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barkley leonnard hendricks, Self Portrait (2013), Chrysler Museum of Art. Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic.

Podrobnosti

Umetnik: barkley leonnard hendricks wikioo.org/sl/artists/barkley-leonnard-hendricks/
Datumi rojstva in smrti umetnika: 1945 – 2017
Naslikano: 2013
Material: Acrylic On Canvas
Prvotna velikost: 97 x 97 cm
Gibanje: Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Na lokaciji: Chrysler Museum of Art wikioo.org/sl/museums/chrysler-museum-of-art-norfolk_sl/
Artistic style: Realistic portraiture
Influences: European art
Notable elements: Life-size depiction
Subject or theme: Self-representation

Avtorske pravice Ta sklad je še vedno predmet avtorske pravice. barkley leonnard hendricks je umrl leta 2017; avtorska pravica velja 70 let po smrti umetnika, zato ostaja v veljavi do 2087. Slika je tu prikazana le v izobraževalne namene; pravice ostajajo pri imetniku pravic.

Self Portrait — barkley leonnard hendricks

Dimenzije

Prvotne dimenzije so 97 × 97 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

1940
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2010

Osenčeno: življenjsko obdobje barkley leonnard hendricks (1945–2017) ▲ to delo, 2013

Primerjajte z

Take All the Time You Need (Adrienne Hawkins), 1975 wikioo.org/sl/art/barkley-leonnard-hendricks-take-all-the-time-you-need-adrienne-hawkins-D9PJ9K-en/
Bahsir, 1975 wikioo.org/sl/art/barkley-leonnard-hendricks-bahsir-D9PHXK-en/
Wonder Woman, 1978 wikioo.org/sl/art/barkley-leonnard-hendricks-wonder-woman-D9PHW7-en/

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: wikioo.org/sl/art/similar/barkley-leonnard-hendricks-self-portrait-D435EX-en/

Barve

Izmerjeno na podlagi slike

Glavna barva

Espresso #4a4b4c

Shranjena paleta

#4A4B4C
#D1D2CF
#8F908D
#1B1B1A

Naziv primarne barve: Espresso
Intenzivnost: Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
Kontrast: Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
Harmonija: Balanced Harmony Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
Zasvetlina: Balanced Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
Zasičenost: Muted Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

Self Portrait — barkley leonnard hendricks

The Genesis of a Vision: Barkley Leonard Hendricks' "Self Portrait"

Barkley Leonard Hendricks’ 2013 photograph, “Self Portrait,” isn’t merely a depiction of an artist; it’s a carefully constructed dialogue between the man and his art, a vibrant snapshot of identity forged within the crucible of Philadelphia’s urban landscape. Created during a pivotal period in Hendricks' career – following years dedicated to addressing the conspicuous absence of Black figures in Western art history – this image embodies a profound shift towards celebrating the everyday realities of African American life. The photograph captures Hendricks not as a distant icon, but as a tangible presence, a teacher, and a proud inhabitant of his community, radiating an undeniable sense of self-assuredness.

Hendricks’ decision to present himself in such a direct and unadorned manner is deliberate. He stands before two of his most celebrated portraits, “Slick” (1977) and “Brilliantly Endowed (Self-Portrait)” (1977), both monumental works that redefined the possibilities of Black portraiture. The inclusion of these paintings – vibrant testaments to his artistic vision – immediately establishes a context of creative accomplishment and intellectual rigor. The photograph’s black and white palette amplifies the impact, stripping away superficial distractions and focusing attention squarely on Hendricks' face and posture; it is a deliberate choice that echoes the stark realism characteristic of his earlier work.

A Study in Composition: Lines, Light, and the Urban Grid

The composition of “Self Portrait” is remarkably balanced, despite its slightly cluttered appearance. The photographer masterfully utilizes leading lines – created by the placement of the two finished portraits – to draw the viewer’s eye towards Hendricks' central figure. These lines converge on his face, establishing a direct connection between the artist and the observer. The strong contrast between light and shadow, generated by natural light streaming through a window, sculpts Hendricks’ form with dramatic precision, highlighting the contours of his face and emphasizing the weight of his gaze.

Geometric Lines: The photograph is defined by geometric lines – the sharp angles of the studio equipment, the rectangular frames of the paintings, and the structured arrangement of Hendricks' clothing.

Organic Shapes: Despite the dominant geometric elements, organic shapes are subtly present in Hendricks’ body, his posture, and the textures of his shirt.

Texture: The wood floor, the fabric of his t-shirt, and the surfaces of the paintings all contribute to a rich tapestry of texture, adding depth and tactile quality to the image.

Symbolism and Context: A Reflection on Representation

Beyond its formal qualities, “Self Portrait” carries significant symbolic weight. Hendricks’ wearing a t-shirt referencing Simon Gratz High School – where he taught for many years – subtly anchors him within his community and underscores his commitment to education. This detail speaks volumes about his role as both an artist and a mentor, bridging the gap between the art world and the everyday experiences of Philadelphia's youth.

The photograph’s deliberate lack of embellishment is itself a powerful statement. Hendricks doesn’t pose theatrically or attempt to project an idealized image; instead, he presents himself as he truly is – a thoughtful, engaged individual deeply connected to his roots. This approach directly challenges the traditional conventions of portraiture, which often prioritize beauty and social status over authenticity and lived experience. It's a bold assertion that Black identity can be powerfully represented through realism and directness.

A Legacy in Monochrome: The Enduring Power of Hendricks’ Vision

“Self Portrait” is more than just a photograph; it’s a testament to Barkley Leonard Hendricks’ artistic vision and his unwavering commitment to representing the complexities of Black life. The image's stark beauty, combined with its subtle layers of symbolism, invites viewers to contemplate themes of identity, representation, and the enduring power of art to shape our understanding of the world. Reproductions of this compelling work offer a window into Hendricks’ creative process and his profound contribution to contemporary American art.

Umetnik

barkley leonnard hendricks

Rojen v Philadelphia, United States of America

Early Life and Education

Born: April 16, 1945, in Philadelphia, Pennsylvania

Family Background: Grew up in a family that valued art and education. His parents migrated from Halifax County, Virginia to Philadelphia.

Education: Attended Simon Gratz High School, Pennsylvania Academy of the Fine Arts (PAFA), and Yale University where he earned both a Bachelor's and Master’s degree. Studied with notable artists like Bernard Chaet, Lester Johnson, Gabor Peterdi, Robert Reed, and Walker Evans.

Artistic Development and Influences

European Influence: Early career was significantly influenced by travels to Europe, particularly the portrait styles of artists such as van Dyck and Velázquez.

Addressing Representation: Troubled by the absence of Black people in Western art history, he dedicated his work to correcting this imbalance.

Style Characteristics: Paintings are characterized by life-sized, realistic depictions of Black Americans against monochromatic backdrops. A unique blend of American realism and postmodernism.

Key Influences: The Black Power movement influenced his desire to portray Black Americans with pride and dignity.

Notable Works and Exhibitions

Significant Paintings: Notable works include Lawdy Mama (portrait of his second cousin) and What’s Going On (inspired by Marvin Gaye's single).

Exhibition Highlights: His work has been exhibited at prestigious venues including the Frick Collection in Manhattan (first African American artist to have a solo exhibit), the Nasher Museum of Art at Duke University, and the Chrysler Museum of Art.

Self-Portraits: Created notable self-portraits like Brilliantly Endowed (Self portrait) and Slick in response to critical reviews.

Legacy and Historical Significance

Contribution to Black Portraiture: Made significant contributions to Black portraiture and conceptualism, challenging traditional Western art representations.

Black Arts Movement Figure: A key figure in the Black Arts Movement, advocating for greater representation of Black artists and culture.

Recognition and Awards: His work has been widely recognized for its unique style and powerful message.

Availability: Paintings are available for viewing and purchase on AllPaintingsStore.com.

Further Information

Wikipedia: https://en.wikipedia.org/wiki/Barkley_L._Hendricks

AllPaintingsStore Profile: /en/artists/barkley-leonnard-hendricks/

Muzej

Chrysler Museum of Art

Na razstavi v Norfolk, Združene države Amerike

Svetišče svetlobe in vizije

V srcu Norfolk, Virginia, se Chrysler Museum of Art vzdeja kot globok spomenik transformativni moči vizije in velikodušnosti. To, kar se je leta 1933 začelo kot skromni Norfolk Museum umetnosti in znanosti, se je hitro spremenilo v vrhunsko kulturno središče, kar se je v veliki meri zgodilo zaradi ključne donacije Walterja P. Chryslerja mlajšega leta 1971. Danes služi kot svetlobno zatočišče, kjer se prepletajo pet tisočletij človeške ustvarjalnosti in ponuja kronološko odpravo, ki obiskovalce vabi k raziskovanju obsežnega pokrajine umetniške evolucije. Od ancientnih šepetov zgodnjih civilizacij do drzne, vizeralne energije sodobnih mojsterven museum nudi poglobljeno izkušnjo, ki presega čas in geografijo.

Duša Chryslerja skriva v njegovi osupljivo raznoliki zbirkah, kjer se monumentalno sreča z nežnim. Po njegovih hodnikih ne moreš hoditi, da ne padneš pod čar svetovno znane steklene kolekcije, ki je zam闪ljivo panoramo, ki sledi poti tega materiala od krhke antike do moderne inovacije. Tukaj iridiscenčna briljanca stekleničnih zasłon

Louisa Comforta Tiffanyja

ustvarja miniaturna vesolja svetlobe, ki v dialogu stoji z masivnimi, zaprepadajočimi barvno steklenimi oknom. To mojstrstvo svetlobe se zrcali tudi v evropskih galerijah muzeja, kjer dramatični

chiroskuro

Caravaggia in natančni, tihi Vermeerovi notranji prostori ponujajo okno v samo bistvo človeškega stanja. Zbirka se nadaljuje z veličastnostjo baroka z deli Berninija in Rubensa, nato pa se premika skozi prefinjeno ameriško portretno slikarstvo Johna Singletona Copleya do surove, čutne abstrakcije Jacksona Pollocka in Marka Rothka.

Arhitekturna eleganca in živa umetnost

Arhitekturno je muzej pravo mojstrovina modernističnega oblikovanja, posebej zasnovana kot posojilo za svetlobo. Razširitev leta 2014 je institucijo spremenila v vzneseno pokrajino prostornih galerij in visokih stropov, namenjenih maksimiziranju naravne osvetlitve in spodbuditvi globokega razmišljanja. To arhitekturno eleganco dopolnjujejo에도 igriva trenutka, kot je prisotnost skulpture

Gumijaste plastične navdušene račke

umetnika Florentijna Hofmana, ki z igrivim penghanjem pozdravlja pomorsko dediščino Norfolk. Za tiste, ki želijo menyaksikan iskro ustvarjalnosti, muzej gostuje studio Perry Glass, interaktivni prostor, kjer lahko neposredno opazujete ritmičen ples vročega stekla in vrhunskega okusnega rokodelstva, kar premošča razdaljo med dokončanim mojstvom in umetniško roko.

Poleg svoje vloge skladišča dragocenosti je Chrysler Museum opredeljen s svojo neomajno predanostjo inkluzivnosti in vključevanju skupnosti. Z brezplačnim vstopom institucija zagotavlja, da umetnost ostane dostopljiv luksuz, ki razbija socioekonomske ovire in odpira vrata vsem iskalcem lepote. Za oblikovalce notranjih prostorov in zbiratelje muzej služi kot neexhaustibilen vir navdiha, ki ponuja bogato paleto tekstur, zgodovinskih motivov in barvnih harmonij. Je več kot muzej; je živahno središče kulturnega izmenjavanja, prostor, kjer dišata preteklost in sedanjost, ter opomin, vsakemu obiskovalcu, da sta lepota in inovacija bistveni elementa dobrodošlo življenja.

Preberite več

Avtor barkley leonnard hendricks wikioo.org/sl/artists/barkley-leonnard-hendricks/
Muzej Chrysler Museum of Art wikioo.org/sl/museums/chrysler-museum-of-art-norfolk_sl/
Podobna dela Več del za primerjavo wikioo.org/sl/art/similar/barkley-leonnard-hendricks-self-portrait-D435EX-en/
Predmet Dark Masterpieces: 10 Iconic Paintings Dominated by Black Tones wikioo.org/sl/articles/dark-masterpieces-10-iconic-paintings-dominated-by-black-tones-en/
Predmet Mars Black Masterpieces: 10 Iconic Paintings & Timeless Art Decor Ideas wikioo.org/sl/articles/mars-black-masterpieces-10-iconic-paintings-timeless-art-decor-ideas-en/
Predmet Ivory Black Masters: 10 Paintings That Define Dramatic Art wikioo.org/sl/articles/ivory-black-masters-10-paintings-that-define-dramatic-art-en/
Predmet Documentary Photography's Defining Moments: 10 Masterpieces for Your Home wikioo.org/sl/articles/documentary-photography-s-defining-moments-10-masterpieces-for-your-home-en/

Preverite na spletu

QR koda za dostop do strani za prenos Self Portrait

wikioo.org/sl/art/download/barkley-leonnard-hendricks-self-portrait-D435EX-en/

Navodila za citiranje umetniškega dela

MLA: hendricks, barkley leonnard. Self Portrait. 2013, Chrysler Museum of Art. https://wikioo.org/sl/art/barkley-leonnard-hendricks-self-portrait-D435EX-en/
APA: hendricks, barkley leonnard (2013). Self Portrait [Painting]. Chrysler Museum of Art. https://wikioo.org/sl/art/barkley-leonnard-hendricks-self-portrait-D435EX-en/
Chicago: barkley leonnard hendricks. Self Portrait. 2013. Chrysler Museum of Art. https://wikioo.org/sl/art/barkley-leonnard-hendricks-self-portrait-D435EX-en/
Harvard: hendricks, barkley leonnard (2013) Self Portrait. Chrysler Museum of Art. Available at: https://wikioo.org/sl/art/barkley-leonnard-hendricks-self-portrait-D435EX-en/

Self Portrait — barkley leonnard hendricks

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Koliko obrazov lahko najdete? ____ (v našem katalogu jih je število 2 — se strinjate?)
Naš katalog to delo uvršča pod: self-portrait, artist studio, black and white. Se strinjate? Bi kaj dodali ali odvzeli?
Oglejte si Take All the Time You Need (Adrienne Hawkins) (1975), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.

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Self Portrait — barkley leonnard hendricks

Kako dobro poznate to umetniško delo?

Za vsako od spodnjih 5 vprašanj izberite en odgovor. Vsako vprašanje ima natanko en pravilni odgovor.

1. What is the primary subject of Barkley Leonard Hendricks’ ‘Self Portrait’?
- A A depiction of a historical event.
- B A realistic portrayal of an African American man in his studio.
- C An abstract representation of the artist's emotions.
2. According to the description, what is notable about the lighting in the photograph?
- A It’s uniformly bright and even.
- B It creates strong shadows and highlights.
- C It's primarily diffused natural light.
3. What school did Barkley Leonard Hendricks teach at before retiring?
- A Pennsylvania Academy of the Fine Arts (PAFA)
- B Yale University
- C Simon Gratz High School
4. The photograph includes a reference to which of Barkley Leonard Hendricks’ secondary schools?
- A Harvard University
- B Yale University
- C Simon Gratz High School
5. What is a key characteristic of Barkley Leonard Hendricks' paintings, as mentioned in the description?
- A They are exclusively landscapes.
- B They feature monochromatic backdrops and life-sized depictions of Black Americans.
- C They primarily depict portraits of European royalty.

Moj rezultat: ____ od 5

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1B · 2B · 3C · 4C · 5B