Posodobljeno oktober 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 1 del v našem katalogu avtorja Nikolay Koshelev
Povzetek
Po tej uvrstitvi je Self-Portrait (1865) najbolj znana slika umetnika Nikolay Koshelev; v muzeju Ermitaž v mestu Sankt Peterburg se nahaja. Ta seznam temelji na 1 delih umetnika Nikolay Koshelev v katalogu in prikazuje 1 najbolj znanih del, za vsako od them pa navaja datum, muzej, ki deli delo, in opis.
The oil painting titled Self-Portrait by Nikolay Koshelev presents a single male figure. This work emerged from Russia in 1865. The artist captures his own likeness, fixing a gaze that meets the viewer through the stillness of the canvas. It is a quiet confrontation between the painter and the painted.
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Nikolay Koshelev | Slike iz tega seznama |
|---|---|---|---|
 Ermitaž |
Sankt Peterburg | 1 | Self-Portrait |
Vsi datiranii dela umetnika Nikolay Koshelev, zabeležena na tej strani, datirajo iz leta 1865.
Izberite leto, da prikazate njegova glavna dela.
The oil painting titled Self-Portrait by Nikolay Koshelev presents a single male figure. This work emerged from Russia in 1865. The artist captures his own likeness, fixing a gaze that meets the viewer through the stillness of the canvas. It is a quiet confrontation between the painter and the painted.
Self-Portrait (1865)
25 let: Nikolay Koshelev se je rodil/a v 1840, Self-Portrait pa je datiran/a leta 1865.
Katalog vsebuje 1 del umetnika Nikolay Koshelev.
Predvsem v Ermitaž (Sankt Peterburg). Zgornja tabela muzejev prikazuje celotno razporeditev.
Born to a peasant family of serfs, Nikolay Koshelev began his artistic path in the city of Arzamas. His early years were marked by a self-taught determination; after an unsuccessful apprenticeship to a decorative painter in Nizhni-Novgorod, he taught himself to paint while in the service of a local landowner. His talent eventually led him to the art school in Kazan, where he studied under an expatriate Italian artist named Botelli. This period of development, which included independent work on a monastery wall and an iconostasis, paved the way for his acceptance at the Imperial Academy of Arts in 1860.
As his career progressed, Koshelev became a versatile figure in the Russian art world, specializing in portraits, genre scenes, and icon painting. He was a member of the Artel of Artists and worked alongside Ivan Kramskoi. His technical skill was recognized through various honors, including a gold medal in 1864 and being named an "Academician" in 1873, followed by the title of Professor in 1878. His monumental contributions included painting the main dome at the Cathedral of Christ the Saviour and creating sketches for the mosaics and murals in the Church of the Savior on Blood.
Koshelev's reach extended far beyond Russia. He traveled to Rome in 1880 and later undertook an extended trip to create icons for the new Cathedral of the Most Holy Trinity in Buenos Aires. His professional life was also defined by his involvement in institutional art history; he was one of the founders of the Nizhni-Novgorod Art and Historical Museum and served as an "Inspector" at the Stroganov Moscow State Academy of Arts and Industry. His work can be found in several significant collections, including:
His mural work also left a lasting mark on religious architecture, with frescoes from a cathedral in Warsaw being moved to the Intercession Cathedral in Baranavichy, Belarus.
