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Эль Греко 1541–1614
Греко-Испанский Born: Ираклион Маньеризм, Барокко Wikipedia: 31/32 languages
Reference list · Mannerist
Эль Греко (1541–1614) is the most famous Mannerist painter in this list; notable works include Вид Толедо and Погребение графа Оргаза. Ranks 2 to 5: Тинторетто, Джузеппе Арчимбольдо, Аньоло Бронзино and Софонисба Ангиссола. The list records 71 painters born between 1475 (Амико Аспертини) and 1577 (Кристофано Аллори) in 14 countries.
Method. Scope: artists whose works the encyclopedia records under Mannerist. Ranking: the encyclopedia's fame ranking of artists. Artists born after 1955 without a Wikidata identifier are excluded pending verification. Wikipedia: number of the encyclopedia's 32 languages with an article on the artist.
Summary
Entries
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Греко-Испанский Born: Ираклион Маньеризм, Барокко Wikipedia: 31/32 languages
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Итальянец Born: Венеция Маньеризм, венецианская школа Wikipedia: 31/32 languages
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Итальянец Born: Милан Маньеризм, сюрреализм Wikipedia: 30/32 languages
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Итальянский Born: Флоренция Маньеризм Wikipedia: 29/32 languages
Bronzino’s formative years were marked by exposure to the artistic currents of Florence under Pontormo's guidance. Simultaneously, he studied the monumental sculptures of Michelangelo and Leonardo da Vinci, absorbing their mastery of anatomy and perspective.
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Итальянец Born: Ареццо Маньеризм Wikipedia: 31/32 languages
His monumental work, Lives of the Most Excellent Painters, Sculptors, and Architects, published in 1550 (with a revised edition in 1568), revolutionized the way art was understood and appreciated.
Teacher of Jacopo Zucchi #54, Federico Zuccari #41
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Итальянец Born: Венеция Высокий Ренессанс, Маньеризм Wikipedia: 23/32 languages
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Нидерландский Born: Брауншвейг Северный маньеризм Wikipedia: 19/32 languages
Recognizing this unique adaptation, Goltzius’s father secured his apprenticeship under Dirck Volckertszoon Coornhert, a renowned printmaker and master engraver in Haarlem, the burgeoning artistic center of the Dutch Republic. His work served as a bridge between the artistic traditions of Northern Europe and Italy, introducing Mannerist styles to a wider audience.
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Итальянский Born: Кастельнуово-Берарденга Мannerизм, Ренессанс Wikipedia: 21/32 languages
This departure from the harmonious balance of High Renaissance ideals signaled his embrace of Mannerism, though he remained distinctly apart from its more widespread trends. Sienese Tradition with Mannerist Influences: He skillfully blended the decorative elements and emotional intensity of the Sienese school with the emerging stylistic features of Mannerism.
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Нидерландский Born: Амстердам Северный маньеризм Wikipedia: 28/32 languages
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Фламандская Born: Антверпен Северный маньеризм Wikipedia: 18/32 languages
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Итальянская Born: Болонья Маньеризм, Барокко Wikipedia: 26/32 languages
However, she quickly absorbed influences from other prominent artists, notably Denis Calvaert, whose school in Bologna was a hub of innovation during the late 16th century. Lavinia Fontana’s legacy extends far beyond her individual paintings; she remains an icon of female empowerment in the art world.
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Born: Урбино Wikipedia: 24/32 languages
“Композиционный эскиз” (“Circumcision”, Париж, Лувр) свидетельствует о его способности к тщательному планированию композиции и созданию выразительных образов. “Голова мужчины” (для картины “Призвание святого Андрея”, Брюссель, Королевские музеи изящных искусств Бельгии) поражает вниманием к деталям и глубиной психологического портрета. Особое место в его творчестве занимают религиозные полотна, такие как “Рождество” (1597 год, Прадо), “Мадонна дель Пополо” (Галерея Уффици, Флоренция) и знаменитая “Мадонна с котом” (“La Madonna del Gatto”).
Notable works · 100 notable works
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Итальянец Born: Флоренция Маньеризм Wikipedia: 24/32 languages
Allori’s art is inextricably linked to the Mannerist tradition – an era characterized by its deliberate artificiality, elegant complexity, and a conscious departure from the naturalistic ideals of the High Renaissance. Alessandro Allori, born in Florence on May 31st, 1535, stands as a captivating figure within the late Mannerist school – an artist deeply shaped by circumstance and profoundly influenced by the tutelage of Agnolo Bronzino.
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Итальянец Born: Флоренция Маньеризм Wikipedia: 17/32 languages
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Flemish Born: Meulebeke Northern Mannerism Wikipedia: 20/32 languages
Rome (1574-1577): Van Mander spent three years in Rome, where he encountered classical art and developed his artistic style. Northern Mannerism Pioneer: Karel van Mander is considered a key figure in the development of Northern Mannerism.
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Italian Born: Bologna Late Renaissance & Mannerism Wikipedia: 18/32 languages
His work also includes significant contributions to the decoration of the Santa Maria del Baraccano church in Bologna, including a captivating “Disputa di Santa Caterina.” His daughter, Lavinia Fontana, who herself became a successful painter, undoubtedly benefited from her father’s tutelage and artistic guidance. He bridged the gap between the classical ideals of the High Renaissance and the expressive distortions of Mannerism, creating a style that was both visually arresting and psychologically complex.
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Italian Born: Болонья Mannerism Wikipedia: 22/32 languages
Whether through the delicate line work of a chalk drawing like Ceres or the monumental scale of fresco fragments such as Ulysses Winning the Archery Contest in the Presence of Penelope, Primaticcio’s oeuvre remains a testament to an artist who could navigate the complexities of myth, majesty, and the human psyche with unparalleled grace.
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Нидерландский Born: Лейден Маньеризм Wikipedia: 15/32 languages
His relocation to Antwerp in 1572, driven by their Catholic faith amidst the rising tide of Protestantism, wasn't merely a geographical move; it was a pivotal moment that exposed him to the intellectual currents of the Low Countries and laid the foundation for his artistic development.
Student of Federico Zuccari #41
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Итальянец Born: Монелья Генуэзская школа, маньеризм Wikipedia: 15/32 languages
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Итальянец Born: Бассано-дель-Граппа Венецианское Возрождение Wikipedia: 12/32 languages
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Flemish Late Mannerism
Early Life & Training: De Clerck’s formative years are shrouded in obscurity, though evidence suggests he received training under Jan Brueghel the Elder, a titan of Flemish landscape painting and a pivotal influence on de Clerck's artistic approach. Among De Clerck’s most celebrated achievements is “The Deposition,” commissioned for St.
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Итальянский Born: Бассано-дель-Граппа Манерализм Wikipedia: 13/32 languages
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Italian Born: Florence Mannerist Painting Wikipedia: 15/32 languages
Whether depicting the celestial grace of a Madonna with Child or the dramatic tension found in works like The Fall of the Giants, Perino possessed a unique talent for blending the monumental with the delicate.
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Flemish Born: Bruges Renaissance, 16th Century Painting Wikipedia: 15/32 languages
His arrival coincided with a period of immense artistic patronage and experimentation within the court, orchestrated by Grand Duke Cosimo I de’ Medici and his advisor, Giorgio Vasari. The Metropolitan Museum of Art’s collection features a significant drawing by Stradanus – “ Allegory of America” – offering valuable insight into his artistic vision and providing a tangible connection to this remarkable Florentine master.
Teacher of Antonio Tempesta #56
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Итальянский Born: Порденоне Живопись эпохи Возрождения Wikipedia: 16/32 languages
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Italian Born: Sant'Angelo in Vado Mannerism Wikipedia: 18/32 languages
This ambition is perhaps most tangibly felt in Casa Zuccari in Florence, a residence built around 1578. Their collaborative spirit yielded masterpieces such as “The Holy Family ” in Palazzo Vecchio, a work that serves as a testament to their unified artistic language.
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Dutch Born: Gouda Mannerism Wikipedia: 13/32 languages
Encouragement also came from Dirck Crabeth, a celebrated stained-glass artist and brother to Wouter Crabeth, whose wife may have been related to Ketel – suggesting a network of familial support within the artistic community.
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Flemish Born: Hulst Mannerism, Renaissance Wikipedia: 8/32 languages
The influence of Hieronymus Bosch is also readily apparent in Mostaert’s oeuvre, particularly in compositions derived from tapestries based on Bosch's fantastical creations. He played a crucial role in the development of both genre and landscape art within Antwerp, pushing boundaries and inspiring subsequent generations of artists.
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Итальянец Born: Флоренция Флорентийский маньеризм Wikipedia: 11/32 languages
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Italian Born: Florence Proto-Baroque & Counter-Maniera Wikipedia: 14/32 languages
His prolific output, including monumental altarpieces such as The Resurrection for Santa Croce, demonstrated that art could be both profoundly beautiful and deeply communicative.
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Итальянец Born: Караваджо Маньеризм Wikipedia: 10/32 languages
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Итальянец Born: Кремона Фламандский стиль / Ломбардский натурализм Wikipedia: 13/32 languages
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Italian Born: Zadar Baroque Sculpture; Mannerism Wikipedia: 14/32 languages
His patronage by influential Venetian families, such as the Mocenigo and Grimani, ensured that his influence permeated the very fabric of the city's cultural life.
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Итальянец Born: Верона Позднее Возрождение и маньеризм Wikipedia: 11/32 languages
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Italian Born: Bologna Mannerism Wikipedia: 10/32 languages
The historical significance of Bartolomeo Passarotti lies in his role as a foundational figure for the Carracci Academy and the broader Bolognese tradition.
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Italian Born: Vicenza Late Renaissance/Mannerist Wikipedia: 5/32 languages
Through his work, the halls of the palace—including the Sala del Senato and Sala dello Scrutinio—were transformed into theatrical stages where history and myth converged.
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Italian Born: Florence Mannerist Painting Wikipedia: 11/32 languages
His works often serve as windows into the complex allegories of the 16th century: Religious Devotion: In pieces such as Allegory of the Creation, Zucchi captures profound moments of divine connection, utilizing dramatic lighting and celestial figures to evoke a sense of awe and religious fervor.
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Italian Born: Florence Mannerism Wikipedia: 11/32 languages
One of his most poignant achievements can be seen in the Church of Santo Stefano Rotondo in Rome, where his fresco depicting the martyrdom of Saint Primus utilizes a rich color palette and intense emotionality to capture a scene of profound grief and loss. He remains a testament to the interconnectedness of the European art world during the Renaissance and Baroque periods, serving as a bridge between the classical traditions of Italy and the burgeoning artistic spirit of the North.
Student of Stradanus #39
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Итальянец Born: Болонья Маньеризм Wikipedia: 11/32 languages
«Trionfo Militare» (Военный триумф), монументальная фреска, изображающая военную победу, демонстрирует его способность синтезировать классические образы с драматической театральностью. «Erocle e il cinghiale di erimanto» (Геракл и Эриманфский вепрь) — еще один поразительный пример, свидетельствующий о его мастерстве композиции и готовности искажать перспективу ради экспрессивного эффекта.
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German Born: Vienna Northern Mannerism
Wenzel’s artistic education commenced under the tutelage of his father and brother. Born in Vienna, Italy, Wenzel was the son of Hans Jamnitzer the Elder, a goldsmith who established a tradition of excellence that would continue through subsequent generations.
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Italian Born: Vicenza
His monumental two-volume treatise, L'idea dell'architettura universale, published in Venice in 1615, stands as one of the final great works of the Renaissance.
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Italian Born: Melide Late Renaissance
Domenico Fontana, a name often overshadowed by the titans of the High Renaissance, stands as a pivotal figure in 16th-century Italian architecture and engineering. The Fontana dell'Acqua Felice (Fountain of Moses), built for Pope Sixtus V, stands as a prime example.
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Born: Antwerp Antwerp Mannerism Wikipedia: 9/32 languages
Though his name fell into obscurity following the end of the sixteenth century, Jan De Beer’s influence endured through the lasting impact of the Antwerp Mannerist style.
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Italian Born: Mazzo di Valtellina Mannerist Wikipedia: 10/32 languages
His most celebrated achievement remains the scaled oil copy of the Last Judgment, commissioned by Cardinal Alessandro Farnese.
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Французский Born: Париж Вторая школа Фонтенблуа; Маньеризм; Итальянское искусство влияния Wikipedia: 8/32 languages
Toussaint Dubreuil (c. 1561 – 1602), a French painter born in Paris, stands as a pivotal figure within the Second School of Fontainebleau—a movement that skillfully blended the stylistic grandeur of Mannerism with the vibrant aesthetics of Italian Renaissance art.
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Italian Born: Florence Mannerist Wikipedia: 10/32 languages
The “Virgin and Child with Saint Elizabeth and John the Baptist ” (1535), now housed in the Uffizi Gallery, exemplifies this evolution, showcasing a masterful command of perspective, drapery, and emotional expression. The “Deposition” (1552), painted for the Oratory of San Giovanni Decollato, exemplifies this shift towards a more emotionally charged style.
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Flemish Born: Antwerp Landscape with mythological and allegorical Wikipedia: 8/32 languages
In 1580, Fiammingo was tasked with creating extensive series of paintings to adorn Castle Kirchheim in Württemberg.
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French Born: Bassigny Northern Mannerism Wikipedia: 9/32 languages
Though his life was cut short in 1616, Bellange’s influence endured far beyond the borders of Lorraine.
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Italian Born: Parma Mannerist Painting Wikipedia: 8/32 languages
The significance of Girolamo Mazzola Bedoli extends beyond the individual canvases he left behind.
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Italian Born: Novellara Mannerist Wikipedia: 7/32 languages
Born in the small town of Novellara around 1508 or 1511, Orsi navigated an era defined by shifting theological certainties and the complex intellectual currents of humanism.
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Italian Born: Florence Renaissance and Mannerism Wikipedia: 5/32 languages
He was an artist who did not merely witness the transition from the High Renaissance to Mannerism but actively participated in its shaping. While some historical accounts suggest a familial bond to the great Ridolfo Ghirlandaio, it is more accurately understood that Tosini flourished within the master's studio, absorbing the foundational technical skills and established stylistic principles of the Florentine workshop.
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Spanish Born: Mascaraque Renaissance, Mannerism Wikipedia: 6/32 languages
Correa's early commissions, such as the altarpiece for the monastery of Santa María de Guadalupe in Mascaraque (circa 1532-1534), demonstrate a clear adherence to Raphael’s principles – elegant figures, balanced compositions, and harmonious color palettes.
Notable works
Chronology
Statistics
| Италия | 34 |
|---|---|
| Italy | 15 |
| Belgium | 4 |
| Нидерланды | 3 |
| Франция | 3 |
| Германия | 2 |
| Netherlands | 2 |
| Греция | 1 |
| 1470s | 2 |
|---|---|
| 1480s | 3 |
| 1490s | 5 |
| 1500s | 11 |
| 1510s | 10 |
| 1520s | 8 |
| 1530s | 7 |
| 1540s | 11 |
| 1550s | 7 |
| 1560s | 4 |
| 1570s | 3 |
| Музей истории искусств | 19 |
|---|---|
| Государственный Эрмитаж | 9 |
| Баварские государственные живописные коллекции | 9 |
| Музей Прадо | 8 |
| Национальная галерея | 7 |
| Рейксмюзеум | 6 |
| Лувр | 6 |
| Метрополитен-музей | 5 |
Index
FAQ
Эль Греко (#1) is first in this ranking, followed by Тинторетто (#2) and Джузеппе Арчимбольдо (#3).
Эль Греко (#1), Тинторетто (#2), Джузеппе Арчимбольдо (#3), Аньоло Бронзино (#4) and Софонисба Ангиссола (#5).
The highest-ranked painters born in Италия are Тинторетто (#2), Джузеппе Арчимбольдо (#3), Аньоло Бронзино (#4), Софонисба Ангиссола (#5) and Понтормо (#6).
The earliest-born painter in this list is Амико Аспертини (#57), born in 1475.
Флоренция: 8 of the painters in this list were born there.
Италия: 34 of the 71 painters in this list were born there, then Italy (15) and Belgium (4).
Most painters in this list were born in the 1540s (11 of 71), between 1475 and 1577 overall.
2 women are in this ranking: Софонисба Ангиссола (#5) and Лавиния Фонтана (#16).
“This relationship fostered a prolific artistic output, encompassing monumental frescoes for churches and palaces, elaborate decorative schemes, and countless portraits of the Medici family and their associates.” — from our biography of Аньоло Бронзино (#4).
Джорджо Вазари (#8) taught Jacopo Zucchi (#54) and Federico Zuccari (#41); Stradanus (#39) taught Antonio Tempesta (#56).
The museums holding the most key works of this list are Музей истории искусств (19), Государственный Эрмитаж (9) and Баварские государственные живописные коллекции (9).
The encyclopedia records 5,171 works by these painters.
Articles
See also
See also
See also