portrait of a Child, Untitled (1411), Beef and calf's head, The Gipsy, Return from School After the Storm и Ceret Lanscape. The list above records the date and holding museum of each.

How many works by Хаим Соломонович Сутин does the catalogue record?Display the answer

The catalogue records 118 works by Хаим Соломонович Сутин, dated between 1916 and 1937.

Where are the principal works of Хаим Соломонович Сутин held?Display the answer

Principally in Музей Оранжере (Париж), Метрополитен-музей (Нью-Йорк) и The Phillips Collection (Вашингтон, округ Колумбия). The museum table above gives the full distribution.

During which period did Хаим Соломонович Сутин produce the best-known works?Display the answer

In 1920s: 38 of the 100 works listed on this page are dated to that period, including Chicken Hanging in Front of a Brick Wall.

What are the earliest and latest best-known works by Хаим Соломонович Сутин?Display the answer

The earliest dated work listed here is Self-Portrait (1916); the latest is Portrait of a Child (1937).

What subjects did Хаим Соломонович Сутин treat most often?Display the answer

Portrait (5), Meat (4) и Woman (4), out of the 100 works listed on this page.

What medium did Хаим Соломонович Сутин employ most often?Display the answer

Oil On Canvas, in 15 of the 100 works listed on this page.

To which art movement is Хаим Соломонович Сутин attributed?Display the answer

Expressionism, as documented by the works on this page.

Which paintings by Хаим Соломонович Сутин does the Музей Оранжере hold?Display the answer

Beef and calf's head, The Table и The Turkey are among the 7 works on this page in the collection of the Музей Оранжере, Париж.

Can reproductions of Хаим Соломонович Сутин's works be ordered?Display the answer

Yes. Each work listed on this page can be ordered from its own entry as a hand-painted oil reproduction or a fine art print, in a size of your choice.

Biography of Хаим Соломонович Сутин

A Life Forged in Turmoil: The World of Chaim Soutine

Chaim Soutine, a name synonymous with raw emotion and turbulent landscapes, was born into a world of profound hardship that indelibly shaped his artistic vision. Born Chaïm-Iche Solomonovich Sutin on January 13, 1893, in Smilavichi (now part of Belarus), within a large, impoverished Jewish family, his early life was steeped in the realities of poverty and the constraints imposed by Orthodox religious observance. This formative experience—a childhood marked by scarcity and tradition—became the bedrock upon which he built his intensely personal and often unsettling artistic style. Despite the discouragement of figurative representation within his upbringing, a remarkable talent for drawing emerged, hinting at the passionate intensity that would later define his work. He received formal training at an art academy in Vilna (now Vilnius) from 1910 to 1913, but it was his emigration to Paris in 1913 that proved to be the catalyst for his artistic transformation. Enrolling at the École des Beaux-Arts under Fernand Cormon, Soutine found himself immersed in a vibrant and dynamic artistic community, yet he remained largely outside of prevailing trends, forging a unique path driven by an inner urgency. The initial years in Paris were characterized by extreme poverty—a struggle that mirrored the emotional turbulence simmering beneath the surface of his canvases.

An Expressionist Apart: Style and Influences

While often categorized as an Expressionist, to reduce Soutine solely to this label is a significant oversimplification. His style was profoundly individual, a complex synthesis of traditional European painting—particularly the works of Rembrandt and Chardin, masters known for their meticulous observation and profound psychological insight – and the Realism of Courbet, who captured the gritty realities of everyday life with unflinching honesty. Soutine didn’t merely imitate these masters; he absorbed their techniques and compositional strategies, then violently reinterpreted them to convey his own intensely personal world. His paintings are immediately recognizable for their bold colors—often applied with thick impasto, a textured application of paint that gives his surfaces a palpable physicality – and agitated brushwork, creating a sense of movement and unrest. He wasn’t interested in precise representation; instead, he sought to capture the *essence* of his subjects, imbuing them with a sense of unease, vulnerability, or even outright torment. Landscapes became arenas for this exploration, rendered not as serene vistas but as swirling masses of color and form, reflecting both what he saw and how he *felt*. Portraits, too, were imbued with psychological depth, challenging conventional notions of beauty and revealing the hidden complexities of his subjects. The influence of figures like Amedeo Modigliani, who explored the interplay between form and emotion, further shaped Soutine’s artistic trajectory.

Development and Defining Works

Soutine's artistic development unfolded through distinct periods, each marked by a shift in style and subject matter. The early Parisian years (1913-1917) were characterized by experimentation and struggle, as he navigated the challenges of poverty and sought to establish his own voice within the bustling art scene. It was during this time that he began to develop his signature technique—the layering of paint, the use of contrasting colors, and the creation of a sense of depth and movement through brushwork. A pivotal period arrived with his sojourn in Céret (1919-1922), a small town in southern France renowned for its dramatic landscapes. Surrounded by the rugged beauty of the Pyrenees Mountains, Soutine produced some of his most celebrated works—paintings that capture the raw energy and emotional intensity of the region. These paintings are characterized by vibrant colors, distorted forms, and a sense of almost violent movement, reflecting not just the physical landscape but also the artist’s own inner turmoil. The series of still lifes featuring food – particularly carcasses of beef and hung poultry – became another defining element of his oeuvre, imbued with a strange beauty and unsettling energy. These works were not merely depictions of objects; they were explorations of life, death, and the human condition.

Recognition, Legacy, and Lasting Impact

Despite facing initial skepticism from critics, Soutine gradually gained recognition for his unique artistic vision. The art dealer Leopold Zborowski played a crucial role in promoting his work, recognizing its power and securing him financial stability. While he remained somewhat elusive during his lifetime, his paintings eventually found their way into the collections of prestigious museums worldwide, including the Art Institute of Chicago, the Hermitage Museum in St. Petersburg, and the Tate Gallery in London. Soutine’s influence extended far beyond the Expressionist movement, inspiring later artists such as Willem de Kooning and Francis Bacon, who recognized in his work a kindred spirit—an artist willing to challenge conventions and explore the depths of human emotion through unconventional means. Today, Chaim Soutine is rightfully considered one of the most important figures in 20th-century art, a testament to the power of individual vision and the enduring legacy of his emotionally charged paintings. His innovative style paved the way for future generations of artists seeking to express themselves authentically and powerfully on canvas.

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